Its poets mark the conflict in ways that are both intensely personal and as enduring as any monument. Their lines have come to express the feelings of a nation about the horrors and consequences of war.This new anthology provides a definitive record of the achievements of the Great War poets and offers a fresh assessment of the work on the centenary of the Great War's outbreak. Focusing on the poets themselves, the book is organized by writer, not theme or chronology. It offers generous selectionsfrom the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, whilst also incorporating less well-known writing by civilian and women poets. It also includes two previously unpublished poems by Ivor Gurney.A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context.Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.

    A young English soldier is arrested and, although he protests his innocence, charged with his murder.Douglas Kingsley is a conscientious objector, previously a detective with the London police, now imprisoned for his beliefs. He is released and sent to France in order to secure a conviction. Forced to conduct his investigations amidst the hell of The Third Battle of Ypres, Kingsley soon discovers that both the evidence and the witnesses he needs are quite literally disappearing into the mud that surrounds him.Ben Elton's tenth novel is a gut-wrenching historical drama which explores some fundamental questions. What is murder? What is justice in the face of unimaginable daily slaughter? And where is the honour in saving a man from the gallows if he is only to be returned to die in a suicidal battle?As the gap between legally-sanctioned and illegal murder becomes evermore blurred, Kingsley quickly learns that the first casualty when war comes is truth.

    Told from the points of view of a perceptive young Nazi, a jaded American film producer, and a shy Jewish boy just married to the love of his life, Shaw conveys, as no other novelist has since, the scope, confusion, and complexity of war.

    Through the Battle of Solferino, to the entombment of the last Hapsburg emperor, Roth's intelligent compassionate narrative illuminates the crumbling of a way of life.

    The hall was large and low, the roof arched, and supported on thick short columns, almost like the crypt of a Cathedral; the walls were thick, and the windows, which had no glass, were very small, set in such a depth of wall that there was a wide deep window seat, upon which the rain might beat, without reaching the interior of the room. And even if it had come in, there was nothing for it to hurt, for the walls were of rough stone, and the floor of tiles. There was a fire at each end of this great dark apartment, but there were no chimneys over the ample hearths, and the smoke curled about in thick white folds in the vaulted roof, adding to the wreaths of soot, which made the hall look still darker.

    Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch.Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko-absolute ruler of Japan in the Emperor's name.When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi-brash, impulsive, and utterly fearless-who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness.As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan.

    Gripping, poignant, surprising and even humorous, the personal experiences of these soldiers, civilians, marines and medics from both sides tell us what it was really like to live through what was supposed to be the war to end all wars. Skilfully assembled by acclaimed author and historian Max Arthur using the IWM’s remarkable sound archive, Forgotten Voices of the Great War became an instant classic on first publication with close to half a million copies sold.In 1972, the Imperial War Museum began a momentous and important task. A team of academics, archivists and volunteers set about tracing First World War veterans and interviewing them in order to record the experiences of ordinary individuals in war. Since then the Sound Archive has grown to become the largest and most important oral history collections in the world. It now contains over 34,000 recordings, including interviews with veterans of both world wars – both service personnel and non-combatants – recordings relating to Britain and the Empire in the inter-war period 1919–1939, conflicts since 1945 and the Holocaust.In 2002, Ebury Press published the first edition of Forgotten Voices of the Great War. It was both the first time many of these recordings had been transcribed and published, and the only comprehensive oral history of the First World War. Twelve further books covering aspects of the Second World War, the Falklands and the Victoria Cross followed, selling well over a million copies to date.

    A year later, while en route to India, their troop ship is recalled and they soon find themselves in the European slaughterhouse that was World War I. As stretcher bearers, the two men witness all too closely the horrors of the battlefield and the trenches, the savagery, and the unconscionable waste of human life on fields made liquid by “the blood and guts of boy soldiers” at the Somme, Ypres, and Passchendaele. Meanwhile, back home in Ireland, Con’s sister and Matthias’s lover, Kitty Hatchel, yearns for their safe return and reminds them of their carefree childhood on the banks of the local canal, as well as their hopes for the future.Brilliantly and movingly narrated by a chorus of voices from the community — Matt, Con, Kitty, and others — The Canal Bridge tells the story of how the young men take Ballyrannel to war with them, and how the war comes back home when hostilities end in Europe. The Ireland the friends left in 1913 no longer exists, for the political landscape has been transformed by the Rising against the British in 1916. It is now a land riven with sectarian tensions and bloodshed from which there is no escape.

    But for one woman, the City of Light harbors dark secrets and dangerous liaisons, for which many could pay dearly.Brought to the peace conference by her father, a German diplomat, Margot Rosenthal initially resents being trapped in the congested French capital, where she is still looked upon as the enemy. But as she contemplates returning to Berlin and a life with Stefan, the wounded fiancé she hardly knows anymore, she decides that being in Paris is not so bad after all.Bored and torn between duty and the desire to be free, Margot strikes up unlikely alliances: with Krysia, an accomplished musician with radical acquaintances and a secret to protect; and with Georg, the handsome, damaged naval officer who gives Margot a job—and also a reason to question everything she thought she knew about where her true loyalties should lie.Against the backdrop of one of the most significant events of the century, a delicate web of lies obscures the line between the casualties of war and of the heart, making trust a luxury that no one can afford.

    The sequence of poems is random - making it ideal for dipping into - and drawn from a number of sources, mixing both well-known and less familiar poetry.

    In a letter home to his mother, he describes how, despite fierce fighting earlier from both sides, Allied and German soldiers ceased firing and came together on the battlefield to celebrate the holiday. They sang carols, exchanged gifts, and even lit Christmas trees. But as the holiday came to a close, they returned to their separate trenches to await orders for the war to begin again.John Hendrix wonderfully brings this story to life, interweaving fact and fiction along with his detailed illustrations and hand-lettered text. His story celebrates the humanity and kindness that can persist even during the darkest periods of our history. Back matter includes a glossary, additional information about World War I and the Christmas Truce and its aftermath, and an archival photograph taken during the Truce.

    This beautifully written book, to be read alongside the likes of Sassoon, Graves, and Remarque, is a collection of her memories and impressions of that experience. Describing the men as they march into battle, engaging imaginatively with the stories of individual soldiers, and recounting procedures at the field hospital, the author offers a perspective on the war that is both powerful and intimate.

    A junior French general, refusing to accept defeat, made his way to England. On 18 June he spoke to his compatriots on the BBC, urging them rally to him in London. Through that broadcast, Charles de Gaulle entered into history. For the rest of the war, de Gaulle in London frequently bit the hand that fed him. Insisting on being treated as the true embodiment of France, he quarrelled violently with Churchill and Roosevelt. But through force of personality and willpower he managed to have France recognised as one of the victorious powers at the end of the War. For ten years after 1958 he was President of France's Fifth Republic, which he created and which endures to this day. Drawing on a vast range of published and unpublished documents, Julian Jackson's magnificent biography reveals this extraordinary figure as never before. The portrait which emerges is of a man of many paradoxes. Some considered him a delusional mystic and vainglorious showman; others a cynical Machiavellian with no fixed beliefs. The tension between reason and sentiment, ambition and moderation, visions of grandeur and respect for circumstance, lay at the core of his conception of political action. Few leaders have reflected more self-consciously on the nature of leadership. As he wrote of Napoleon: 'Once the balance between ends and means is snapped, the manoeuvres of a genius are in vain.' But although de Gaulle had a clear sense of what a leader should be, he was surprisingly flexible about what one should do. The man who did so much to make France what it is today was himself a battlefield on which the French fought out their history.

    When an American woman, Stella Bain, is found suffering from severe shell shock in an exclusive garden in London, surgeon August Bridge and his wife selflessly agree to take her in. A gesture of goodwill turns into something more as Bridge quickly develops a clinical interest in his houseguest. Stella had been working as a nurse's aide near the front, but she can't remember anything prior to four months earlier when she was found wounded on a French battlefield. In a narrative that takes us from London to America and back again, Shreve has created an engrossing and wrenching tale about love and the meaning of memory, set against the haunting backdrop of a war that destroyed an entire generation.

    Until this book was published, the Battle of the Armada had been told primarily from the English viewpoint, the English victory puffed up into a national heroic tale which was far from the truth. There is another side to this story, however, and, basing his narrative on previously unexplored Spanish sources, David Howarth, brilliantly redressed the balance.