Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.

    When their father dies and the children set out to bury him, they encounter the inhabitants of the neighboring village, and the pair's cloak of romance and superstition falls away to reveal the appalling truth of their existence. A brilliant, masterful story in which nothing is as it first seems, "The Little Girl Who Was Too Fond of Matches" is a triumph of suspense, linguistic invention, and playfulness that peers into the heart of guilt, cruelty, and violence.

    Unique, daring, and unforgettable, it tells the story of an ordinary family who accidentally threaten the security of a hidden civilization as intelligent as our own--a colony of ants determined to survive at any cost....Jonathan Wells and his young family have come to the Paris flat at 3, rue des Sybarites through the bequest of his eccentric late uncle Edmond. Inheriting the dusty apartment, the Wells family are left with only one warning: Never go down into the cellar.But when the family dog disappears down the basement steps, Jonathan follows--and soon his wife, his son, and various would-be rescuers vanish into its mysterious depths.Meanwhile, in a pine stump in a nearby park, a vast civilization is in turmoil. Here a young female from the russet ant nation of Bel-o-kan learns that a strange new weapon has been killing off her comrades. To find out why, she enlists the help of a warrior ant, and the two set off on separate journeys into a harsh and violent world. It is a world where death takes many forms--savage birds and voracious lizards, warlike dwarf ants and rapacious termites, poisonous beetles and, most bizarre of all, the swift, murderous, giant guardians of the edge of the world: cars.Yet the end of the female's desperate quest will be the eerie secret in the cellar at 3, rue des Sybarites--a mystery she must solve in order to fulfill her special destiny as the new queen of her own great empire. But to do so she must first make unthinkable communion with the most barbaric creatures of all. Empire of the Ants is a brilliant evocation of a hidden civilization as complex as our own and far more ancient. It is a fascinating realm where boats are built of leaves and greenflies are domesticated and milked like cows, where citizens lock antennae in "absolute communication" and fight wars with precisely coordinated armies using sprays of glue and acids that can dissolve a snail. Not since Watership Down has a novel so vividly captured the lives and struggles of a fellow species and the valuable lessons they have to teach us.From the Hardcover edition.

    Devastated, Elisa unravels. As controlled as Elena Ferrante's The Days of Abandonment and as propulsive as Jenny Offill's Dept. of Speculation, La Femme de Gilles is a hauntingly contemporary story of desperation and lust and obsession, from an essential early-feminist writer.Just after her novel was first published in 1937, Madeleine Bourdouxhe disassociated herself from her publisher (which had been taken over by the Nazis) and spent most of World War II in Brussels, actively working for the resistance. Though she continued to write, her work was largely overlooked by history . . . until now.

    In the lush and vivid prose for which she has become famous, Condé has constructed a Guadeloupean wake for Francis Sancher.

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.

    Suddenly Christa can do no wrong and, as Blanche's parents scour their address books for long-lost friends to invite to dinner to meet the newcomer, their friendship sours and Blanche's already negligible self-confidence goes into a steep decline. With all the characteristics of Amelie Nothomb's unique fictional landscapes, Antechrista is a funny, dark and revealing journey through female friendship and rivalry.

    Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942. With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the period—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation, and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial.

    Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    . . . A very funny, intelligent book that can be read both for its politics and for its extraordinary depiction of a woman who revels in her bestial transformation."

    Saffie, a young German woman, becomes maid, then wife, to Raphael, a privileged French musician who finds her remoteness provocative and irresistable. One day in the old Jewish quarter of the city, where she has taken Raphael's flute to be repaired, Saffie meets a Hungarian instrument maker - and all their lives are unexpectedly, dramatically altered.Driven by passion but damaged in different ways by war, these two people find themselves crossing dangerous boundaries. Told against the rising tide of violence unleashed by the Algerian conflict, The Mark of the Angel builds to a shocking climax conveying the loss of innocence and the tragic irony of these lives twisted out of shape by the weight of history.

    Losing her beloved husband after only seven years of marriage, heartbroken widow Nathalie steels herself against emotional attachments until she unexpectedly falls in for her offbeat, guileless co-worker, Markus, who represents the opposite of everything.

    Just thirty, with a well-paid job, depression and no love life, the narrator and anti-hero par excellence of this grim, funny, and clever novel smokes four packs of cigarettes a day and writes weird animal stories in his spare time.Houellebecq's debut novel is painfully realistic portrayal of the vanishing freedom of a world governed by science and by the empty rituals of daily life.

    It is the winner of the Noma Award.