She was one year out of college and severely depressed. Summoned by Julie's incoherent phone call, her mother raced from Ohio to New York and took her home.Psychiatrists, therapists and family tried to intervene, but nothing reached her until the day she decided to do one hopeful thing: adopt a Golden Retriever puppy she named Bunker.Dog Medicine captures in beautiful, elegiac language the anguish of depression, the slow path to recovery, and the astonishing way animals can heal even the most broken hearts and minds.

    Later came the all-female Girls on Top with Jennifer Saunders, Ruby Wax and Tracy Ullman. Then, as part of the wildly successful duo, French and Saunders, Dawn helped create a repertoire of brilliantly observed recurring characters parodying popular culture and impersonating everything from Madonna and Harry Potter to The Exorcist. Dawn's more recent role in The Vicar of Dibley again has showcased not only her talent but also her ability to take a controversial issue and make it mainstream and funny. From her early years as an RAF child to her flat-sharing antics with Jennifer Saunders, from her outspoken views on sizeism to her marriage to Lenny Henry, Dear Fatty will chronicle the fascinating and hilarious rise of a complex, dynamic and unstoppable woman.

    She wrote a list: improv, a solo holiday and... talking to strangers on the tube. She regretted it instantly.Sorry I'm Late, I Didn't Want to Come follows Jess's hilarious and painful year of misadventures in extroverting, reporting back from the frontlines for all the introverts out there.But is life actually better or easier for the extroverts? Or is it the nightmare Jess always thought it would be?

    Struggling to pay her college tuition, Hindman accepts a dream position in an award-winning ensemble that brings ready money. But the ensemble is a sham. When the group performs, the microphones are off while the music―which sounds suspiciously like the soundtrack to the movie "Titanic"―blares from a hidden CD player. Hindman, who toured with the ensemble and its peculiar composer for four years, writes with unflinching candor and humor about her surreal and quietly devastating odyssey. Sounds Like Titanic is at once a singular coming-of-age memoir about the lengths to which one woman goes to make ends meet and an incisive articulation of modern anxieties about gender, class, and ambition.

    He has never granted a writer access to his inner life – until now. Based on six years of interviews with more than three hundred of Young’s associates, and on more than fifty hours of interviews with Young himself, Shakey is a fascinating, prodigious account of the singer’s life and career. Jimmy McDonough follows Young from his childhood in Canada to his cofounding of Buffalo Springfield to the huge success of Crosby, Stills, Nash and Young to his comeback in the nineties. Filled with never-before-published words directly from the artist himself, Shakey is an essential addition to the top shelf of rock biographies.

    His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history. Here is a mesmerizing, incomparable portrait of the most influential musician of his time.

    It recounts his "de rigeur" plunge into drink, drugs, and debauchery as well as being an intimate portrait of the star-making personalities of the 1980s.

    The warm memoir follows the lives of brothers Deepak and Sanjiv Chopra, who left a comfortable life in post-war India to develop their professional skills in America, both achieving success following in their father’s footsteps as healers—Deepak as bestselling author, physician, and speaker, and Sanjiv as professor of medicine and faculty dean for continuing medical education at Harvard Medical School.

    The popular recording star and successful songwriter--known in Nashville as the Storyteller--recounts his rise to stardom, provides inside glimpses of the country-music business, and profiles his fellow Opryland stars.

    Now: actress, single working mother of teenage rock star, and weight-loss inspiration to millions. We all knew and loved Valerie Bertinelli years ago when she played girl-next-door cutie Barbara Cooper in the hit TV show "One Day at a Time," and then starred in numerous TV movies. From wholesome primetime in America's living rooms, Valerie moved to late nights with the hardest-partying band of the decadent eighties when she became, at twenty, wife to rock guitarist Eddie Van Halen. Losing It is Valerie's frank account of her life backstage and in the spotlight. Here are the ups and downs of teen stardom, of her complicated marriage to a brilliant, tormented musical genius, and of her very public struggle with her weight.

    This tells the full story of his amazing creative life. Never-before-seen manuscripts, notes, cartoons, drawings and personal photographs from Neil's own archive are complemented by artwork and sketches from all of his major works, and his own intimate recollections. Each project is examined from genesis to fruition, and positioned in the wider narrative of Gaiman's crative life, affording unparalleled access to the inner workings of the writers mind

    When first published, La Batarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir. Like that of Henry Miller, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.Violette Leduc was born the illegitimate daughter of a servant girl and was encouraged to write by Maurice Sachs and Simone de Beauvoir. Her first novel, L'Asphyxie (In the Prison of Her Skin), was published by Camus for Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau, and Jean Genet. She went on to write eight more books, including Ravages, L'Affamee, and La Folie en tete (Mad in Pursuit), the second part of her literary autobiography.

    Now, for the first time, Steven openly shares the experiences that have shaped him, his faith, and his music in a life that has included incredible highs and faith-shaking lows. Readers will be captivated by this exclusive look into Steven's childhood and challenging family dynamic growing up, how that led to music and early days on the road, his wild ride to the top of the charts, his relationship with wife Mary Beth, and the growth of their family through births and adoptions. In addition to inside stories from his days of youth to his notable career, including the background to some of his best-loved songs, readers will walk with Steven down the devastating road of loss after the tragic death of five-year-old daughter Maria. And they'll experience his return to the stage after doubting he could ever sing again. Poignant, gut-wrenchingly honest, yet always hopeful, Steven offers no sugary solutions to life's toughest questions. Yet out of the brokenness, he continues to trust God to one day fix what is unfixable in this life. This backstage look at the down-to-earth superstar they've come to love will touch fans' lives and fill their hearts with hope. Includes black-and-white photos throughout.

    The Shark and the Albatross is the story of these journeys of discovery, of his encounters with animals and occasional enterprising individuals in remote and sometimes dangerous places. His destinations include the far north and the far south, from Svalbard, Alaska, the remote Atlantic island of South Georgia, and the Antarctic, to the wild places of India, China, and the United States. In all he finds and describes key moments in the lives of animals, among them polar bears and penguins, seals and whales, sharks and birds, and wolves and lynxes.John Aitchison reveals what happens behind the scenes and beyond the camera. He explains the practicalities and challenges of the filming process, and the problems of survival in perilous places. He records touching moments and dramatic incidents, some ending in success, others desperately sad. There are times when a hunted animal triumphs against the odds, and others when, in spite of preparation for every outcome, disaster strikes. And, as the author shows in several incidents that combine nail-biting tension with hair-raising hilarity, disaster can strike for film-makers too.

    Snyder helped the horse overcome its deficiencies, eventually naming her in part after his deceased wife, Lisa, the great and only love of his life—a bright and sweet-tempered woman whose gentle demeanor seemed eerily reflected in the horse. The trainer (and now owner) was by nature a crusty and combative sort, the yin to his wife's yang, a racetrack lifer not easily moved by new-age mysticism or sentiment. And yet in those final days back in 2003, when Lisa Snyder lay in bed, her body ravaged by cancer, she reassured her family with a weak smile. "It's okay," she'd say. "I'll see you again. I'm coming back as a horse."Tim Snyder did not then believe in reincarnation. But he acknowledged the strangeness of this journey, the series of coincidences that brought them together, and the undeniable similarities between the horse and his late wife. And so did those who knew the couple well, and who could now only marvel at the story of the filly, Lisa's Booby Trap, and the down-on-his-luck trainer who apparently had been given a new lease on life.The Ghost Horse is a powerful horseracing story of underdogs and second chances.