They were responsible for one of the most evocative legends in English folk history - Jack the Ripper. Best of all - for the myth-makers, that is - he was never caught, and there has never been a convincing identification of this man or, as some suggest, woman, who stabbed and disembowelled a succession of East End prostitutes, and left them bleeding in the gaslit streets of Victorian London. This book now lays out all the known evidence in a sumary of the facts and theories that have been written and spoken about the Ripper.

    The city is one giant grave, filled with the remains of previous eras. The Houses of Parliament sit on the edge of a former plague pit; St Paul's is built over human remains; Underground tunnels were driven through forgotten catacombs, thick with bones. A society can be judged by the way it treats its dead, and this is especially true of London. From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the cult of mourning that surrounded the death of Diana, Princess of Wales - Necropolis leaves no headstone unturned in its exploration of our changing attitudes towards the deceased among us.

    (Why? Shush, dear. A lady doesn't question.) UNMENTIONABLE is your hilarious, illustrated, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood, giving you detailed advice on: ~ What to wear ~ Where to relieve yourself ~ How to conceal your loathsome addiction to menstruating ~ What to expect on your wedding night ~ How to be the perfect Victorian wife ~ Why masturbating will kill you ~ And moreIrresistibly charming, laugh-out-loud funny, and featuring nearly 200 images from Victorian publications, UNMENTIONABLE will inspire a whole new level of respect for Elizabeth Bennett, Scarlet O'Hara, Jane Eyre, and all of our great, great grandmothers. (And it just might leave you feeling ecstatically grateful to live in an age of pants, super absorbency tampons, epidurals, anti-depressants, and not-dying-of-the-syphilis-your-husband-brought-home.)

    A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame.Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home.Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.

    The daring director-actress Rosina Filippi shaped Austen's reputation with her pioneering dramatizations, leading thousands of young women to ventriloquize Elizabeth Bennet's audacious lines before drawing room audiences. Even the supposedly staid history of Austen scholarship has its bizarre stories. The author of the first Jane Austen dissertation, student George Pellew, tragically died young, but he was believed by many, including his professor-mentor, to have come back from the dead.Looser shows how these figures and their Austen-inspired work transformed Austen's reputation, just as she profoundly shaped theirs. Through them, Looser describes the factors and influences that radically altered Austen's evolving image. Drawing from unexplored material, Looser examines how echoes of that work reverberate in our explanations of Austen's literary and cultural power. Whether you're a devoted Janeite or simply Jane-curious, The Making of Jane Austen will have you thinking about how a literary icon is made, transformed, and handed down from generation to generation.

    Part of the Pocket Bibles series, a brand new collection of lovingly crafted gift books giving a unique mix of useful references, handy tips and fascinating trivia guaranteed to entertain and enlighten at every page.

    This book will be of interest to anyone professionally or educationally involved in costume history as it includes many detailed drawings and studies of dresses and accessories based on research from private collections.

    They are not what they seem, but colleagues from a technologically advanced future, posing as a doctor and his spinster sister. While Rachel and Liam aren’t the first team of time travelers, their mission is the most audacious yet: meet, befriend, and steal from Jane Austen. Carefully selected and rigorously trained by The Royal Institute for Special Topics in Physics, disaster-relief doctor Rachel and actor-turned-scholar Liam have little in common excerpt their extraordinary circumstances. Circumstances that call for Rachel to stifle her independent nature and let Liam take the lead as they infiltrate Austen’s circle via her favorite brother, Henry. But diagnosing Jane’s fatal illness and obtaining an unpublished novel hinted at in her letters pose enough of a challenge without the convolutions of living a lie. While her friendship with Jane deepens and her relationship with Liam grows complicated, Rachel fights to reconcile her true self with the constrictions of 19th century society. As their portal to the future prepares to close, Rachel and Liam struggle with their directive to leave history as they found it…however heartbreaking that proves.©2017 Kathleen A. Flynn (P)2017 HarperCollins Publishers

    But if you were a woman, it was also a time when death during childbirth was rife; when marriage was usually a legal contract, not a matter for love, and the education you could hope to receive was minimal at best.Yet the Tudor century was also dominated by powerful and dynamic women in a way that no era had been before. Historian Elizabeth Norton explores the life cycle of the Tudor woman, from childhood to old age, through the diverging examples of women such as Elizabeth Tudor, Henry VIII’s sister; Cecily Burbage, Elizabeth's wet nurse; Mary Howard, widowed but influential at court; Elizabeth Boleyn, mother of a controversial queen; and Elizabeth Barton, a peasant girl who would be lauded as a prophetess. Their stories are interwoven with studies of topics ranging from Tudor toys to contraception to witchcraft, painting a portrait of the lives of queens and serving maids, nuns and harlots, widows and chaperones. Norton brings this vibrant period to colorful life in an evocative and insightful social history.

    Along the way readers will spend a holiday in the Austen house, celebrate Jane's birthday, meet the inspiration for more than a dozen characters, attend the Christmastide series of balls, and learn how to make family's favorite recipes and dedicate a novel to the Prince Regent. Remarkably fresh and supremely entertaining, A Jane Austen Christmas brings Austen's world to life as never before.

    An engaging mixture of biography and photographic study provides a glimpse into the houses and scenery that formed the "stage set" where her stories unfolded, from the author's own home and those of her friends to the countryside, seaside, castles, abbeys, and churches, and famed houses like Chatsworth and Chawton, considered the models for Pemberley and Rosings in Pride and Prejudice.

    With scant information about her life available, fans have a bottomless hunger for details about the woman behind the work. Jane Austen feeds that appetite with background on her relationships with family and friends; on the contemporary attitudes that shaped Austen and her writing; and on the settings that inspired her and feature in her stories. Austenites will particularly treasure the 15 pieces of removable memorabilia, which include facsimiles of early manuscripts, a handwritten note outlining the profits from her novels, and a letter from Austen's father to the publisher Thomas Cadell that was returned with the words “Rejected by return of post” written on it.

    They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.They were the bohemians.Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

    Austen's childhood is recreated, sketching her devotion to her ambitious parents and drawing a lively picture of Jane's two brothers—one of whom served with Nelson's navy at Trafalgar—and of Jane's closest confidante, her elder sister Cassandra. Set against a backdrop of rural Hampshire and Bath, Austen's life moves between a closely observed domestic setting with family and friends to descriptions of dances and parties, social mores, and malice. This account brings new insights into her checkered love life, her moments of loneliness and frustration, and her ironic appreciation of her situation as an intelligent, economically dependent woman.

    Hazel Holt has published 19 Mrs. Malory mysteries in the tradition of Barbara Pym and has admirers around the world. My Dear Charlotte is a departure from her other work. It is a novel-in-letters written “with the assistance of Jane Austen’s letters.” From the Introduction by Jan Fergus:"Of course, you don’t have to love Austen to love this book. If you enjoy detective novels, you will find here a completely satisfying murder mystery, coupled with a romance (or more than one, in fact). My Dear Charlotte gives you, in addition to mystery and romance, a portrait of the world of the English gentry at around 1815, immediately after the defeat of Napoleon—its manners and its moral certainty. As in Austen, Napoleon is not directly mentioned, but his shadow is there: one brother of the heroine is a sailor and the other a junior diplomat at the Congress of Vienna. It’s the social world at home that is central, however, with its balls, visits, courtships, gossip, and of course murder, underlining the tensions and rifts within that apparently civilized society. But it’s readers of Jane Austen who will get the most pleasure from My Dear Charlotte. It is in my opinion the only successful attempt to re-create the world of Austen’s novels, better even than the best of Georgette Heyer’s Regency romances. Holt does much more, though: she has chosen to write a novel-in-letters, which allows her to incorporate witty quotations directly from Austen’s letters into her novel, quotations about persons, occasions, the minutiae of daily life from housekeeping and shopping to the weather and human nature."Fans of Sharon Lathan, Georgette Heyer and Barbara Pym will love this new mystery.