The one catch is she has to masquerade as a member of a cookery course and the only piece of culinary equipment Leo can handle is a tin opener - Weekend Entertaining Part 1 is daunting to say the least. As she strips away layers of marital infidelity - not to mention several other scandalous secrets - she battles with bread-making and brulee. But where will it all end - in triumph or tragedy?

    The poems also address gender inequality and our inharmonious relationship with the natural world. A poem on Lilian Bland – the first woman to design, build and fly her own aeroplane – celebrates the audacity and ingenuity of a great Irish heroine. Elsewhere, explorers in Greenland set foot on a fjord system accessible to Europeans for the first time in millennia as a result of global warming. But if life is fragile then its traces are persistent, insistent, and in ‘Articulation’ we are invited to stop and wonder at the reconstructed skeleton of Napoleon’s horse, Marengo, ‘whose very hooves trod mud at Austerlitz’, suspended in time ‘for however long he lasts before he crumbles’.

    So when Amy Donoghue, social media manager extraordinaire steps in to rehabilitate her image, Ali realises she may have to wade once more into the grubby insta-hole. With her ex, Sam, still ignoring her and her mother Mini having a mild grief-induced psychotic break (her scheme for scattering Miles' ashes seems not only bonkers but borderline illegal), Ali's got little else to cling on to but #sponcon and #ootds. Meanwhile Shelly is trying to settle into her new life as a mum-of-two while being held hostage by her mysterious insta-stalker whose sole objective is to keep Shelly on Instagram. But with her fellow Mummy Influencer friends @HolisticHazel immersed in creating WYND festival (her answer to the Goop Summit) and @PollysFewBits being as non-descript as ever, Shelly must get to the bottom of it herself. When Ali starts attending Catfishers Anonymous as a part of Amy's plan for Image Rehab, she discovers some information that may just help Shelly ...

    

    Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by theambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist. In this book, for the first time, PhilipFreeman brings together the best stories of Celtic mythology.Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior C� Chulainn? We still thrill to the story of the Trojan War, but the epicbattles of the Irish T�in B� Cuailgne are known only to a few. And yet those who have read the stories of Celtic myth and legend-among them writers like J. R. R. Tolkien and C. S. Lewis-have been deeply moved and influenced by these amazing tales, for there is nothing in the world quite like them.In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended. Captured in vivid prose these shadowy figures-gods, goddesses, and heroes-come to life for the modern reader.

    Love in the Dark'One of the most exciting, new and absolutely original aspects of Carr's writing is the manner in which the sexism of the language and religious imagery is exposed... Marina Carr is a playwright to be watched.' Sunday TribuneThe Mai'The writing is at once gentle and raucous... capable of articulating deep-seated woes and resentments in a manner you rarely find outside Eugene O'Neill.' ObserverPortia Coughlan'A play of precocious maturity and accomplishment.' Irish Times'Portia Coughlan packs a hell of a punch. It hurts to look at it. But it has to be seen.' Irish IndependentBy the Bog of Cats...'A poetic realism steeped in the past... Carr has an extraordinary ability to move between the mythic and the real.' Guardian'A great play... a great work of poetry... the word should soon carry across both sides of the Atlantic.' Independent

    Now the formidable Mother Superior of an Irish convent, she has, for some time, been experiencing grave doubts about her vocation. But when she meets Anna Murphy, the youngest-ever boarder, the little girl's solemn, poetic nature captivates her and she feels 'a storm break in her hollow heart'. Between them an unspoken allegiance is formed that will sustain each through the years as the Reverend Mother seeks to combat her growing spiritual aridity and as Anna develops the strength to resist the conventional demands of her background.

    A young man and woman 's passionate beginnings are ruined by a terrible secret that their parents buried for nearly two decades.

    Here she returns to that uniquely wonderful, terrible, peculiar place she once called home and writes not only of a life there--of the child becoming a woman--but of the Irish experience out of which that life arises--perhaps more pointedly than in any of her other works. This is the Ireland of country villages and barley fields, of druids in the woods, of unknown babies in the womb, of mischievous girls and Tans with guns. Ireland has marked Edna O'Brien's life and work with unmistakable color and depth, and here she recreates her homeland with a singular grace and intensity.

    

    Fewer still have emerged from the darkest depths of alcoholism—from the perpetual fistfights and muggings, car crashes and blackouts—to tell the harrowing truth about the modern Irish immigrant experience.Orangutan is the story of a generation of young men and women in search of identity in a foreign land, both in love with and at odds with the country they've made their home. So much more than just another memoir about battling addiction, Orangutan is an odyssey across the unforgiving terrain of 1980s, '90s, and post-9/11 America.Whether he is languishing in the boozy squalor of the Bronx, coke-fueled and manic in the streets of Manhattan, chasing Hunter S. Thompson's American Dream from San Francisco to the desert, or turning the South into his beer-soaked playground, Broderick plainly and unflinchingly charts what it means to be Irish in America, and how the grips of heritage can destroy a man's soul. But brutal though Orangutan may be, it is ultimately a story of hope and redemption—it is the story of an Irish drunk unlike any you've met before.

    As the days pass and no rescue materialises, the two men must come to terms with their environment, and with each other, if they are to survive.Part gripping survival story, part fearless existential parable, Beyond the Sea is a meditation on what it means to be a man, a friend, a father and a sinner in our fallen world.

    . . A twisted Gothic tale, emotional in its language and febrile in its atmosphere, and it will appeal to readers who love to hear about obsession, repression . . . and poetic justice.”—The New York Times Book Review Louisa is the new scholarship student at Temple House, a drafty, imposing cliffside boarding school full of girls as chilly as the mansion itself. There is one other outsider, an intense and compelling student provocateur named Victoria, and the two girls form a fierce bond. But their friendship is soon unsettled by a young art teacher, Mr. Lavelle, whose charismatic presence ignites tension and obsession in the cloistered world of the school. Then one day, Louisa and Mr. Lavelle vanish without a trace, never to be found. Now, on the twenty-fifth anniversary of the disappearance, one journalist—a woman who grew up on the same street as Louisa—delves into the past, determined to uncover the truth. She finds stories of jealousy and revenge, power and class. But might she find Louisa and Mr. Lavelle, too? Told in alternating points of view, The Temple House Vanishing is tense, atmospheric, and page-turning . . . with a shocking, ingenious conclusion. An Irish Bestseller and finalist for the Irish Book Awards Newcomer of the Year

    When he died, at the age of 41, he was arguably the most celebrated Irish writer of the twentieth century.After the Wake is a collection of seven prose works and a series of articles. It includes all that exists of an unfinished novel, 'The Catacombs', and pieces together items whose comic and fanciful accounts evoke Flann O'Brien. Also featured are works of acknowledged excellence, 'The Confirmation Suit' and 'A Woman of No Standing'. This writing bears all the hallmarks of the author's talent - an ability to bring characters to life quickly and unforgettably, a sharp ear for dialogue and dialect, and a natural vocation for story-telling.This diverse collection is a delightful and entertaining windfall from one of Ireland's most colourful writers. An essential complement to Behan's master works.

    Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered.Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site’s physical reality. As the narrator explores the mind’s fragile architecture, he begins to map his own strange geography through a series of notebooks, or‘Love Notes’.This is at once a treatise on language, memory, building and desire, relayed in translucent Sebaldian prose in a voice new to Irish fiction.