The power to control law enforcement, politicians at the highest levels, the judicial system as a whole. To have what you want when you want it, whatever it is. All you have to do is kill someone . . . before someone kills you. MEMBERS of THE CIRCLE don’t have to imagine such a life. They live it. The liberation of being both hunter and hunted. The salvation that comes with such freedom. A chance to feel truly alive. A chance to savor each precious moment. Because in THE CIRCLE any moment could be your last. DOUGLAS GOODWIN isn’t rich. He isn’t powerful. What could the sacred society of THE CIRCLE possibly want with him—just a regular guy with a regular job leading a regular life? What would drive them to coerce a young man who has always valued integrity over hedonism into their midst? And why would Doug agree to submersion in a world of secrecy and murder? It’s unthinkable. THE HARSH REALITY? Doug has been inducted into an institution where friends become enemies overnight, loyalty is a nothing more than a punchline, and conscience is a burden. Where he will be hunted and expected to hunt other members to their death. With no escape from THE CIRCLE’s ubiquitous influence and domination. HOW FAR WILL DOUG GO? How much will he sacrifice to preserve his way of life? Will he be swayed by the money, the women, the power? Or will THE CIRCLE consume him, as it has hundreds of others before him, and leave nothing but another nameless corpse in its wake?

     Eerie, suspenseful, poignant, the stories in The Long Way Home run the gamut from horror to suspense, crime to dark fantasy, mainstream to mystery. This brand new collection features more than 100,000 words of short fiction, as well as more than 5,000 words of autobiographical Story Notes. Chizmar's previous short story collection, A Long December, was published in 2016 to starred reviews from Library Journal and Kirkus, and was included on numerous "Best Books of the Year" lists. Entertainment Weekly gave the book high praise: "Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that's Chizmar's secret power. His storytelling always beats with a huge, passionate heart." Stephen King says he writes "terrific stories served with a very large slice of Disquiet Pie," and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

    This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

    Tasked with quietly eliminating a lecherous merchant with a penchant for young children, Rothar's blade strikes without hesitation. But when more children go missing, Rothar digs deeper and discovers an insidious network that reaches high up into the echelons of nobility. What started as a simple mission has become a dangerous quest for justice. Rothar must call upon all his skill to punish those responsible, and rescue the innocent before it's too late. A fast-paced, full length, heroic fantasy novel.

    The Pope's latest project is to make Pius XII, "Hitler's Pope," a saint. Things haven't gotten better since the Pope employed American mercenary Sean Ryan. Then a body fell onto the Vatican doorstep.Soon, a pattern emerges-- people who go into the Pius XII historical archives are dying. Each time, a priest has been in the background-- a priest close to the Pope. One of the victims was an al-Qaeda operative, drawing Scott "Mossad" Murphy of Israeli intelligence to Rome. Now, Ryan, Murphy and Figlia must join forces to unravel the mystery around the Vatican, as even the man Giovanni is supposed to protect looks like a suspect. To get out of this alive, they must discover if Hitler's Pope was a Nazi collaborator, or a pious man.

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    It’s a world of all-night beach parties and constant cocktail receptions, and within its languorous embrace her attraction for her much younger cousin grows.But the gilded lives of her aunt Julia’s family and their fellow white Africans on the coast are under threat — Islamist terror attacks are on the rise and Rebecca knows more about this violence than she is prepared to reveal. Will she be able to save her newfound family from the violence that encroaches on their seductive lives? Or, amidst growing unrest, will the true reason for her hasty exit from her posting be unmasked? Rebecca finds herself torn between the family she hardly knows and a past she dares not divulge.

    His mother dies suddenly when he is an infant. Then at age two, he is gone. Vanished, with his father, and abandoned in a far-away place. His future hangs on a Letter from Alabama, a piece of paper that must travel hundreds of miles in an envelope. Then it must land in exactly the right place in a busy office where nobody is under any obligation to read it or pay any attention to it. This is the true story of that letter, and all that will transpire because of it. It’s the story of human failure, and human triumph. Forgiveness and redemption. It is a testament to, and a prayer of thanks for, good and decent people everywhere who stand up for a child when they don’t have to—when they have nothing to gain and perhaps much to lose. It’s a tribute to those who see the potential in a young person and give that person a chance to be the best that he or she can be. They are the heroes for whom this story is now committed to writing.

    of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).

    Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.

    Hunting rabbits loses its appeal for a game of war with their .22 rifles. The fun abruptly ends as their boyish prank goes awry. They set fire to an empty shack which turns out to be home to a hapless drifter, or so they believe.Hect has the idea to set fire to the shanty. Tim readily agrees, although he thinks the target is a wasp nest in a mesquite bush. Hect fills a bottle with fuel from a wrecked truck and hurls the Molotov cocktail at the shed. The sun-dried wood bursts into a fireball. Shocked at his friend’s aim, Tim gapes as a blazing figure peers out a fiery window. He and the human torch gaze at one another for a long moment until sirens from town interrupt. The boys, believing their prank will land them a seat on “Sparky,” the pet name for the electric chair in Gatesville Prison, become fugitives from the law.Armed with a forehead-slapping sense of naiveté, the two run into the harsh desert. Because of pampered lifestyles, they could not be less prepared to endure hunger, an unforgiving sun, life on the road, con artists, wily street people, and a world of poverty and slums, plus the mean streets of Juarez, Mexico.

    But he longs to make his mark in the field of science--something consequential enough to present to the Royal Society in London. He hits on a radical experiment in isolation: For seven years a subject will inhabit three rooms in the basement of the manor house, fitted out with rugs, books, paintings, and even a chamber organ. Meals will arrive thrice daily via a dumbwaiter. The solitude will be totally unrelieved by any social contact whatsoever; the subject will keep a diary of his daily thoughts and actions. The pay: fifty pounds per annum, for life. Only one man is desperate to apply for the job: John Warlow, a semi-literate laborer with a wife and six children to provide for. The experiment, a classic Enlightenment exercise gone more than a little mad, will have unforeseen consequences for all included.

    An enjoyable read!" -- Readers' Favorite"Kramer vs. Kramer" Meets "Mission Impossible" in this Legal Suspense / Spy Thriller about the Perils of Modern-Day Divorce.If You Like Complex, Contemporary Legal Thrillers with Courtroom Drama, Real-World Scenarios, Emotional Insights, and Techno-Thriller Intrigue, You'll Love The Reform Artists.First book in the Reform Artists Legal Thriller / Spy Novel Series.Readers Praise Jon Reisfeld and The Reform Artists:“Grabs you by the collar and sweeps you along on a nightmarish journey through the legal system." -- Jamie Bruno“So well-written, it kept me hooked!” -- Helen Deakin“An exciting and thoroughly suspenseful read! -- Roger Corea“A page turner. Sharply drawn characters. Illuminating, imaginative and enjoyable.” -- Mary (Amazon customer)"A brilliantly-crafted legal thriller full of suspense, wit and a hint of science fiction." -- Amanda HeadleeBook Description:Who are the Reform Artists?That's the question plaguing Martin Silkwood, successful CPA and devoted dad, as his life spirals out of control. Martin has one week in which to prove he's innocent of the domestic violence charges his estranged wife, Katie, has brought against him. If he fails, he could lose everything.Martin can either play by the rules and trust a legal system that presumes he's guilty, or he can accept help from a covert reform group that will go to extremes to achieve its ends. Either way, his life will never be the same.Follow the action as the clock ticks down to the final, courtroom trial -- and stunning conclusion -- to this page-turning, legal thriller / spy novel.

    Considered one of the English language's greatest writers, he was acclaimed for his rich storytelling and memorable characters, and achieved massive worldwide popularity in his lifetime. The popularity of his novels and short stories has meant that not one has ever gone out of print. Dickens wrote serialised novels, the usual format for fiction at the time, and each new part of his stories was eagerly anticipated by the reading public. Among his best-known works are Sketches by Boz (1836), The Pickwick Papers (1837), Oliver Twist (1838), Nicholas Nickleby (1839), Barnaby Rudge (1841), A Christmas Carol (1843), Martin Chuzzlewit (1844), David Copperfield (1850), Bleak House (1853), Little Dorrit (1857), A Tale of Two Cities (1859), Great Expectations (1861) and Our Mutual Friend (1865).

    He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all his plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”