Just ask the guy whose nose she broke. Or the cop investigating the burglary she witnessed, or her cheating ex-boyfriend, or her aunt who's tired of giving second chances.When a kid shows up claiming to be Frankie's half brother, it opens the door to a past she doesn't want to remember. And when that kid goes missing, the only person willing to help is a boy with stupidly blue eyes, a criminal record, and secrets of his own.Frankie's search for the truth could change her life, or cost her everything.

    But when the super-cool Camilla moves to town, she surprises everyone by choosing to spend time with Sam's group. Suddenly they go from geek to chic, and find that not everything boils down to us and them. With their social lives in flux, Sam and Camilla spend more and more time together. They become the best of friends, and Sam finds that he's happier and more comfortable in his own skin than ever before. But eventually Sam must admit to himself that he's fallen in love. If he confesses his true feelings to Camilla, will everything change again?

    A family divided. Only truth can set them free.Banjo Murphy is killed on the night he finally walks away from his wife, Jade, after twenty-five years of her adultery. In the aftermath, Banjo is bewildered to discover he still exists, and in despair he watches Jade collapse into deep depression and his daughters, Lissy and Cassandra, struggle with their unexpected loss.Lissy is tortured by the mystery surrounding her father’s death. What compelled Banjo to leave the night he died? And why won’t Jade talk about what happened? Despite their volatile relationship, Lissy believes her parents’ love to have been enduring, but sensibleCassandra sees things differently. When Cassy discovers a sketchbook chronicling Jade’s affairs, the truth of their parents’ relationship begins to unfold and Lissy’s loyalties are divided.Searching for answers, Lissy contacts Jade’s ex-lovers. And watching from afar, Banjo aches as he discovers what these men meant to Jade – until Lissy’s quest reveals an explosive truth …One that will finally set their family free. - See more at: http://books.simonandschuster.com.au/...

    Forty years later, the three friends are turning sixty, each of them restless and disenchanted with their lives.Fran works in a second-hand bookshop. Her lover, one of a long line of disappointing men, is drifting away and her future is uncertain. Maggie married into a volatile family. Her beautiful, indulged twin daughters are causing havoc and her elderly mother-in-law has moved in and is taking charge.Rose has been an off-sider for her hopelessly vague but academically brilliant husband and their two sons. Time is running out to find and fulfil her own ambitions.In an attempt to recapture the sense of freedom and purpose they once possessed, they decide to retrace the steps of their 1978 backpacking trip through Europe and set off an odyssey that will test their friendship, challenge their beliefs and redefine the third age of their lives.

    Soon they're the parents of three young children.Initially, the kids keep them together until love turns to lies and the family implodes. As they become adults, each child faces love and loss in the shadow of their family legacy.You Belong Here is a book about trust and connection. About what keeps us going in spite of ourselves. About a place where we belong.

    In the Valley, where the rates of crime were the highest in the state, more than thirty people were known to police as firebugs. But the detectives soon found themselves on the trail of a man they didn’t know.The Arsonist takes readers on the hunt for this man, and inside the strange puzzle of his mind. It is also the story of fire in this country, and of a community that owed its existence to that very element. The command of fire has defined and sustained us as a species – understanding its abuse will define our future. A powerful real-life thriller written with Hooper’s trademark lyric detail and nuance, The Arsonist is a reminder that in an age of fire, all of us are gatekeepers.

    I'd bring him back, though, if I could find him. What could be more precious, what could be more valuable to my family than Michael? This was going to be so good. Roll on, bus, I cried in my head.From the outside, Josh's life looks pretty much perfect. He's in a band, he has a gorgeous girlfriend and he does well at school. But Josh's family has been slowly falling apart since his older brother disappeared two years before.Then Josh comes across a clue to Michael's whereabouts in the Lost Property Office where he's working for the holidays. Determined to put his family back together, and without a word to anyone, Josh too leaves Sydney in a desperate bid to bring his brother home.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn.After: The summers have grown even fiercer and the Cormac name doesn't mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn't even know what legacy means now. Not since the ground started sinking beneath her. Meanwhile, a nameless woman has been released from state care. She sticks to her twelve-step program, recites her affirmations, works one day at a time on a humble life devoid of ambition or redemption. How can she have an after when baby Robbie doesn't?

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    Or they were a family, until their father took his own life to escape his bed-bound wife, too obese to leave her room.But for Lori and the remaining brothers, there is no escape from their volatile, mentally unstable mother. They raise themselves away from the gaze of the authorities, realising that though abandoned, they are now in charge. They can control everything, including their mother's food intake.In time, their mother emerges, after losing two-thirds of her body weight. But does she bring with her the seed of hope for a better future, or will all hell break loose?'The texture of the writing as well as the mind-boggling plots give her books a fatally addictive attraction' Saturday Age

    Set against a backdrop - the Australian coast - as randomly and imminently violent as it is beautiful, The Rip reveals the fragility of relationships between husbands and wives, children and parents, friends and lovers. You will find yourself set down in a modern Garden of Eden with a disgraced Adam seeking his Eve; sharing the fears of a small boy in a coastal classroom as a tsunami approaches; in an English gaol cell with an Australian surfer on drug charges; watching an American film scout confront his masculinity on a Pacific island; and witnessing a middle-aged farmer contemplating murdering the hippie who stole his wife. Written in a variety of moods, always compassionate, wry and razor-sharp, these dazzling stories are crafted with all the weight and resonance of Drewe's longer fiction as well as the incisive wit, passion and pathos of his Australian classic, The Bodysurfers.

    At 7, she discovers that love isn't necessarily forever.At 21, she finds love but it escapes her.At 35, she learns that love can be dangerous.By 49, she realises that the greatest love of all comes from the heart.As her life's milestones come and go, you will recognise yourself in her: her loves, her mistakes, and her belief that she doesn't deserve more.Australian author Tasma Walton's debut novel is a moving and confronting fable about the power of the human heart, the worthiness of its desires and the often dire consequences of ignoring them.

    Let me tell you my story.Not just the facts I know you want to hear.If I’m going to tell you my story,I’m telling it my way.Strap yourself in...Eliza Boans has everything.A big house.A great education.A bright future.So why is she sitting in a police station confessing to murder?

    Having devoted her rather conventional life to looking after her husband and three children - who have now all departed the family home - she is experiencing something of an identity crisis, especially as she must now sell the family home and thus lose her beloved garden. On a folly she gets a tattoo. Marie forges a friendship with her tattoo artist, Rhys, who introduces her to an alternative side of Sydney from that to which Marie is accustomed. Through their burgeoning connection, Marie's two worlds collide causing great friction within Marie's family and with her circle of rich friends. With echoes of Jonathan Franzen's The Corrections and Christos Tsiolkas's The Slap, Indelible Ink is a multi-layered examination of how we live now, in which one family becomes a microcosm for the changes operating in society at large.