Drawing on a broad selection of contemporary sources, the author examines the institutions, actions and rituals of day to day life.

    His reign would prove to be one of the longest of the time even though his rise to the throne did not come without opposition. Virtually no-one in Claudius’ family wanted to see him become emperor—only when he turned out to be the last surviving man of the Julio-Claudian dynasty did he ascend to the throne. Inside you will read about... ✓ Born to Be Cast Out ✓ A Historian and a Husband ✓ The Conquest of Britain ✓ Plots and Intrigues ✓ The Assassination of Emperor Claudius And much more! No-one ever expected that the boy that was used as the comparative standard for stupidity by his own mother would become the emperor of Rome. Yet, he did. Claudius reign was riddled with conspiracies and attempts on his life by the Senate that was supposed to serve him. But despite all the opposition to his rule, Claudius would go on to be an able and efficient leader. He expanded the Roman Empire more than any other emperor had since the reign of Augustus.

    The authors document the atrocities of Caligula and also the other mad Emperors, particularly the deranged Commodus and Heliogabalus, the teenage ambisexual 'sun-god' whose arch-decadent proclivities would inspire Antonin Artaud to eulogise him in prose centuries later.

    Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day. Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was--more like Calcutta or the Costa del Sol?--and what it can tell us about ordinary life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath and see the intestinal tapeworms of the inhabitants of the lost city. She resurrects the Temple of Isis as a testament to ancient multiculturalism. At the Suburban Baths we go from communal bathing to hygiene to erotica. Recently, Pompeii has been a focus of pleasure and loss: from Pink Floyd's memorable rock concert to Primo Levi's elegy on the victims. But Pompeii still does not give up its secrets quite as easily as it may seem. This book shows us how much more and less there is to Pompeii than a city frozen in time as it went about its business on 24 August 79.

    Instead of following the standard procedure of social history, he presents a series of vignettes focusing on the "ways of life" of various members of that society, from the slave to the emperor. The book opens with a description of the historical context and includes examination of topics such as the family, religion, urban and rural life, and leisure activities. This revised edition of Casson's engaging work, originally published in 1975 as Daily Life in Ancient Rome, includes two new chapters as well as full documentation of the sources.

    Leaving her militaristic homeland, Caecilia is determined to remain true to Roman virtues while living among the sinful Etruscans. But, despite her best intentions, she is seduced by a culture that offers women education, independence, sexual freedom, and an empowering religion.Enchanted by Veii but terrified of losing ties to Rome, Caecilia performs rites to delay becoming a mother, thereby postponing true entanglement. Yet as she develops an unexpected love for Mastarna, she’s torn between her birthplace and the city in which she now lives. As war looms, Caecilia discovers Fate is not so easy to control, and she must choose where her allegiance lies.The Wedding Shroud is the first book in the series A Tale of Ancient Rome. Subsequent books in the series include The Golden Dice and Call to Juno.

    His brutal successor Hadrian draws ever nearer to Rome. And three desperate souls try to forge new paths in a world turned upside down . . . THE EMPEROR’S NEMESIS. Battered warrior Vix has always been Hadrian’s bitter enemy, and he vows that will never change, even when he is made Praetorian Guard and Imperial watchdog. But with his family’s lives on the line, Vix faces a bitter choice: kill a friend, or serve a foe? THE EMPEROR’S RIVAL. Mild, scholarly Titus might once have been favored as Imperial heir, but he never wanted the throne. All he desires is peace in the arms of his new bride—but the jealous Hadrian has other ideas. A horror of bloodshed and violence interrupts Titus’s wedding night, and the man of peace finds a choice at sword-point: honor and death, or betrayal and a cell? THE EMPEROR’S WIFE. Elegant, elusive Sabina is desperate to escape the bleak future that awaits her as Hadrian’s Empress, and even more desperate to conceal the secret growing in her own body. But when she begs a famous seer for a glimpse into her future, she receives an astonishing vision of the Eternal City under Hadrian’s rule, and the new Empress must choose: her own freedom, or the glory of Rome? Three former friends find new futures in blood, omen, and prophecy. Three prequel vignettes to Kate Quinn’s long-awaited "Lady of the Eternal City."

    He compares the army's organization and strategic doctrine with those of its chief opponents and explores in detail the reality of battle: tactics, weaponry, leadership, and, most of all, the important issue of morale.

    Sir Mortimer Wheeler describes the architecture and town planning, thesculpture and painting, the silverware, glass, pottery and the otherrich artistic achievements of the era.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    Roma recounts the tragedy of the hero-traitor Coriolanus, the capture of the city by the Gauls, the invasion of Hannibal, the bitter political struggles of the patricians and plebeians, and the ultimate death of Rome’s republic with the triumph, and assassination, of Julius Caesar.     Witnessing this history, and sometimes playing key roles, are the descendents of two of Rome’s first families, the Potitius and Pinarius clans:  One is the confidant of Romulus. One is born a slave and tempts a Vestal virgin to break her vows. One becomes a mass murderer. And one becomes the heir of Julius Caesar. Linking the generations is a mysterious talisman as ancient as the city itself.     Epic in every sense of the word, Roma is a panoramic historical saga and Saylor’s finest achievement to date.

    But the woman whose image was later immortalized in glittering mosaic was, in fact, a scrappy, clever, conniving, flesh-and-blood woman full of sensuality and spirit whose real story is as surprising as any ever told…When her father dies suddenly, Theodora and her sisters face starvation on the streets. Determined to survive, Theodora makes a living any way she can—first on her back with every man who will have her, then on the stage of the city’s infamous amphitheater in a scandalous dramatization of her own invention. When her daring performance grants her a back-door entry into the halls of power, she seizes the chance to win a wealthy protector—only to face heartbreak and betrayal. Ever resilient, Theodora rises above such trials and by a twist of fate, meets her most passionate admirer yet: the Emperor’s nephew. She will thrive as his confidant and courtesan, but many challenges lie ahead. For one day, this man will hand her a crown. And all the empire will wonder—is she bold enough, shrewd enough, and strong enough to keep it?

    In each hour of the day we meet a new character - from emperor to slave girl, gladiator to astrologer, medicine woman to water-clock maker - and discover the fascinating details of their daily lives.

    This book looks at the savage spectacles of Rome and traces their development from entertainment to hysterical obsession until their eventual decline and disappearance.

    At thirteen-years-old, they are sold — Romulus to gladiator school, Fabiola into prostitution where she will catch the eye of one of the most powerful men in Rome.Tarquinius is an Etruscan warrior and soothsayer, and an enemy of Rome, but doomed to fight for the Republic in the Forgotten Legion. Brennus is a Gaul; the Romans killed his entire family. He rises to become one of the most famous and feared gladiators of his day — and mentor to the boy slave, Romulus, who dreams night and day of escape and revenge.The lives of the four are bound together into a marvellous story which begins in a Rome riven by corruption, violence and politics, and ends far away at the very border of the known world.