Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    When wealthy sorcerer Hollin Parry hires her to do a special act - singing accompaniment to an exquisite piano-playing automaton, Nimira believes it is the start of a new life. In Parry's world, however, buried secrets stir. Unsettling below-stairs rumours abound about ghosts, a mad woman roaming the halls, and of Parry's involvement in a gang of ruthless sorcerers who torture fairies for sport. When Nimira discovers the spirit of a dashing young fairy gentleman is trapped inside the automaton's stiff limbs, waiting for someone to break the curse and set him free, the two fall in love. But it is a love set against a dreadful race against time to save the entire fairy realm, which is in mortal peril.

    They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. And yet, no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them. Werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, and explores not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. Mahnke delves into harrowing accounts of cannibalism-some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where séances take place, the European villages where gremlins make mischief, and Key West, Florida, home of a haunted doll named Robert.The monsters of folklore have become not only a part of our language but a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained, and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore...

    These immortal creatures cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and they trade valuable enchantments for Isobel’s paintings. But when she receives her first royal patron—Rook, the autumn prince—Isobel makes a deadly mistake. She paints mortal sorrow in his eyes, a weakness that could cost him his throne, and even his life.Furious, Rook spirits Isobel away to his kingdom to stand trial for her crime. But something is seriously amiss in his world, and they are attacked from every side. With Isobel and Rook depending upon each other for survival, their alliance blossoms into trust, perhaps even love . . . a forbidden emotion that would violate the fair folks’ ruthless laws, rendering both their lives forfeit. What force could Isobel's paintings conjure that is powerful enough to defy the ancient malice of the fairy courts?Isobel and Rook journey along a knife-edge in a lush world where beauty masks corruption and the cost of survival might be more frightening than death itself.

    On one side, the Night World, ruled by the Blood Lords and the Beast Kind. On the other, the elusive Fae and the humans, protected by their steadfast mages. A city held together by nothing more than a treaty-and even then, just barely...I was born of a Fae mother, but I had no place amongst her kind. They called me "soulless." An abomination. Perhaps they're right...I'm a wraith, a shadow who slips between worlds. I was given into the service of a Blood Lord who raised me to be his most feared assassin. Still, I'm nothing more than a slave to my master, and to the need that only he can fulfill...Then he orders me to kill Simon DuCaine, a powerful sunmage. In the blaze of his magic, my own disappears. Instead of seeking revenge, Simon shows me mercy. He wants to free me. But that's one thing my master and his kind will never allow.And even if I thought I could trust Simon, stepping from the shadow into the light isn't as simple as it sounds...

    No love life to speak of for months, then all at once, every horny creature in the Otherworld wants to get in your pants...Eugenie Markham is a powerful shaman who does a brisk trade banishing spirits and fey who cross into the mortal world. Mercenary, yes, but a girl's got to eat. Her most recent case, however, is enough to ruin her appetite. Hired to find a teenager who has been taken to the Otherworld, Eugenie comes face to face with a startling prophecy—one that uncovers dark secrets about her past and claims that Eugenie's first-born will threaten the future of the world as she knows it.Now Eugenie is a hot target for every ambitious demon and Otherworldy ne'er-do-well, and the ones who don't want to knock her up want her dead. Eugenie handles a Glock as smoothly as she wields a wand, but she needs some formidable allies for a job like this. She finds them in Dorian, a seductive fairy king with a taste for bondage, and Kiyo, a gorgeous shape-shifter who redefines animal attraction. But with enemies growing bolder and time running out, Eugenie realizes that the greatest danger is yet to come, and it lies in the dark powers that are stirring to life within her...

    Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from "Beauty and the Beast" to "The Robber Bridegroom." Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm's tale, "The Three Feathers," followed by a comprehensive discussion of motifs related to Jung's concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.

    Barnum's American Museum as the real Fiji mermaid. However, leaving the museum may be harder than leaving the sea ever was.Once there was a mermaid who longed to know of more than her ocean home and her people. One day a fisherman trapped her in his net but couldn't bear to keep her. But his eyes were lonely and caught her more surely than the net, and so she evoked a magic that allowed her to walk upon the shore. The mermaid, Amelia, became his wife, and they lived on a cliff above the ocean for ever so many years, until one day the fisherman rowed out to sea and did not return.P. T. Barnum was looking for marvelous attractions for his American Museum, and he'd heard a rumor of a mermaid who lived on a cliff by the sea. He wanted to make his fortune, and an attraction like Amelia was just the ticket.Amelia agreed to play the mermaid for Barnum, and she believes she can leave any time she likes. But Barnum has never given up a money-making scheme in his life, and he's determined to hold on to his mermaid.

    It is available for free on the author's website.

    The volume includes over forty of the Grimms' most beloved stories, including:Rapunzel * Hansel and Gretel * The Brave Little Tailor * Cinderella * Little Red Riding Hood * The Robber Bridegroom * Briar Rose * Snow White * Rumplestilskin * The Golden Goose * The Singing, Soaring Lark * The Frog King * The Juniper Tree * and Mother HolleWith over 150 paintings and drawings from the most celebrated fairy tale illustrators, including George Cruikshank, Paul Hey, Walter Crane, Warwick Goble, Kay Nielsen, and Arthur Rackham.

    To survive, Greta has hidden her humanity and taken the job of bounty hunter—and she’s good at what she does. So good, she’s caught the attention of Mylena’s young goblin king, the darkly enticing Isaac, who invades her dreams and undermines her will to escape. But Greta’s not the only one looking to get out of Mylena. An ancient evil knows she’s the key to opening the portal, and with the next eclipse mere days away, every bloodthirsty creature in the realm is after her—including Isaac. If Greta fails, she and the lost boys of Mylena will die. If she succeeds, no world will be safe from what follows her back...

    Greasebeam, B.Sc. (Serpentology), F.R.Aud., to serve up this compendium of dragon lore and sheer inventive nonsense. Expanding on a dozen illustrations from his calendar Dragons Draaks & Beasties, Base fabricates a trio of correspondents?a Viking, a Chinese silk trader and a Prussian explorer?whose letters chronicle their discoveries of dragons in various continents. The resulting web of yarns that Base spins is nothing short of hilarious ("Hope the looting and pillaging went well," writes Bjorn of Bromme in a letter to Olaf the Grim, for instance). Illustrations showcase the kind of intricate detail for which Base is so well known, and he bolsters his dragon art with a deadpan running commentary set in a border at the bottom of each page. "Dagbar defunctus est" notes one caption in a fit of understatement, as the accompanying cartoon depicts the demise of one of Bjorn's companions. There's much to enjoy here, and much to propel readers to seek out every last drop of humor. All ages. Copyright 1996 Reed Business Information, Inc.

    But when she’s captured by a trickster fae king who threatens to hold her for ransom, she’ll find herself at the top of the gossip column yet again. Unless…Plagued by a curse that will soon claim his life, the human-hating King Elliot will do anything to save himself. And if Gemma can use that to her advantage, she might be able to bargain her way to freedom. All she has to do is help him break his curse.There’s just one hitch—to do so, they’ll have to trick someone into falling in love with the beastly, brooding Elliot.With a devious alliance made, their scheme begins, bringing Gemma and Elliot into very close quarters. Soon, an unexpected desire stirs where once there was only hate. But Gemma must fight it. For when the curse is broken, Elliot will return to his true form—a wolf—and be lost to her for good.Can Gemma sacrifice her budding feelings to save the king’s life? Or will love force her to give up something even greater...her heart?*NOTE this book is upper YA/NA featuring mature situations and some adult language. The romance is slow burn but leads to moderate steam. Curse of the Wolf King is a complete stand-alone novel set in the same world as The Fair Isle Trilogy. Journey back to Faerwyvae or begin your adventure for the first time with this enchanting tale. Each book in the Entangled with Fae series can be read on its own and in any order. Happily ever after guaranteed!

    Tolkien had a great knowledge of, and love for, world mythology when he wrote his beloved trilogy of Middle Earth. In particular, the symbol of the Ring has a rich and fascinating heritage, and this beautifully illustrated literary detective work searches down Tolkien's sources and inspiration. To understand the roots of The Lord of the Rings, we must go far back, to a tradition of ring-quest tales that came into being before the pyramids of Egypt were built, or the walls of Babylon raised. The extraordinary journey passes through the most magical stories told: Norse myths, including the Volsunga Saga; the Arthurian legends; the Carolingian tales, linked to the Holy Roman Emperor, Charlemagne; Celtic and Saxon myths; German romances, such as the Nibelungenlied; and more. By drawing on these potent primary myths and legends, Tolkien was able himself to create a new mythology for the 20th century--and beyond.

    — ...fairy tales were written for young and old alike; it is only in the last century that they have been deemed fit only for children and stripped of much of their original violence, sensuality, and power to frighten and delight. — Patricia C. Wrede, the best-selling author of Caught In Crystal and other beloved fantasy novels, brings Snow White and Rose Red back to an adult audience, in this romantic and magical retelling set in the enchanted forests of England at the time of Queen Elizabeth.Tor Books is proud to present the latest offering in the Fairy Tale Series -- a growing library of beautifully-designed original novels by acclaimed writers of fantasy and horror, each retelling a classic tale such as Snow White and Rose Red, Briar Rose, and Tam Lin in interesting -- often startling -- new ways.