An attractive woman of a certain age, the longtime chief of human resources at Ellery Consumer Research is still a formidable presence, even if her most vital days are behind her. A leader who wields power with grace and discretion, she has earned the devotion and loyalty of her staff. No one admires Rosa more than her doting lieutenant Leo Smalls, a benefits vice president whose whole world is Ellery.While Rosa is consumed with trying to address the needs of her staff within the ever-constricting limits of the company’s bottom line, her associate director, Rob Hirsch, a middle-aged, happily married father of two, finds himself drawing closer to his "work wife," Lucy Bender, an enterprising single woman searching for something—a romance, a promotion—to fill the vacuum in her personal life. For Kenny Verville, a senior manager with an MBA, Ellery is a temporary stepping-stone to bigger and better places—that is, if his high-powered wife has her way.Compelling, flawed, and heartbreakingly human, these men and women scheme, fall in and out of love, and nurture dreams big and small. As their individual circumstances shift, one thing remains constant—Rosa, the sun around whom they all orbit. When her world begins to crumble, the implications for everyone are profound, and Leo, Rob, Lucy, and Kenny find themselves changed in ways beyond their reckoning.Jillian Medoff explores the inner workings of an American company in all its brilliant, insane, comforting, and terrifying glory. Authentic, razor-sharp, and achingly funny, This Could Hurt is a novel about work, loneliness, love, and loyalty; about sudden reversals and unexpected windfalls; a novel about life.

    But the apparently pleasant town is not all it seems. Sylvia falls in love with an older man - but it's her connection to his precocious young daughter and her neighbours' son which will change her life and put them, the library and her job under threat.How does the library alter the young children's lives and how do the children fare as a result of the books Sylvia introduces them to?

    In the first two books of the series, “Coyote Courage” and “Coyote Creek," readers are introduced to Brock Clemons and the small town of Dry Springs, where Brock meets a young boy named Huck, falls for a beautiful young woman named Sophie and faces a band of hardened outlaws. Brock decides to stay beyond the one night he had planned, and readers follow his adventures in town and journey in the aftermath of his visit to Dry Springs. Brock Clemons rides into the small town of Dry Springs simply looking for a place to grab a cigar and a good night’s sleep. Instead, he finds a town being strangled by a band of hardened outlaws, a young boy named Huck who is bravely facing challenges far beyond his years, and Sophie, a woman of captivating strength and beauty. Brock decides to stay beyond the one night he had planned, but will his intelligence, courage and unmatched skill with a gun be enough to save the town, help Huck and win Sophie’s heart?

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    This is a gutsy, fun-loving, and provocative novel in which a bean can philosophises, a dessert spoon mystifies, a young waitress takes on the New York art world, and a rowdy redneck welder discovers the lost god of Palestine.

    What if you find him—and he doesn’t remember you? In her captivating new novel, Susan Shapiro explores the perils of revisiting past passion. Lila Penn leaves Wisconsin for graduate school in the big city, where she falls for her professor Daniel Wildman. Decades after their tangled link, she arranges a tête-à-tête in downtown Manhattan. But the shocking encounter blindsides Lila, causing her to question her memory—and sanity. Switching between Greenwich Village and Tel Aviv, the saga unravels the sexual secret that’s haunted Daniel and Lila for thirty years.“Frank, darkly funny, entertaining...”—New York Times Book Review“A promiscuously readable guilty pleasure...”—Elle Magazine“Funny and original, with a soulfulness beneath the humor.”—Ian Frazier“Sly, candid, disarming...”—Pam Houston“Shapiro’s voice is so passionate and honest,it’s bewitching.”—Erica Jong“Irresistible energy, winning humor... breathtakingly frank honesty.”—Philip Lopate“Unputdownable.”—Gael GreenePublisher’s Weekly, October 2015:In raw and elegant prose, Shapiro (Five Men Who Broke My Heart) sensitively examines the subject of the one who got away—and what happens when you try to revisit an old romance. When brash, naive graduate student Lila Lerner arrives in New York City from Baraboo, Wisc., she immediately falls for her poetry professor, Daniel Wildman, who is 20 years her senior. As the tale opens, a now-happily married Lila attends the book signing of her former love, and is appalled when he doesn't seem to recognize her. But is his forgetfulness real, or simply a defense mechanism? Shapiro then leads the reader into the past, skillfully illustrating why Daniel's reaction is so upsetting to Lila and even leads her to think that her own memory is faulty. The author deftly toggles through decades, opening in 2010 and often moving to the early '80s, and from New York City to Israel, telling the story from Daniel's point of view as well as Lila's—lending empathy to a character who could have been the stereotypical older man taking advantage of a younger woman. Shapiro's witty, flawed characters leap off the page, showing the before, during, and after of a love affair. Library Journal, October 15, 2015: Lila Penn came to New York City from Wisconsin in 1980 as an idealistic young student in a graduate writing program. She fell in love with the city and with her professor and mentor, Daniel Wildman, but their relationship ended abruptly when he left for Tel Aviv. Professor Wildman turned out to be more indecisive than wild, and Lila was very young. Now, 30 years later, both are happily married to other people. But is there still a spark between the former student and her much older professor? Forward to 2010: Wildman has just won a Pulitzer Prize for his writing. Lila nervously decides to go to his reading and book signing, but it doesn't go well. Could it be that her former love doesn't even remember her? This wistful story of love and poetry is told from the viewpoints of both characters, then and now. Shapiro (Overexposed) is especially clever in her portrayal of the petty dramas and rivalries of creative writing programs. VERDICT This wry look back at a complicated and doomed romance is a sophisticated and witty novel about academia and New York publishing.—Leslie Patterson, Rehoboth, MA

    In all that time, Taisy’s family has seen Wilson, Caroline, and their daughter Willow only once. Why then, is Wilson calling Taisy now, inviting her for an extended visit, encouraging her to meet her pretty sister — a teenager who views her with jealousy, mistrust, and grudging admiration? Why, now, does Wilson want Taisy to help him write his memoir?Told in alternating voices — Taisy’s strong, unsparing observations and Willow’s naive, heartbreakingly earnest yearnings — The Precious One is an unforgettable novel of family secrets, lost love, and dangerous obsession, a captivating tale with the deep characterization, piercing emotional resonance, and heartfelt insight that are the hallmarks of Marisa de los Santos’s beloved works.

    Tom and Louise meet in a pub before their couple's therapy appointment. Married for years, they thought they had a stable home life--until a recent incident pushed them to the brink.Going to therapy seemed like the perfect solution. But over drinks before their appointment, they begin to wonder: what if marriage is like a computer? What if you take it apart to see what's in there, but then you're left with a million pieces?Unfolding in the minutes before their weekly therapy sessions, the ten-chapter conversation that ensues is witty and moving, forcing them to look at their marriage--and, for the first time in a long time, at each other.

    But he needed one…Emily and her husband Sandy Portman seemed to live a gracious if busy life in an old-world, Upper West Side apartment in the famous Dakota building.  But one night on the way to meet Emily, Sandy dies in a tragic accident.  The funeral isn't even over before Emily learns she is on the verge of being evicted from their apartment.  But worse than the possibility of losing her home, Emily is stunned when she discovers that her marriage was made up of lies.  Suddenly Emily is forced on a journey to find out who her husband really was . . . all the while feeling that somehow he isn't really gone.  Angry, hurt, and sometimes betrayed by loving memories of the man she lost, Emily finds comfort in a scruffy dog named Einstein.  But is Einstein's seemingly odd determination that she save herself enough to make Emily confront her own past?  Can he help her find a future—even after she meets a new man?

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    Two childhood friends from Scotland and two illegitimate half-brothers from the American South suffer and enjoy all manner of bizarre experiences which, as it turns out, are somehow interconnected and, surprisingly enough, meaningful. An eclectic cast of characters includes Carl Jung, Fatty Arbuckle, Virgil, Marat, Socrates, and Tony Randall. Love, greed, hope, revenge, organized religion, and Hollywood are alternately tickled and throttled. Impossible to summarize and impossible to stop reading, this is a romantic comic odyssey that actually delivers and rewards.

    It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man-called simply the "Walking Man" --paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling - a realm where loss is not merely an absence, but a life force of its own.

    This is a condition that Frank himself aspires to. But at thirty-eight, he suffers from incurable dreaminess, occasional pounding of the heart, and the not-too-distant losses of a career, a son, and a marriage. In the course of the Easter week in which Ford's moving novel transpires, Bascombe will end up losing the remnants of his familiar life, though with his spirits still soaring.

    Sparrow's dream is the World Lightweight Championship. But when he finally has it in his grasp he can't deliver the finishing punch. Sparrow's life falls apart, and fifteen years later he's a bum, a loser. Then something happens that convinces him that there are still things worth fighting for ...

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...