Suddenly orphaned, their three children are cruelly separated. Megan, the baby, adopted by a family of comfortable means, becomes doctor in the rural Appalachia. Alexandra, raised in lavish wealth, marries a powerful man whose pride is his pedigree and who assumes that Alexandra is her parents' natural offspring. Neither of them has the remotest suspicion that she is adopted, or what turbulent tragedy lurks in her past. And Hilary, oldest of the Walker children, remembers them all, and the grief that tore them apart and cast them into separate lives. Feeling the loss throughout her life, and unable to find her sisters, she builds an extraordinary career and has no personal life. When John Chapman, lawyer and prestigious private investigator, is asked to find these three women, he wonders why. Their parents' only friend, he did nothing to keep them together  as children and has been haunted by remorse all his life. The investigator follows a trail that leads from chic New York to Boston slums, from elegant Parisian salons to the Appalachian hills, to the place where the three sisters face each other and one more final, devastating truth before they can move on.

    Trapped in the dark limbo between life and death as a ghost, he searches for an escape. Instead, he discovers the beautiful Laura...and a love stronger than the boundaries of the grave and the spirit world.

    It seems remote from the march of progress. But as storm clouds gather over Europe, Paul learns that no part of England, however remote, can escape the challenge of the times.

    Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.

    It takes Mr. and Mrs. Ambrose and their niece, Rachel, on a sea voyage from London to a resort on the South American coast. “It is a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis” (E. M. Forster).

    After accidentally becoming the star of University of Alabama's football team, Forrest goes on to become a Vietnam War hero, a world-class Ping-Pong player, a villainous wrestler, and a business tycoon -- as he wonders with childlike wisdom at the insanity all around him. In between misadventures, he manages to compare battle scars with Lyndon Johnson, discover the truth about Richard Nixon, and survive the ups and downs of remaining true to his only love, Jenny, on an extraordinary journey through three decades of the American cultural landscape. Forrest Gump has one heck of a story to tell -- and you've got to read it to believe it...

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

    From the early 1900s through the 1960s, we accompany Bess as she endures life's trials and triumphs with unfailing courage and indomitable spirit: the sacrifices love sometimes requires of the heart, the flaws and rewards of marriage, the often-tested bond between mother and child, and the will to defy a society that demands conformity. Now, with this beautiful trade paperback edition, Penguin will introduce a new generation of readers to this richly woven story. . .and to Bess Steed Garner, a woman for all ages.

    It's just as well the coal is of the highest quality, as the upkeep of Netherwood Hall, his splendid estate on the outskirts of town, does not come cheap. And that's not to mention the cost of keeping his wife and daughters in the latest fashions—and keeping the heir, the charming but feckless Tobias, out of trouble. Below stairs, Eve Williams is the wife of one of Lord Netherwood's most stalwart employees. When her ordered existence amid the terraced rows of the miners' houses is brought crashing down by the twin arrivals of tragedy and charity, Eve must look to her own self-sufficiency, and talent, to provide for her three young children. And it's then that "upstairs" and "downstairs" collide in truly dramatic fashion.

    Petersburg...

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    When she receives a strange letter from her mother three weeks before her 18th birthday, Vanessa knows it’s the only shot she has at finding her real family. The letter instructs her to jump off the Swan Pier into the ocean at midnight under the next full moon. With the steadfast hope that her mother would be waiting for her, Vanessa jumps, only to find that she’s come up for air seventy years in the past. Journals written by women who took the same time-altering jump help Vanessa realize that the mystery of her mother’s life spans generations and is far more complex than she could have ever dreamed. While living in 1949, Vanessa develops feelings for a boy despite the warnings from previous travelers not to fall in love. As she begins to unravel her mother’s web of secrets, Vanessa discovers that the truth is anything but easy, and the answers are not influenced by past, but have the power to alter her future forever.

    It was, men said, the oldest street in Strelsau, even as the sign of the Silver Ship was the oldest sign known to exist in the city. For when Aaron Lazarus the Jew came there, seventy years before, he had been the tenth man in unbroken line that took up the business; and now Stephen Nados, his apprentice and successor, was the eleventh.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.