Set includes a coupon good for a free cassette with the 13th story plus an interview with Ray Bradbury on side B. Packed in wooden carrying case.

     Turning to the MC president was my last resort. But one more minute with my abusive ex might have landed me in the grave. Instead, I’ve landed in the biker’s bed. And he vows he’s going to break me – or die trying. KATHARINA I’ve been a victim for so long that I don’t remember how else to be. Why should I be the one to apologize when my ex hit me? When he swore at me? When he threatened to do things that no man should ever do to a woman? I’d had enough. I needed to get out. But I had nowhere to go. Nowhere… Except a world I’d escaped a long time ago. I’ve got biker blood in my veins. My father once ran the Silent Havoc MC. Maybe they’ll take me in. Keep me hidden. Keep me safe. But everything in this world comes at a price. And Jace Carver is not interested in bargaining down. He wants what he wants and refuses to take no for an answer. So when he lays out his demands, I have no choice but to agree. I just never thought he’d make me beg like this. JACE She came to me in desperation. And I’m the type of man who just can’t pass up a juicy opportunity like this. An MC princess, begging for my protection? It would be downright disrespectful to my fellow outlaws if I didn’t follow my desires. And they’re telling me this: Tie her to my bed. Make her moan my name. Bring her to the breaking point – over and over and over again. She’ll hate me just as much as she loves me. But she needs me more than anything. Because her ex will do anything to get her back. And nothing’s more dangerous than a psycho with nothing to lose. He wants blood and vengeance in equal measure. But if he thinks he’ll reclaim her, he’s got another thing coming. She’s mine now. My woman. My duty. My wife. And that means he’ll have to pry her from my cold, dead body. THE DEVIL'S VOW is a full-length, standalone, super steamy, bad boy motorcycle club romance novel from bestselling author ZOEY PARKER. This suspenseful, action-packed MC romance is intended for mature audiences, due to violence, strong language, dark themes and elements, and explicit intimate scenes. The romance between the alpha male bad boy and the fiery woman he can't resist ends with a guaranteed happily ever after (HEA) ending, has absolutely NO CHEATING, and does NOT include a cliffhanger of any kind.

    "Sharp and funny," The New York Times

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    Missing from the roster of invitees is Christian's twin sister, Linda, who recently committed suicide. The reason for her action and the repercussions from it, form the basis of the shocking and painful events that transpire during a twenty-four hour period. In the midst of dinner, Christian makes a startling accusation and, even as the disbelieving guests are choosing sides, the play slowly unwraps the truth.David Eldridge powerful new play is adapted from Thomas Vinterborg's screenplay of the very successful film, Dogme.Published to tie in with Almeida Theatre production in March 2004 directed by Rufus Norris

    It is a typical example of a Romantic closet drama. Manfred was adapted musically by Robert Schumann in 1852, in a composition entitled Manfred: Dramatic Poem with music in Three Parts, and later by Pyotr Ilyich Tchaikovsky in his Manfred Symphony, Op. 58, as well as by Carl Reinecke. Friedrich Nietzsche was impressed by the poem's depiction of a super-human being, and wrote some music for it. Byron wrote this "metaphysical drama", as he called it, after his marriage failed in scandal amidst charges of sexual improprieties and an incestuous affair between Byron and his half-sister, Augusta Leigh. Attacked by the press and ostracized by London society, Byron fled England for Switzerland in 1816 and never returned. Because Manfred was written immediately after this and because Manfred regards a main character tortured by his own sense of guilt for an unmentionable offense, some critics consider Manfred to be autobiographical, or even confessional.The unnamed but forbidden nature of Manfred's relationship to Astarte is believed to represent Byron's relationship with his half-sister Augusta. Byron commenced this work in late 1816, only a few months after the famed ghost-story sessions which provided the initial impetus for Mary Shelley's Frankenstein. The supernatural references are made clear throughout the poem. In one scene, for example, (Act III, Scene IV, Interior of the Tower), Manfred recalls traveling through time (or astral projection traveling) to Caesar's palace, "and fill'd up, As 't were anew, the gaps of centuries...".

    But what seems like a harmless spell bridges the gap between our world and another. A world where myth is reality and sword and sorcery rule. Thrust into this strange new land the four friends soon find themselves caught in the midst of a war between two archaic families; a war in which their unique powers make them the ultimate weapons. Or the ultimate prize… This set gives you three full length novels (approx. 345,000 words), the complete BirthRight Trilogy. Book One: The Arrival Book Two: Awakening Book Three: Feel the Burn

    Parson's Pleasure is a country tale, A Piece of Cake, a wartime reminiscence, Lamb to the Slaughter a story of vengeful murder, and the remaining two, The Bookseller and The Butler, are on favorite themes of greed and snobbery.

    He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."

    Taken away to sober up in jail, all that night he is gripped by hallucinations: the impoverished hermit believes he has become a healer, walking from village to village, tending to the sick, waiting for a sign from God. In this dream, his one companion, Moustique, wants to exploit his power. Moustique decides to impersonate a prophet himself, ignoring a coffin-maker who warns him he will die and enraging the people of the island. Hobain, half-awake in his desolate jail cell, terrorized by the specter of his friend's corruption, clings to his visionary quest. He will try to transform himself; to heal Moustique, his jailer, and his jail-mates; and to be a leader for his people. Dream on Monkey Mountain was awarded the 1971 Obie Award for a Distinguished Foreign Play when it was first presented in New York, and Edith Oliver, writing in The New Yorker, called it a masterpiece.Three of Derek's Walcott's most popular short plays are also included in this volume: Ti-Jean and His Brothers; Malcochon, or The Six in the Rain; and The Sea at Dauphin. In an expansive introductory essay, What the Twilight Says, the playwright explains his founding of the seminal dramatic company where these works were first performed, the Trinidad Theatre Workshop.First published in 1970, Dream on Monkey Mountain and Other Plays is an essential part of Walcott's vast and important body of work.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    The tavern is owned by a tempestuous Irishman who is a s proud as he is ill-tempered and is determined to show his pride and importance to the Yankee townsmen.

    In following years there has been a great deal of interest in the author and his works, although, until now, articles about him have mostly been scattered in obscure journals. Now, at last, here is a book about him, a symposium of explorations and examinations of the Ligottian universe by such leading critics as S.T. Joshi, Stefan Dzimianowicz, Robert M. Price. With a complete, up-to-date bibliography of Ligotti's work, two interviews with him, and even a fascinating essay by Ligotti himself.

    It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.