Evacuated in 1944 from the bustling but starving city of Amsterdam to the fertile farmland of Friesland, young Jeroen learns about another way of life and experiences both love and loss as he lives out the final months of the war and welcomes the Allied soldiers who free his country.

    There are limits to what a gentleman might do with his slave and still remain a gentleman, and what Henry craves goes far beyond what’s allowed. Martin, a slave from House Ganymede, is the most beautiful young man Henry’s ever seen, and he’s ready and willing to do as Henry commands, but Henry’s afraid to ask him for what he really needs. A master needn’t care what a slave thinks or how he feels, but Henry can’t help wanting Martin to like him anyway. If Henry could be certain Martin wanted the same things he does, he might be bold enough to reveal his secrets. Unfolding against a backdrop of progress, privilege and turn-of-the-century amusements, the four installments of the Ganymede Quartet present an erotic coming-of-age fantasy of Gilded Age New York in which young men from the richest families form intense bonds with the slaves who serve them.

    Since his father's death, Rase has been living like the old man was still alive, keeping up appearances with his trophy wife and appropriately luxurious house. Which is when Rase meets Gabriel. Gabriel loses his temper during his first meeting with Rase and lashes out, which unleashes Rase's carefully hidden submissive and masochistic tendencies. His encounter with Gabriel snaps Rase out of his sleepwalking life, and he sets about remaking his world in his own way. Rase isn't the only one shaken by their encounter, though. Can he convince Gabriel to give their relationship a chance?

    His picture-perfect courtship and engagement to the man of his dreams is proof of that. But when his betrothal takes a disastrous turn, Owen’s only hope to restore his tarnished reputation comes from a most shocking source—the cold, disturbingly sensual brother of the man who just shattered his heart and abandoned him. Perhaps he’s not as blessed as he’d always thought…Arthur Drake is accustomed to cleaning up after his impulsive and selfish brother. After all, he’s done it his whole life. The latest debacle, though, is much worse than usual. This time, his brother’s actions have threatened not only their family name, but Arthur’s own happiness. The only honorable choice is to marry Owen. But while he knows he can repair the damage to his beautiful new husband’s reputation, mending his broken heart might prove infinitely more difficult.It’s not long before the lines between duty and passion blur, and Arthur finds himself in the inconvenient position of falling for his new husband. Will his love be enough to convince Owen to let their marriage of convenience become the happily ever after they both deserve?This is an M/M romance set in an alternate-universe Regency with waistcoats, awkward tea-drinking, and pagan goddesses on the loose. It is the first in a series, but it can be read as a standalone.

    Though he grew up in a culture accepting of Sidhe enslavement by Villalu’s elite, Brieden finds that he can no longer tolerate the practice when he becomes a steward to Prince Dronyen, who is viciously abusive of his sidhe slave Sehrys. Captivated by the handsome and mysterious sidhe slave, Brieden vows to free and return Sehrys to his homeland.As they escape the capital and navigate a treacherous path to the border, Breiden and Sehrys grow close. Breiden soon learns both the true power of The Sidhe, and that the world that he thought he knew is not what it once seemed. If they survive to reach the border, he will have to make a choice: the love of his life, or the fate of his world.

    J. Rosenthal's only mission is to find himself a boyfriend and avoid setbacks like bad haircuts, bad sex, and Jewish guilt. In post-AIDS 1986, B.J.'s world has changed dramatically -- his friends and lovers are getting sick, everyone is at risk, and B.J. is panicking. Parrying high-wire wit against unbearable human tragedy, Eighty-Sixed now stands as a testament to an era. "If Woody Allen were gay and wrote novels, he'd produce something like David Feinberg's Eighty-Sixed." -- David Streitfeld, The Washington Post Book World "[Feinberg] has given us a painful story of one man coming of age in a terrifying age." -- The Plain Dealer (Cleveland) "Entertaining, harrowing, and powerfully unsensational." -- Booklist "[Eighty-Sixed] stands out for its frankness, ferocious wit, and total lack of sentimentality or self pity." -- Catherine Texier, The New York Times Book Review

    He’s not looking for anyone, but when Casey offers, Lon doesn’t turn him down. Welcoming the young man in his big, hairy arms, Lon provides a safety to Casey that he has never known, and Casey wants to stay forever. Still reeling from the breakup of his family years ago, Lon’s not sure he’s ready for the responsibility of the comfort and security Casey craves. But perhaps Lon can risk opening his heart again and hoping for a brighter future. Casey has some pretty big skeletons in his past to deal with. And Lon wonders what Casey will do when he finds out how badly Lon failed at protecting the ones he loved eight years ago.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.