Unfortunately, seventeen-year-old Anna Morgan has no choice. Resting on a park bench, touching the turnstile at the Metro station—she never knows where she’ll encounter a ghost. These mental hitchhikers are the reason Anna has been tossed from one foster home and psychiatric institution to the next for most of her life.When a chance touch leads her to pick up the insistent spirit of a girl who was brutally murdered, Anna is pulled headlong into a deadly conspiracy that extends to the highest levels of government. Facing the forces behind her new hitcher’s death will challenge the barriers, both good and bad, that Anna has erected over the years and shed light on her power’s origins. And when the covert organization seeking to recruit her crosses the line by kidnapping her friend, it will discover just how far Anna is willing to go to bring it down.

     Celebrated Seattle restaurateur Callie James is more than a little thrown when her ex-husband, French investigative reporter Daniel Odile-Grand, shows up after fourteen years asking for her help. Even more disturbing: as she throws him out, Daniel is deliberately hit by a car, hurled through the front window of her restaurant--broken, bloody and unconscious. He flees from the hospital and breaks into Callie's apartment, where he passes out. Reluctantly, Callie hides him. When she gets back to her restaurant, two assassins walk in, insisting that she find Daniel for them by tonight or pay the consequences. Overwhelmed and hopelessly out of her depth, Callie hires the only man she knows who can help her: Cash Logan, her former bartender, a man she had arrested for smuggling ivory through her restaurant two years earlier, and who still hasn't forgiven her. The assassins blow up her restaurant. It's Callie's nightmare. And the worst is yet to come as she and her unlikely, incompatible ally discover that the most perilous dangers are far closer to home than they'd imagined.

    Pray they are hungry.Kara finds these words in the mysterious bunker that she’s discovered behind a hole in the wall of her uncle’s house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring the peculiar bunker—only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts…and the more you fear them, the stronger they become.

    Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials and almost immediately, she becomes the enemy of a group of girls who call themselves The Descendants. And guess who their ancestors were?If dealing with that weren't enough, Sam also comes face to face with a real live (well technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with The Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it's Salem. But history may be about to repeat itself.

    Hired by families as a last resort, he requires only a single object to find the person who has vanished. When he takes on the case of Maggie St. James—a well-known author of dark, macabre children’s books—he’s led to a place many believed to be only a legend. Called "Pastoral," this reclusive community was founded in the 1970s by like-minded people searching for a simpler way of life. By all accounts, the commune shouldn’t exist anymore and soon after Travis stumbles upon it… he disappears. Just like Maggie St. James. Years later, Theo, a lifelong member of Pastoral, discovers Travis’s abandoned truck beyond the border of the community. No one is allowed in or out, not when there’s a risk of bringing a disease—rot—into Pastoral. Unraveling the mystery of what happened reveals secrets that Theo, his wife, Calla, and her sister, Bee, keep from one another. Secrets that prove their perfect, isolated world isn’t as safe as they believed—and that darkness takes many forms. Hauntingly beautiful, hypnotic, and bewitching, A History of Wild Places is a story about fairy tales, our fear of the dark, and losing yourself within the wilderness of your mind.

    Every patch of shadow might be home to something hungry and nearly invisible, something deadly. The dead can only be repelled or destroyed with magically knotted cords and yarns. The women who tie these knots are called binders.Otter is the daughter of Willow, a binder of great power. She’s a proud and privileged girl who takes it for granted that she will be a binder some day herself. But when Willow’s power begins to turn inward and tear her apart, Otter finds herself trapped with a responsibility she’s not ready for, and a power she no longer wants.

    Tourists travel miles to marvel at its miracle crops, including the shimmering, iridescent wheat of Wren’s family farm. Until five months ago.That’s when the quicksilver mercury blight first surfaced, poisoning the farms of Hollow’s End one by one. It began by consuming the crops--thick, silver sludge bleeding from the earth. Next were the animals. Infected livestock and wild creatures alike staggered off into the woods by day—only to return at night, their eyes, fogged white, leering from the trees.Then, the blight came for the neighbors.Wren is among the last locals standing. And the blight has finally come for her, too. Now, the only one she can turn to is the last person she wants to call: her ex, Derek. They haven’t spoken in months, but Wren and Derek still have one thing in common—Hollow’s End means everything to them. Only there’s much they don’t know about their hometown and its renowned miracle crops. And they’re about to discover that miracles aren’t free.Their ancestors have an awful lot to pay for, and Wren and Derek are the only ones left to settle old debts.

    Railroaded into managing the local paranormal museum, she’s certain the rumors of its haunting are greatly exaggerated. But a new ghost may be on the loose. A fresh corpse in the museum embroils Maddie in murders past and present.With her high school bully as one of the officers in charge, Maddie doubts justice will be served. When one of her best friends is arrested, she’s certain it won’t be.Maddie grapples with ghost hunters, obsessed taxidermists, and the sexy motorcyclist next door as outside forces threaten. And as she juggles spectral shenanigans with the hunt for a killer, she discovers there truly is no place like home.

    It’s perfectly normal, and they all grow out of it in the end. But when her seven-year-old son, Cody, tells her about New Granny, the new friend he’s met in the park, Georgina is instantly suspicious. Something—call it maternal instinct—tells her he isn’t making it up.But maybe Georgina is losing her mind. It wouldn’t be the first time, after all. And with her own mother’s recent death leaving her bereft and trying to cope with life as a busy working mom, it’s no wonder she’s feeling paranoid that Cody has invented a “New Granny” to replace his beloved grandmother.Her husband, Bren, becomes the voice of reason, assuring Georgina that it’s just a game, the product of their son’s overactive imagination. But what if Cody’s imaginary friend is not so imaginary after all?

    Wait. There it is again, at the cornfield. Some movement, some thing. Mom and I have been on the run for years. Every time he catches up with us, we move to a new place and start over.But this place is different.This place is full of secrets. And they won't leave me alone.

    Her savings are depleted, her love life is nonexistent, and she cannot face another winter staring at the four walls of her shabby apartment. Celebrating Christmas and ringing in 1986 in the remote fishing hamlet of Skálar seems like a small price to pay for a chance to earn some teaching credentials and get her life back on track.But Skálar isn't just one of Iceland's most isolated villages, it is home to less than a dozen people. Una's only students are two girls aged seven and nine. Teaching them only occupies so many hours in a day and the few adults she interacts with are civil but distant. She only seems to connect with Thór, a man she shares an attraction with but who is determined to keep her at arm's length.As darkness descends throughout the bleak winter, Una finds herself more often than not in her rented attic space - the site of a local legendary haunting - drinking her loneliness away. She is plagued by nightmares of a little girl in a white dress singing a lullaby. And when a sudden tragedy echoes an event long buried in Skálar's past, the villagers become even more guarded, leaving a suspicious Una seeking to uncover a shocking truth that's been kept secret for generations.

    Now, after a year away, she’s returned to graduate. She even has her old room in Godwin House, the exclusive dormitory rumored to be haunted by the spirits of five Dalloway students—girls some say were witches. The Dalloway Five all died mysteriously, one after another, right on Godwin grounds.Witchcraft is woven into Dalloway’s history. The school doesn’t talk about it, but the students do. In secret rooms and shadowy corners, girls convene. And before her girlfriend died, Felicity was drawn to the dark. She’s determined to leave that behind her now; all Felicity wants is to focus on her senior thesis and graduate. But it’s hard when Dalloway’s occult history is everywhere. And when the new girl won’t let her forget.It’s Ellis Haley’s first year at Dalloway, and she’s already amassed a loyal following. A prodigy novelist at seventeen, Ellis is a so-called “method writer.” She’s eccentric and brilliant, and Felicity can’t shake the pull she feels to her. So when Ellis asks Felicity for help researching the Dalloway Five for her second book, Felicity can’t say no. Given her history with the arcane, Felicity is the perfect resource.And when history begins to repeat itself, Felicity will have to face the darkness in Dalloway–and in herself.