Brock Clarke, author of An Arsonist’s Guide to Writers’ Homes in New England and Exley, among other novels, now offers up bite-sized morsels of his trademark social satire that will have readers laughing, and perhaps shifting uncomfortably in their seats. The title story delivers a cringingly biting dissection of racial attitudes in contemporary America, and Clarke also turns his eagle eye to subjects like PTSD, the fate of child actors, and, most especially, marital discord in stories like “Considering Lizzie Borden, Her Axe, My Wife” and “The Misunderstandings.” In “The Pity Palace,” a masterful study in self-absorption and self-delusion, a reclusive husband in Florence, Italy, who believes his wife has left him for a famous novelist, sells tickets to tourists anxious to meet someone more miserable than they. It’s a distinctly Clarkean world, in which readers find themselves reflected back with the distortion of funhouse mirrors—and swept up on a wild ride of heart-wrenching insight and self-discovery.

    A couple drive out to the hills in a last-ditch effort to save their marriage. A horse crashes a house party. Set on an imagined island off the west coast of Ireland, John Patrick McHugh’s debut collection of stories draw a complete community of characters – misdirected, posturing and self-deceiving. But in his fidelity to and compassion for their faults, McHugh embeds us in the moments on which these lives twist and turn, probing unflinchingly what most of us would rather ignore. Pure Gold heralds the arrival of a vibrant new literary voice.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    He established the style of the modern short story and influenced many great writers, including George Bernard Shaw, James Joyce, Ernest Hemingway, Katherine Mansfield, and Virginia Woolf.

    Against this backdrop, Maxim Loskutoff shatters the myths of the West: a lonesome trapper falls in love with a bear; a newly married woman hatches a plot to murder a tree; and an unemployed millworker joins a militia after returning home. Written with “blade-sharp prose” (Electric Literature), the twelve stories in this debut collection expose the simmering rage and resentments of small-town America “with extraordinary eloquence and compassion” (National Book Review).

    

    Short story from "If it bleeds".

    Intelligent and brutally direct talk to a reader about our times, Russia, the Russians, and much more.

    But sometimes, even the most loyal have second thoughts. Author's note: This is a novella set between the events of A GIFT OF POISON (Book #1 of the Kingmakers' War series) and A BED OF BLADES (Book #2 of the Kingmakers' War series).

    His stories have since appeared in The New Yorker and in the Granta Book of the Irish Short Story. His debut novel, City Of Bohane, was published by Jonathan Cape in April 2011. Could easily have been titled These Are Little Masterpieces'. Barry gathers all the bewildered exasperation that Irish playwrights from Tom Murphy to Marina Carr and Enda Walsh have identified, and brings it, most brilliantly, to his dark, blackly hilarious and horrifically realistic narratives.'-Eileen Battersby, The Irish Times

    Each story follows the life of a person living on a fictitious council estate in London. The stories illustrate the realities and struggles that ordinary people go through at a time when people are feeling disenfranchised and are frustrated at not having their voices heard. Ranging from a humorous look at the gentrification of London to the realities of living with addiction the stories place the reader in the shoes of each character allowing them to feel their emotions.

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    Here in a single volume is the finest short fiction of the year, selected by Richard Ford, the eminent novelist, short story writer, and essayist.

    “The stories in this volume,” writes Louis Begley in his new Introduction, “show the wide range of [O’Hara’s] interests and an ability to treat with a virtuoso’s ease characters and situations from any place on America’s geographic and social spectrum.”Stories included:The decision -- Everything satisfactory -- The moccasins -- Doctor and Mrs. Parsons -- Pardner -- A phase of life -- Walter T. Carriman -- Now we know -- Too young -- Summer's day -- The king of the desert -- Bread alone -- Graven image -- The next-to-last dance of the season -- Where's the game? -- Mrs. Whitman -- Price's always open -- The cold house -- Are we leaving tomorrow? -- No mistakes -- The ideal man -- Do you like it here? -- The doctors son -- Hotel kid -- The public career of Mr. Seymour Harrisburg -- In the morning sun -- War aims -- Secret meeting -- Other women's households -- Over the river and through the wood -- I could have had a yacht -- A respectable place.

    Long a celebrated West Coast cult figure, Kate Braverman now gives voice to Squandering the Blues, a distinctive and uncompromising collection of characters living out urban fairy tales and nightmares in the highly atmospheric landscape of Los Angeles.