It also explores the real Woody Allen, the critically acclaimed filmmaker from the Upper East Side, and his amusing movie persona of a neurotic and lovable loser.Shrewdly and effectively deconstructing Woody, John Baxter's biography illuminates Allen's preoccupation with sex and mortality, his personal quirks and obsessions, his manipulation of celebrity, and his cinematic achievement as chronicler and court jester of Manhattan's intellectual elite."A splendidly written, exhaustive account and a major achievement" - The Observer"Astute and highly entertaining biography" - Daily Telegraph"A bracing corrective to the usual po-faced, sycophantic studies of the cult of Woody" - Mail on Sunday"Full of interesting information for cinema enthusiasts" - The Spectator"The saga [of Woody and Mia] makes compulsive reading" - The Guardian

     Danny Rubin, screenwriter of Groundhog Day. This collection of the most epic, hilarious, and strange Bill Murray stories, many of which have never before been reported, spotlights the star's extraordinary ability to infuse the everyday with surprise, absurdity, and wonder. No one will ever believe you. New York Times bestselling author Gavin Edwards, like the rest of us, has always been fascinated with Bill Murray in particular the beloved actor's adventures off-screen, which rival his filmography for sheer entertainment value. Edwards traveled to the places where Murray has lived, worked, and partied, in search of the most outrageous and hilarious Bill Murray stories from the past four decades, many of which have never before been reported. Bill once paid a child five dollars to ride his bike into a swimming pool. The star convinced Harvard's JV women's basketball team to play with him in a private game of hoops. Many of these surreal encounters ended with Bill whispering, No one will ever believe you into a stranger's ear. But The Tao of Bill Murray is more than just a collection of wacky anecdotes. This volume puts the actor's public clowning into a larger context, as Edwards distills Murray's unique way of being into a set of guiding principles. A sideways mix of comedy and philosophy, full of photo bombs, late-night party crashes, and movie-set antics, this is the perfect book for anyone who calls themselves a Bill Murray fan which is to say, everyone. Praise for The Tao of Bill Murray When confronted by life's challenges and opportunities, we should all be asking ourselves, What would Bill Murray do? This book actually has the answers. Jay Duplass, writer, director, actor, fan of Bill Murray [Gavin Edwards] captures Murray's enigmatic, comic genius. The Washington Post Rib-tickling. Newsday If you are among the multitudes who have a Bill Murray story (viz: I was in the airport bar, and who sat down next to me but Bill Murray? ), The Tao of Bill Murray will speak to you. Elle Murray is an endless delight, and his knack for bons mots and non sequiturs will keep readers laughing before revealing an unexpectedly poignant vision for happiness. . . . A fun and revealing look behind the charm and mythos of Bill Murray that will only strengthen his legend. Kirkus Reviews This book is bursting with anecdotes that underline Murray's unconventional and fun-loving life. . . . Murray's fans are sure to savor [it] and walk away with a deeper appreciation of the actor and his work. Publishers Weekly(starred review) I just can't fathom how anyone could not like the man. He lives as much as possible by his own rules; this is a guy who doesn't buy round-trip airline tickets because he prefers to make decisions on the fly. That old question of the three people you'd most like to have dinner with? I'd pick Bill Murray and leave the other two chairs empty just to see who he pulls over to join us. . . . You will love The Tao of Bill Murray. Period. GeekDad A hilarious read occasionally heartwarming, sometimes head-scratching. . . . Sure to please Murray fans. Library Journal"

    Both his parents were in show business, but severe alcoholism cut short his father's flourishing career, and his beloved mother first lost her voice, then lost her mind to syphilis. Charlie at age seven was committed to the Hanwell School for Orphans and Destitute Children. How then did this poor, lonely child become such an extraordinary comedian, known and celebrated worldwide? Chaplin cut his teeth in British music halls, but it was America that made him. At age twenty-five, he was touring here with a vaudeville troupe when his talents caught the eye of entertainment entrepreneur Mack Sennett, who spirited him off to California and signed him to a film contract. Chaplin became Sennett's star comedian, and by twenty-eight the actor had become a millionaire and the world's greatest celebrity. Weissman traces Chaplin's life and the sources of his genius in fascinating detail, demonstrating how his tragic childhood shaped his personality and his art. Infamous for his politics and his scandalous sex life, Chaplin was a much more complex and contradictory character than has hitherto been known. Weissman brilliantly illuminates both the screen legend and the turbulent era through which he lived and worked.

    But on October 3rd, 2012, ITV broadcast an investigation into Savile's behavior called Exposure: The Other Side of Jimmy Savile. In it they revealed the true, predatory, and evil man behind the popular TV persona. In the documentary, several women alleged he sexually abused them when they were underage. This sparked a flurry of allegations in the following days and weeks from other alleged victims. So far police have been called to investigate reports of abuse on young children from as long ago as 1959 and anticipate the number of victims to be in the region of 300. But how Savile was allowed to get away with such monstrous crimes for so long has been the subject of immense debate and has led to the investigations of several British institutions. The BBC has been criticized and is hosting an internal investigation into how Savile's behavior was never called into question and how abuse allegations during his long career at the corporation failed to be flagged. An investigation is also underway into the canceling of a Newsnight program in 2011. The Department of Health has also said it will investigate its own conduct in appointing Savile to lead a "taskforce" overseeing the management of high security psychiatric hospital Broadmoor in 1998. Abuse is also alleged to have taken place at Stoke Mandeville Hospital and Leeds General Infirmary, where Savile volunteered. This is a well researched and informative look at how a predatory pedophile was allowed to go unnoticed for so long and to breach a nation's trust is such a cruel and evil way

    Drawing from extensive interviews with those who knew and worked with the actor, Marshall Terrill relates McQueen's delinquent childhood, his success in films like The Great Escape and Bullitt, his harrowing last days in a hospital in Juarez, Mexico, and more. New and old fans alike will feel they have met this small-town rebel who kept so many millions spellbound. Includes 45 black-and-white photos.

    By the time Jack was 16, he was addicted to alcohol and prescription drugs, was hanging out with rock stars in LA and living a life that any teenager would aspire to—and then the reality show The Osbournes turned him into a global celebrity. As much as Jack enjoyed his fame, underneath it all he was still an awkward teenager, using his sense of humor as a protective shield. With fame and money came greater access to drugs and soon his addictions took a firmer hold on him and his behavior was soon out of control. In 21 Years Gone Jack writes with brutal frankness about his descent into addiction and the low point he reached when his mother Sharon was diagnosed with cancer. Scared that his she might die, Jack retreated further into his alcoholic shell, hating who he was, hating what he did. When Sharon realized what was happening she told Jack he had to go into rehab and slowly he turned his life around. Discovering a passion for extreme sports, he went from overweight and unfit to the lean young man he is today—courtesy of such adventures as running with the bulls in Pamplona, fighting a Thai martial arts expert, and scaling El Capitan, one of the world's toughest climbs.

    Once a lonely teenager who found solace in horror flicks and cheesy Chiller Theater matinees, Burton relentlessly mines this history in his films, imbuing juvenile fantasy with emotional depth. This definitive study of Burton’s career tracks his life and work. Articles and interviews span his years as a malcontent animator at Walt Disney Studios through his creation of the pop-gothic aesthetic that marks all of his work. The book also features commentary by the editor on the origins of Burton’s ideas, a thorough analysis of each of his films, and images from the movies.

    For nearly a quarter of a century, Elizabeth Taylor and Richard Burton were Hollywood royalty, and their fiery romance—often called "the marriage of the century"—was the most notorious, publicized, and celebrated love affair of its day.For the first time, Vanity Fair contributing editor Sam Kashner and acclaimed biographer Nancy Schoenberger tell the complete story of this larger-than-life couple, showing how their romance and two marriages commanded the attention of the world. Also for the first time, in exclusive access given to the authors, Elizabeth Taylor herself gives never-revealed details and firsthand accounts of her life with Burton.Drawing upon brand-new information and interviews—and on Burton's private, passionate, and heartbreaking letters to Taylor—Furious Love sheds new light on the movies, the sex, the scandal, the fame, the brawls, the booze, the bitter separations, and, of course, the fabled jewels. It offers an intimate glimpse into Elizabeth and Richard's privileged world and their elite circle of friends, among them Princess Grace, Montgomery Clift, the Duke and Duchess of Windsor, Peter O'Toole, Michael Caine, Marlon Brando, Rex Harrison, Mike Nichols, Laurence Olivier, Robert Kennedy, Tennessee Williams, Noël Coward, John Huston, Ava Gardner, the Rothschilds, Maria Callas, and Aristotle Onassis. It provides an entertaining, eye-opening look at their films, their wildly lucrative reign in Europe and in Hollywood—and the price they paid for their extravagant lives.Shocking and unsparing in its honesty, Furious Love explores the very public marriage of "Liz and Dick" as well as the private struggles of Elizabeth and Richard, including Le Scandale, their affair on the set of the notorious epic Cleopatra that earned them condemnation from the Vatican; Burton's hardscrabble youth in Wales; the crippling alcoholism that nearly destroyed his career and contributed to his early death; the medical issues that plagued both him and Elizabeth; and the failed aspirations and shame that haunted him throughout their relationship. As Kashner and Schoenberger illuminate the events and choices that shaped this illustrious couple's story, they demonstrate how the legendary pair presaged America's changing attitudes toward sex, marriage, morality, and celebrity. Yet ultimately, as the authors show, Elizabeth and Richard shared something priceless beyond the drama: enduring love.Addictive and entertaining, Furious Love is more than a celebrity biography; it's an honest yet sympathetic portrait of a man, a woman, and a passion that shocked and mesmerized the world.

    The role of Jenny in "Love Story" brought Ali MacGraw stardom. She married producer Bob Evans and bore him a son, but after two years she left Evans for Steve McQueen. McQueen was a troubled man who longed to live simply, almost reclusively, with his wife barefoot and pregnant. At his insistence MacGraw gave up acting at the peak of her fame, making a decision from which her career never recovered. When the tumultuous marriage ended after six years she was not much in demand, and what acting she did, for example in television's "Dynasty", was ridiculed - justly, she felt. A lifelong pattern of destructive love affairs continued and her depression was abetted by unacknowledged alcoholism. When a friend persuaded her in 1986 to go to the Betty Ford Clinic, MacGraw felt she needed only a "tune-up". What she found instead was life-saving help. Now Ali MacGraw takes stock of her life, revising the mythical childhood she once invented for a "Time" cover story and describing the heady early years in New York, her attempted transformation by the Hollywood machine and the realities she faces today as a woman who hopes her greatest adventures are yet to come. ** Publisher's Weekly In this candid, courageous autobiography, MacGraw discusses her artistic, emotionally cold parents, her schooling at Wellesley College and her stint as Diana Vreeland's ``girl'' at Harper's Bazaar . The focus, however, is on her struggle with addiction--alcoholism and ``male dependency''--that grew as her acting career and personal life sputtered. A sudden star in her first major role, in Goodbye, Columbus in 1969, and the following year with the even more popular Love Story. Library Journal - Thomas Wiener McGraw now tells the whole sad story of her life. In what could be appropriately filed under ``self-help,'' she writes extensively about coming to grips with her addictions to alcohol and men. This is certainly not a series of pretty pictures. Entertainment Weekly - Margot Miflin This competently written memoir hinges on McGraw’s discovery that women can be addicted to men. Chicago Tribune - Jon Anderson "Love Story"; the subject of a Time cover story, "The Return to Romance"; and the wife, in turn, of two powerful Hollywood figures: Robert Evans, head of production at Paramount, and actor Steve McQueen....McGraw reveals that a lot more action, not all of it happy, was going on off- stage. Los Angeles Times - Constance Casey "Moving Pictures" demonstrates that underneath all that shallow stuff, lies "an ordinary human heart."

      In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure.   This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.

    Plus 16 pages of photographs. Black cloth, gilt, over boards. Dust jacket. Inscribed and signed by Stephanie Powers on the title page. A fine as new copy.

    In 1954, Hepburn and Holden were America’s sweethearts. Both won Oscars that year and together they filmed Sabrina, a now-iconic film that continues to inspire the worlds of film and fashion.Audrey & Bill tells the stories of both stars, from before they met to their electrifying first encounter when they began making Sabrina. The love affair that sparked on-set was relatively short-lived, but was a turning point in the lives of both stars. Audrey & Bill follows both Hepburn and Holden as their lives crisscrossed through to the end, providing an inside look at the Hollywood of the 1950s, ’60s, and beyond. Through in-depth research and interviews with former friends, co-stars, and studio workers, Audrey & Bill author Edward Z. Epstein sheds new light on the stars and the fascinating times in which they lived.

    Cohen is also a man of complexities and seeming contradictions: a devout Jew, who is also a sophisticate and a ladies' man, as well as an ordained Buddhist monk whose name, Jikan—"ordinary silence"—is quite the appellation for a writer and singer whose life has been anything but ordinary.I'm Your Man is the definitive account of that extraordinary life. Starting in Montreal, Cohen's birthplace, acclaimed music journalist Sylvie Simmons follows his trail, via London and the Greek island of Hydra, to New York in the sixties, where Cohen launched his career in music. From there she traces the arc of his prodigious achievements to his remarkable retreat in the mid-nineties and his reemergence for a sold-out world tour almost fifteen years later. Whether navigating Cohen's journeys through the backstreets of Mumbai or his countless hotel rooms along the way, Simmons explores with equal focus every complex, contradictory strand of Cohen's life and presents a deeply insightful portrait of the vision, spirit, depth, and talent of an artist and a man who continues to move people like no one else.

    Before they teamed up, Dean Martin seemed destined for a mediocre career as a nightclub singer, and Jerry Lewis was dressing up as Carmen Miranda and miming records on stage. But the moment they got together, something clicked—something miraculous—and audiences saw it at once. Before long, they were as big as Elvis or the Beatles would be after them, creating hysteria wherever they went and grabbing an unprecedented hold over every entertainment outlet of the era: radio, television, movies, stage shows, and nightclubs. Martin and Lewis were a national craze, an American institution. The millions (and the women) flowed in, seemingly without end—and then, on July 24, 1956, ten years from the day when the two men joined forces, it all ended.After that traumatic day, the two wouldn’t speak again for twenty years. And while both went on to forge triumphant individual careers—Martin as a movie and television star, recording artist, and nightclub luminary (and charter member of the Rat Pack); Lewis as the groundbreaking writer, producer, director, and star of a series of hugely successful movie comedies—their parting left a hole in the national psyche, as well as in each man’s heart.In a memoir by turns moving, tragic, and hilarious, Jerry Lewis recounts with crystal clarity every step of a fifty-year friendship, from the springtime, 1945 afternoon when the two vibrant young performers destined to conquer the world together met on Broadway and Fifty-fourth Street, to their tragic final encounter in the 1990s, when Lewis and his wife ran into Dean Martin, a broken and haunted old man.In Dean and Me, Jerry Lewis makes a convincing case for Dean Martin as one of the great — and most underrated — comic talents of our era. But what comes across most powerfully in this definitive memoir is the depth of love Lewis felt, and still feels, for his partner, and which his partner felt for him: truly a love to last for all time.

    A significant proportion of their playing expertise was acquired from a pivotal three-year period in their history--1983 to 1986--during which their music, a potent variant of thrash metal, evolved from garage level to sophisticated, progressive heights thanks to the teachings of their bass player, Cliff Burton. The San Francisco-raised Burton, born in 1962, pushed the band to new musical levels with his musical training, songwriting ability and phenomenal bass guitar skills. Across three albums--Kill 'Em All (1983), Ride The Lightning (1985) and Metallica's undisputed masterpiece, Master Of Puppets (1986)--Burton's awe-inspiring playing, derived from a unique blend of classical and punk approaches, received worldwide recognition from fans and bass players alike. He was the first heavy metal bassist since Black Sabbath's Geezer Butler to regard the bass as a lead instrument, delivering intricate live solos based on classical fugues and even laying down a solo track on Metallica's debut album. Cliff's life was short but influential; his death was sudden and shocking. At the age of just 24, he was killed when Metallica's tourbus overturned on a remote Swedish mountain road in the early hours of September 27, 1986 for reasons which have still not been ascertained: he was crushed to death after being thrown from his bunk through a window. The driver, who has never been identified, told the rest of the band that the bus had hit black ice, leading to the accident: singer James Hetfield refused to believe him and has often spoken publicly about his doubts. With Cliff's death, Metallica's most critically acclaimed period of activity ended. They went on to record huge-selling albums, but by their own admission never pushed the creative envelope as radically as they had done in the first four years of their career.