. . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different—“girlish,” intellectually precocious, and attracted to other men.Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result—a critical and popular triumph—has made him the most celebrated French writer of his generation.

    The city is a shell of the Beirut Osama remembers, but he and his friends and family take solace in the things that have always sustained them: gossip, laughter, and, above all, stories. Osama’s grandfather was a hakawati, or storyteller, and his bewitching stories—of his arrival in Lebanon, an orphan of the Turkish wars, and of how he earned the name al-Kharrat, the fibster—are interwoven with classic tales of the Middle East, stunningly reimagined. Here are Abraham and Isaac; Ishmael, father of the Arab tribes; the ancient, fabled Fatima; and Baybars, the slave prince who vanquished the Crusaders. Here, too, are contemporary Lebanese whose stories tell a larger, heartbreaking tale of seemingly endless war—and of survival. Like a true hakawati, Rabih Alameddine has given us an Arabian Nights for this century—a funny, captivating novel that enchants and dazzles from its very first lines: “Listen. Let me take you on a journey beyond imagining. Let me tell you a story.”

    Keeping a watchful eye is Bernard Valcourt, a jaded foreign journalist, but his closest attention is devoted to Gentille, a hotel waitress with the slender, elegant build of a Tutsi. As they slip into an intense, improbable affair, the delicately balanced world around them–already devastated by AIDS–erupts in a Hutu-led genocide against the Tutsi people. Valcourt’s efforts to spirit Gentille to safety end in their separation. It will be months before he learns of his lover’s shocking fate.

    Here begins the story of a small African nation, told by a swarm-like chorus that calls itself man’s greatest nemesis. In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives – their triumphs, errors, losses and hopes – form a symphony about what it means to be human.From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines – this novel sweeps over the years and the globe.

    In Rawi Hage's unforgettable novel, winner of the 2008 IMPAC Prize, this famous quote by Camus becomes a touchstone for two young men caught in Lebanon's civil war. Bassam and George are childhood best friends who have grown to adulthood in war torn Beirut. Now they must choose their futures: to stay in the city and consolidate power through crime; or to go into exile abroad, alienated from the only existence they have known. Bassam chooses one path: obsessed with leaving Beirut, he embarks on a series of petty crimes to finance his departure. Meanwhile, George builds his power in the underworld of the city and embraces a life of military service, crime for profit, killing, and drugs.Told in the voice of Bassam, De Niro's Game is a beautiful, explosive portrait of a contemporary young man shaped by a lifelong experience of war. Rawi Hage's brilliant style mimics a world gone mad: so smooth and apparently sane that its razor-sharp edges surprise and cut deeply. A powerful meditation on life and death in a war zone, and what comes after.

    Rebelling against the business of bestsellers and in search of an ideal place where their literary dreams can come true, Ivan and Francesca open a store where the passion for literature is given free rein. Tucked away in a corner of Paris, the store offers its clientele a selection of literary masterpieces chosen by a top-secret committee of likeminded literary connoisseurs. To their amazement, after only a few months, the little dream store proves a success. And that is precisely when their troubles begin. At first, both owners shrug off the anonymous threats that come their way and the venomous comments concerning their store circulating on the Internet, but when three members of the supposedly secret committee are attacked, they decide to call the police. One by one, the pieces of this puzzle fall ominously into place, as it becomes increasingly evident that Ivan and Francesca’s dreams will be answered with pettiness, envy and violence.

    At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

    In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew. Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.

    Thirty-four-year-old prostitute Jmiaa reflects on the bustling world around her with a brutal honesty, but also a quick wit that cuts through the drudgery. Like many of the women in her working-class Casablanca neighborhood, Jmiaa struggles to earn enough money to support herself and her family—often including the deadbeat husband who walked out on her and their young daughter. While she doesn’t despair about her profession like her roommate, Halima, who reads the Quran between clients, she still has to maintain a delicate balance between her reality and the “respectable” one she paints for her own more conservative mother. This daily grind is interrupted by the arrival of an aspiring young director, Chadlia, whom Jmiaa takes to calling “Horse Mouth.” Chadlia enlists Jmiaa’s help on a film project, initially just to make sure the plot and dialogue are authentic. But when she’s unable to find an actress who’s right for the starring role, she turns again to Jmiaa, giving the latter an incredible opportunity for a better life. In her breakout debut novel, Meryem Alaoui creates a vibrant picture of the day-to-day challenges faced by working people in Casablanca, which they meet head-on with resourcefulness and resilience.

    Among the effects of a dead passenger, they come across a set of notebooks that tell of his life. As the boy reads the story to his elderly companion, this story and their own develop in tandem. Written in 1992, Mia Couto’s first novel is a powerful indictment of the suffering war brings.

    As part of her appeal, her lawyer insists that she write down what happened as she remembers it. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers?In The Book of Memory, Petina Gappah has created a uniquely slippery narrator: forthright, acerbically funny, and with a complicated relationship to the truth. Moving between the townships of the poor and the suburbs of the rich, and between the past and the present, Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.

    We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    For the young shepherd boy Dshurukuwaa, the confrontation comes in stages. First his older siblings leave the family yurt to attend a distant boarding school, followed by the death of his beloved grandmother and with it, the connection to the tribe’s traditions and deep relationship to the land. But the greatest tragedy strikes when his dog — “all that was left to me” — dies after ingesting poison set out by the boy’s father to protect the herd from wolves. His despairing questions to the Heavenly Blue Sky are answered only by the silence of the wind.The first and only member of the Tuvans to use written language to tell stories, Galsan Tschinag chronicles their traditions in this fascinating, bittersweet novel.

    It is the answer he gave his wife (now ex-wife) years earlier when she told him she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

    Huston's novel is a profound and poetic story that traces four generations of a single family from present-day California to WW II era Germany. Fault Lines begins with Sol, a gifted, terrifying child whose mother believes he is destined for greatness partly because he has a birthmark like his dad, his grandmother, and his great-grandmother. When Sol's family makes an unexpected trip to Germany, secrets begin to emerge about their history during World War II. It seems birthmarks are not all that's been passed down through the bloodlines. Closely observed, lyrically told, and epic in scope, Fault Lines is a touching, fearless, and unusual novel about four generations of children and their parents. The story moves from the West Coast of the United States to the East, from Haifa to Toronto to Munich, as secrets unwind back through time until a devastating truth about the family's origins is reached. Huston tells a riveting, vigorous tale in which love, music, and faith rage against the shape of evil.