These objects—a cigarette lighter, lollipop sticks, a beer-bottle opener, etc.—like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically.Written in a variety of literary forms, The Museum of Unconditional Surrender captures the shattered world of living in exile. Some chapters re-create the daily journal of the narrator's lonely and alienated mother, who shops at the improvised flea-markets in town and longs for her children; another is a dream-like narrative in which a circle of women friends are visited by an angel. There are reflections and accounts of the Holocaust and the Yugoslav Civil War; portraits of European artists; a recipe for Caraway Soup; a moving story of a romantic encounter the narrator has in Lisbon; descriptions of family photographs; memories of the small town in which Ugresic was raised.Addressing the themes of art and history, aging and loss, The Museum is a haunting and an extremely original novel. In the words of the Times Literary Supplement, "it is vivid in its denunciation of destructive forces and in its evocation of what is at stake."

    As the novel begins, he is a professor of American literature at a college in Toronto. Out of touch with his young students, and hounded by the Czech secret police, Danny is let loose to roam between past and present, adopting whatever identity that he chooses or has been imposed upon him by History.As adventuresome, episodic, bawdy, comic, and literary as any novel written in the past twenty-five years, The Engineer of Human Souls is worthy of the subtitle Skvorecky gave it: "An Entertainment on the Old Themes of Life, Women, Fate, Dreams, The Working Class, Secret Agents,Love and Death."

    The central figure of the novel is Calman Jacoby, who stands between the old and the new, unable to embrace either whole-heartedly.

    Yeats and T.S. Eliot as one of the masterpieces of modern literature. Fusing poetry and prose, gutter talk and high music, wartime terror and ancient myth, Jones, who served as an infantryman on the Western Front, presents a picture at once panoramic and intimate of a world of interminable waiting and unforeseen death. And yet throughout he remains alert to the flashes of humanity that light up the wasteland of war.

    Charcot at Salpetriére Hospital outside Paris, and Marie Curie, the Polish physicist and Nobel Prize winner. While the scientist tries to understand the nature of radiation, Blanche, her assistant and, at the time of her death, a triple amputee as a result of exposure to radiation, fills three notebooks with her exploration of a deceptively simple question: What is love? The Book about Blanche and Marie is at once a haunting look at scientific martyrdom and an intimate moving portrait of a friendship between two uniquely brave and talented women.

    reveals one of the most horrifying aspects of any war: the rape and torture of civilian women by occupying forces. S. is the story of a Bosnian woman in exile who has just given birth to an unwanted child—one without a country, a name, a father, or a language. Its birth only reminds her of an even more grueling experience: being repeatedly raped by Serbian soldiers in the "women's room" of a prison camp. Through a series of flashbacks, S. relives the unspeakable crimes she has endured, and in telling her story—timely, strangely compelling, and ultimately about survival—depicts the darkest side of human nature during wartime. "S. may very well be one of the strongest books about war you will ever read. . . .The writing is taut, precise, and masterful."

    Mao, at least, is still on view for the masses to see, some two decades after his demise. But no corpse engendered as much intrigue as that of Eva Peron. Elevated to near sainthood in Argentina after her death in 1952, her perfectly preserved corpse was seized by the Argentine Army following the ouster of her husband in 1955. By then, her corpse was the equivalent of a sacred relic, and while army officials wanted to keep it out of the hands of Peronists, they were loath to destroy the corpse for fear of the wrath that might follow. Tomas Eloy Martinez has reassembled the story of the corpse of Eve Peron in Santa Evita, and in the process, produced a riveting, rich book that not only tells the tale of one of the more bizarre sagas in the history of South American politics, but that also gets to the heart of the age-old human impulse to create myths and tell stories.

    Now available in paperback, this highly-acclaimed book is a playful and ingenious gathering of interwoven stories. "At once terribly moving and wildly funny".--A.S. Byatt.

    Through the eyes of Hang, a young woman in her twenties who has grown up amidst the slums and intermittent beauty of Hanoi, we come to know the tragedy of her family as land reform rips apart their village. When her uncle Chinh‘s political loyalties replace family devotion, Hang is torn between her mother‘s appalling self–sacrifice and the bitterness of her aunt who can avenge but not forgive. Only by freeing herself from the past will Hang be able to find dignity –– and a future.

    Nol, "the judge's son, ' is the person whose moral sentiments are being educated. But that education is acquired at the expense of an infinitely more valuable person, the young woman Nol loves, who has been exploited by men of weight and standing in their provincial community-all of them human, disgracefully human. Not tells the story from the time he was five years old, when, inspired by a rendition of one of Souza's marches in the garden where the brass band played, he danced with the conductor's daughter, taller and older than himself, before a bemused assemblage of adults. The web of incident and reflection in Nol's narration astonishes the reader with the texture of the lives it evokes, ending with Nol's small, crucial defection that precipitates tragedy. In The Garden Where the Brass Band Played, as with every real novel of the genre, it is the reader whose sentiments are educated, by the pain of it, and no doubt rather too late

    Subtitled a "psychological novel" by its author, who also called it a biography, the work is actually a highly authentic autobiography. The work is singular for two reasons, the first being its perspective. Moritz was a neglected child of a loveless marriage living in a family near the bottom of the social ladder. It is small wonder that Moritz developed into the eternal outsider. With this background, his description of the struggles he endured in acquiring an education give us an unusually rich picture of that day. This autobiography is also quite singular in that it is not the usual summation by some elderly person of his road to success; rather, it is an examination by a thirty-year-old of how the various forces playing on him in his first twenty years joined to misdirect him into hopes for a theatrical career. With a gift for self-examination doubtless acquired from his Pietistic background, he is able to give a brilliant picture of how he acquired and struggled with his own neuroses, and it is this struggle that gives his book its timeless character.

    This has been described as "the most highly finished of all his works and the expression of his deepest thought". It is the story of Marius, the grave and thoughtful young man whose reactions to the diverse philosophical forces of his times the Golden Book of Lucius Apuleius, the stoicism of Marcus Aurelius, the tranquil beauties of the old Roman religion, and the lurid horrors of the Christian persecution are interestingly and imaginatively depicted.

    He can have his tawdry mistress. She intends to devote herself to the serious business of raising her two children in proper Tory fashion. Then tragedy strikes: the children die, and Sophia, in despair, finds her way to Paris, arriving just in time for the revolution of 1848. Before long she has formed the unlikeliest of close relations with Minna, her husband’s sometime mistress, whose dramatic recitations, based on her hair-raising childhood in czarist Russia, electrify audiences in drawing rooms and on the street alike. Minna, “magnanimous and unscrupulous, fickle, ardent, and interfering,” leads Sophia on a wild adventure through bohemian and revolutionary Paris, in a story that reaches an unforgettable conclusion amidst the bullets, bloodshed, and hope of the barricades.Sylvia Townsend Warner was one of the most original and inventive of twentieth-century English novelists. At once an adventure story, a love story, and a novel of ideas, Summer Will Show is a brilliant reimagining of the possibilities of historical fiction.

    Called the "book of books" by Lawrence of Arabia, 'Her Privates We' is an expressionist classic that magnificently captures the horror of war.

    Communists, socialists, and nationalists; thieves and black marketeers; servants and fading aristocrats; veteran terrorists and bands of murderous children bewitched by the lure of crime and adventure--all of these converge on a provincial town's chief hotel, a microcosm of an uprooted world.