This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, drifters, and misfits, a second-rate circus struggling to survive during the Great Depression, making one-night stands in town after endless town. A veterinary student who almost earned his degree, Jacob is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. Beautifully written, Water for Elephants is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford.

    In this Heroines of the Golden West title, Carolina Cantrell goes to Montana Territory to settle her late brother's estate only to face internal conflict fueled by an explosion of emotions centered around a particularly handsome drifter that walks into her life.

    As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history—the Canadian Wild West as 'imagined' by Hollywood—is a great accomplishment. Readers, I think, will find this book irresistible."

    Across the border Mexico beckons—beautiful and desolate, rugged and cruelly civilized. With two companions, he sets off on an idyllic, sometimes comic adventure, to a place where dreams are paid for in blood.

    Riding to Texas to buy some cattle, the best gunsmith in St. Joseph, Missouri, gets waylaid by a pack of murdering outlaws. His lifeless body is left dangling at the end of a rope, robbing his family of a loving husband and father.Now a mysterious gunslinger is on the vengeance trail, packing Daniel Strange's Colt and answering to the same name. With fiery green eyes and a temper to match, the vigilante won't stop until every last man who killed Daniel Strange shares the same fate. And as each bullet finds its mark, the avenger's victims die never knowing the truth: Daniel Strange may be dead and buried, but his daughter is alive -- and killing.

    Six-year-old Birdie Adams wants to run away and join the circus but guesses she’ll have to go to the first grade and hang around with her new baby brother instead. Maybe her big sister needs a little help, too. The circus will have to wait.Twelve-year-old Melanie Adams wants her friend to stop bugging her to get her first kiss. Melanie’s already had her first kiss, but won’t spoil the special secret by talking about it. Norah Adams is a good mother and wife who wants to keep her family safe and happy, but tucking the order form for dogtags in her daughters’ lunch boxes is a big change from the everyday bologna sandwiches.Lola Carter wants the life her sister, Norah, has. Instead she has a factory job, an alcohol and prescription drug addiction, and an abusive boyfriend. Even if President Kennedy prevents World War III, these women’s lives will be changed forever.

    She leaves her San Francisco home to join Behan in Tombstone, Arizona, a magnet for miners (and outlaws) attracted by the silver boom. Though united by the glint of metal, Tombstone is plagued by divided loyalties: between Confederates and Unionists, Lincoln Republicans and Democrats.But when the silver-tongued Behan proves unreliable, it is legendary frontiersman Wyatt Earp who emerges as Josephine’s match. As the couple’s romance sparks, Behan’s jealousy ignites a rivalry destined for the history books…At once an epic account of an improbable romance and a retelling of an iconic American tale, The Last Woman Standing recalls the famed gunfight at the O.K. Corral through the eyes of a spunky heroine who sought her happy ending in a lawless outpost—with a fierce will and an unflagging spirit.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern Tessio come to terms with death and the harsh truths of growing up in a small factory town that doesn’t offer much in the way of a future. A timeless exploration of the loneliness and isolation of young adulthood, Stephen King’s The Body is an iconic, unforgettable, coming-of-age story.

    His Plainsmen series brims with colorful characters, fierce battles and compelling historical lore.The Civil War was over, and a great westward march began. Settlers and soldiers poured out of the East along the Bozeman Trail, cutting deep into sacred Sioux hunting grounds. For Red Cloud and his warriors, there would be no choice but to fight for their ancestral rights.Seen through the eyes of gruff Sergeant Seamus Donegan, here is the historically accurate tale of a tragic opening to the war between two great civilization: the Fetterman Massacre of 1866.

    Cole and Hitch are used to cleaning up after scavengers, but this one raises the stakes by playing not with the rules—but with emotion.

    Escaping a brutal blood feud in the fertile Ohio Valley, brothers Clay and Jefferson Holt strike out for new territories, unaware that a shadowy killer is following their every move.

    Based on the life of the author's mother, it overturns every stereotype of western womanhood.Comes closer to the truth and the validity of the so-called winning of the West than anything I have ever read. It is terrifying, heartbreaking and remarkable. . . . Filaree is also one of the most magnificent portraits of a woman that exists in our literature.--Howard FastI loved Filaree, I didn't just read it, I crawled between the pages and lived it.--Lily TomlinAn extraordinary performance. . . . a powerful antidote to the romantic illusions some people have about ranch people and life on the range. . . . As a writer, Mrs. Noble makes no compromises. She tells her story in plain country American dialect, offers no exaggerated sex or violence, no vulgar talk. She is a realist in the best sense, a breath of fresh air in these free-wheeling times.--C. L. Sonnichsen

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.