He is captivated by a painting she owns of a busy Caribbean port overlooked by a volcano and, in time, she shares the story of her youth there in the early twentieth century. Set in the tropical luxury of the island of Saint-Jacques, hers is a tale of romantic intrigue and decadence amongst the descendents of slaves and a fading French aristocracy. But on the night of the annual Mardi Gras ball, catastrophe overwhelms the island and the world she knew came to an abrupt and haunting end. The Violins of Saint-Jacques captures the unforeseen drama of forces beyond human control. Originally published in 1953, it was immediately hailed as a rare and exotic sweep of colour across the drab monochrome of the post-war years, and it has lost nothing of its original flavour.

    He finds himself swept off of his feet and married to her, bringing her with him to live in his family home. She is his erotic dream come true; she does everything she can to bind him to her and join him in his comfortable life.Soon, however, odd things begin to happen. Things in the house are strangely damp with what looks like seawater, bodies appear under the water that aren't really there. It all winds up to a horrifying conclusion.

    Henrys, and shared the Young Lions Award. Now he has written one of the most beautiful, wise, and compelling first novels of recent times. David Winkler begins life in Anchorage, Alaska, a quiet boy drawn to the volatility of weather and obsessed with snow. Sometimes he sees things before they happen—a man carrying a hatbox will be hit by a bus; Winkler will fall in love with a woman in a supermarket. When David dreams that his infant daughter will drown in a flood as he tries to save her, he comes undone. He travels thousands of miles, fleeing family, home, and the future itself, to deny the dream. On a Caribbean island, destitute, alone, and unsure if his child has survived or his wife can forgive him, David is sheltered by a couple with a daughter of their own. Ultimately it is she who will pull him back into the world, to search for the people he left behind. Doerr's characters are full of grief and longing, but also replete with grace. His compassion for human frailty is extraordinarily moving. In luminous prose, he writes about the power and beauty of nature and about the tiny miracles that transform our lives. About Grace is heartbreaking, radiant, and astonishingly accomplished.

    Decades ago Massachusetts salesman Ellis Hock spent four years in Africa - and the continent has never left him. So when his wife walks out and his business goes belly up, Ellis turns back to the one place in which he briefly found happiness.Yet returning to the village of Malabo shocks him. The school he built is a ruin. The people he remembers are poor, apathetic, hostile. The country labours as if under a great, invisible burden. However, Ellis is determined. This is his escape, a paradise regained.But escape can be a snare, a trap for the unwary . . .The Lower River is a hypnotic, compelling and brilliant return to a terrain no one has ever written better about than Paul Theroux: the tragic stage of modern Africa, AIDS-ravaged and despairing in the face of creeping consumerism, greed and dependence.'Remarkable, admirable, riveting, heartbreaking. A masterly, moving portrait of how Africa ensnares and enchants' Guardian'Terrific writing. Theroux's senses are always on full alert' Evening Standard'Powerful, vivid, shocking' The Times'Theroux invests this very 21st-century journey into the heart of ennui with a caustic bite, like the snakes that pop up throughout' Metro'The sense of menace is masterful. Theroux has never written a better novel' Sunday TelegraphAmerican travel writer Paul Theroux is known for the rich descriptions of people and places that is often streaked with his distinctive sense of irony; his novels and collected short stories, My Other Life, The Collected Stories, My Secret History, The Stranger at the Palazzo d'Oro, A Dead Hand, Millroy the Magician, The Elephanta Suite, Saint Jack, The Consul's File, The Family Arsenal, The Mosquito Coast, and his works of non-fiction, including the iconic The Great Railway Bazaar are available from Penguin.

    Thompson, The Rum Diary is a tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible.

    In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks. Liz is near death, wracked by disturbing visions of the future, and armed with “the Code,” a fiercely guarded cryptic means of communication for slaves on the run. Liz’s flight and her dreams of tomorrow will thrust all those near her toward a mysterious, redemptive fate. Filled with rich, true details—much of the story is drawn from historical events—and told in McBride’s signature lyrical style, Song Yet Sung is a story of tragic triumph, violent decisions, and unexpected kindness.

    An extraordinarily well-crafted work, this book is a work of vision. Through its deft negotiation of race, class, gender and cultural change, it dramatizes the 'nervousness' of the 'postcolonial' conditions that bedevil us still. In Tambu and the women of her family, we African women see ourselves, whether at home or displaced, doing daily battle with our changing world with a mixture of tenacity, bewilderment and grace.

    It is the second Paul Muller novel set in Europe before World War II. Muller is recruited to become a spy to resist Hitler's campaign to absorb Austria into the German Reich and, from his perch in Vienna, finds himself at the epicenter of the desperate struggle to preserve Austrian independence. Muller plays a dangerous game in helping Austria oppose Hitler's demands and he hatches a bold plan to divert Austria's gold reserves so they stay out of Hitler's grasp. The novel captures this gripping drama in rich and vivid detail as political pressures mount and the threat of war looms. A Spy in Vienna re-creates for readers the fraught atmosphere of 1930's, when the threat of Nazi violence hung over Europe. Aficionados of that epoch will relish the authenticity of the novel, which reawakens the tensions and turbulence of the era, with its undercurrent of violence and fear. The narrative recaptures the urgency of the crisis as repeated confrontations escalated to an explosive conclusion. Today, sitting at the safe remove of eighty years, we know the outcome. Hitler's bald aggression prevailed; his takeover of Austria became a crucial stepping stone leading to World War II. But the characters in the novel know none of this; for them, the events they are caught up in are frightening and bewildering, confronting them with dire choices and fearful consequences. The novel transports the reader into that contemporary maelstrom of intrigue and danger—combining real history with a compelling story. Admirers of Paul Muller in Danzig will revel in his new adventures in Vienna, as once again he confronts Nazi tyranny.

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.

    As heir apparent to Love Hall, he must produce an heir of his own; but his obsessive love for his long-dead sister has rendered him a paralytic in matters of the heart. Adding to Geoffroy's troubles is his difficult mother, Lady Loveall, who mercilessly castigates her effeminate son, and a circling mob of greedy relatives anxious to wrest Love Hall from his grasp.Then, a miracle occurs. As his carriage passes a trash dump, Geoffroy spies an abandoned baby in the jaws of a cur. He saves the child, names her Rose, and declares her his rightful heir. The shock fells Lady Loveall on the spot, and Rose becomes the pampered daughter of Lord Loveall and his bride of convenience, the resident librarian Anonyma. This joyful period lasts until Rose's adolescence, when it becomes increasingly difficult to hide the one great secret of Love Hall: namely, that Rose, now in the position of fending off suitors for her titled hand, is in fact a boy. Rose's whiskers, deepening voice, and affection for the daughter of a courtier have not gone unnoticed. Armed with the new revelation, the Loveall's unscrupulous relatives launch a coup, and a desperately confused Rose is cast adrift -- until he finds the renewed vitality that comes from the love of true family and realizes that he can and must go home.

    Since her eccentric father’s untimely death, she is the presumed heir to a long-rumored trove of diaries, paintings, letters, and early novel drafts passed down from the Brontë family - a hidden fortune never revealed to anyone outside of the family, but endlessly speculated about by Brontë scholars and fanatics. Samantha, however, has never seen this alleged estate and for all she knows, it’s just as fictional as Jane Eyre or Wuthering Heights.But everything changes when Samantha enrolls at Oxford University and long lost objects from the past begin rematerializing in her life, beginning with an old novel annotated in her father’s handwriting. With the help of a handsome but inscrutable professor, Samantha plunges into a vast literary mystery and an untold family legacy, one that can only be solved by decoding the clues hidden within the Brontës’ own works

    What follows is a rich, nostalgic look at one of our most cherished national pastimes and a remarkable story about fathers and sons, love and family, and the inimitable joy of finding your way home.

    In print together for the first time in many years, and here in one volume, are all eight of Nancy Mitford's sparklingly astute, hilarious and completely unputdownable novels, with a new introduction by India Knight. Published over a period of 30 years, they provide a wonderful glimpse of the bright young things of the thirties, forties, fifties and sixties in the city and in the shires; firmly ensconced at home or making a go of it abroad; and what the upper classes really got up to in peace and in war. 'Entirely original, inimitable and irresistible' Spectator 'Deliciously funny' Evelyn Waugh 'Utter, utter bliss' Daily Mail Nancy Mitford (1904-1973) was born in London, the eldest child of the second Baron Redesdale. Her childhood in a large remote country house with her five sisters and one brother is recounted in the early chapters of The Pursuit of Love (1945), which according to the author, is largely autobiographical. Apart from being taught to ride and speak French, Nancy Mitford always claimed she never received a proper education. She started writing before her marriage in 1932 in order 'to relieve the boredom of the intervals between the recreations established by the social conventions of her world' and had written four novels, including Wigs on the Green (1935), before the success of The Pursuit of Love in 1945. After the war she moved to Paris where she lived for the rest of her life. She followed The Pursuit of Love with Love in a Cold Climate (1949), The Blessing (1951) and Don't Tell Alfred (1960). She also wrote four works of biography: Madame de Pompadour, first published to great acclaim in 1954, Voltaire in Love, The Sun King and Frederick the Great. As well as being a novelist and a biographer she also translated Madame de Lafayette's classic novel, La Princesse de Clèves, into English, and edited Noblesse Oblige, a collection of essays concerned with the behaviour of the English aristocracy and the idea of 'U' and 'non-U'. Nancy Mitford was awarded the CBE in 1972.

    We follow the Wu family--father Nan, mother Pingping, and son Taotao--as they fully sever their ties with China in the aftermath of the 1989 Tiananmen Square massacre and begin a new, free life in the United States.At first, their future seems well-assured--Nan’s graduate work in political science at Brandeis University would guarantee him a teaching position in China--but after the fallout from Tiananmen, Nan’s disillusionment turns him towards his first love, poetry. Leaving his studies, he takes on a variety of menial jobs while Pingping works for a wealthy widow as a cook and housekeeper. As Nan struggles to adapt to a new language and culture, his love of poetry and literature sustains him through difficult, lean years. Ha Jin creates a moving, realistic, but always hopeful narrative as Nan moves from Boston to New York to Atlanta, ever in search of financial stability and success, even in a culture that sometimes feels oppressive and hostile. As Pingping and Taotao slowly adjust to American life, Nan still feels a strange, paradoxical attachment to his homeland, though he violently disagrees with Communist policy. And severing all ties--including his love for a woman who rejected him in his youth--proves to be more difficult than he could have ever imagined.Ha Jin’s prodigious talents are evident in this powerful new book, which brilliantly brings to life the struggles and successes that characterize the contemporary immigrant experience. With its lyrical prose and confident grace, A Free Life is a luminous addition to the works of one of the preeminent writers in America today.

    Its charm lies not in its plot, but rather in its wise and humane look at man's constant search for happiness. The text is based on the second edition as Samuel Johnson revised it.