But one man is not about to celebrate. Returning from 15 years exile, he is intent on reminding the town of the brutal acts they perpetrated during their early years of settlement.In nineteenth-century Queensland, Lieutenant Freddie Buckmaster takes a band of men to 'disperse the natives' from Mandarana, an outback town. Violence is the inevitable result. Terrified, a young mother, Kowaha, leaps from a cliff, holding her baby.Two decades after the massacre, Tom Dorahy returns to his hometown for a reunion, bringing with him memories of its dark past and an attempt to reclaim justice for the victims of that night.A Kindness Cup addresses the efforts made to forget and to remember by both white and indigenous Australians, so that they may negotiate a future together.

    We live in a world of Somme mud. We sleep in it, work in it, fight in it, wade in it and many of us die in it. We see it, feel it, eat it and curse it, but we can't escape it, not even by dying.' Somme Mud tells of the devastating experiences of Edward Lynch, a young Australian private (18 when he enlisted) during the First World War when he served with the 45th battalion of the Australian Infantry Forces on the Western Front at the Somme, which saw the most bloody and costly fighting of the war. In just eight weeks, there were 23,000 Australian casualties. The original edition of twenty chapters, was written in pencil in twenty school exercise books in 1921, probably to help exorcise the horrendous experiences Private Lynch had witnessed during his three years at war from mid-1916 until his repatriation home in mid-1919. Lynch had been wounded three times, once seriously and spent over six months in hospital in England. Published here for the first time, and to the great excitement of historians at the War Memorial Somme Mud is a precious find, a discovered treasure that vividly captures the magnitude of war through the day-to-day experiences of an ordinary infantryman. From his first day setting sail for France as the band played 'Boys of the Dardanelles' and the crowd proudly waved their fresh-faced boys off, to the harsh reality of the trenches of France and its pale-faced weary men, Lynch captures the essence and contradictions of war. Somme Mud is Australia's version of All Quiet on the Western Front. Told with dignity, candour and surprising wit, it is a testament to the power of the human spirit, a moving true story of humanity and friendship. It will cause a sensation when it is published.

    Provides an unprecedented introduction to the archaeology of ancient Egypt and its culture, monuments, and civilizationBeautifully illustrated with over 120 color and black and white illustrations, including artifacts, maps, and site and building plansIncludes special sections on such topics of perennial interest as building the pyramids at Giza, mummification, and deciphering hieroglyphsOrganized into 11 chapters, covering: the history of Egyptology and Egyptian archaeology; prehistoric and pharaonic chronology and the ancient Egyptian language; geography, resources, and environment; and seven chapters organized chronologically and devoted to specific archaeological sites and evidenceIncludes discussion of new excavations in Egypt, connecting recent work with the results of projects spanning the late nineteenth and twentieth centuries

    This is a lively overview of the major ideas and concepts in archaeological theory.

    this Is Why. Why you are Australian is an examination of our country thirty years ago and today: all the glory of its sun and water - and all the darkness of tall poppies and Cronulla. How does our land look from way over there, and from right up close? A treatise about what it means to be Australian right now. Honest, moving, provocative, uplifting - an exile's story, a mother's story, an Australian's story. Why you are Australian for anyone who needs reminding. 'Achingly I want you to know what it is to be Aussie kids. Where playing barefoot is a signifier of freedom not impoverishment. Where a backyard's a given not a luxury. Where sunshine and fresh food grow children tall. Where you know what a rash shirt is and a nipper, a Paddle Pop and a Boogie Board.'

    But with the Age of Reason, occultism was sidelined; only charlatans found any use for it. Occult ideas did not disappear, however, but rather went underground. It developed into a fruitful source of inspiration for many important artists. Works of brilliance, sometimes even of genius, were produced under its influence. In A Dark Muse, Lachman discusses the Enlightenment obsession with occult politics, the Romantic explosion, the futuristic occultism of the fin-de-siècle, and the deep occult roots of the modernist movement. Some of the writers and thinkers featured in this hidden history of western thought and sensibility are Emanuel Swedenborg, Charles Baudelaire, J. K. Huysmans, August Strindberg, William Blake, Goethe, Madame Blavatsky, H. G. Wells, Edgar Allan Poe, and Malcolm Lowry.

    These were the women who left for war looking for adventure and romance, but were soon confronted with challenges for which their civilian lives could never have prepared them. Their strength and dignity were remarkable. Using diaries and letters Peter Rees takes us into the hospital camps and the wards and the tent surgeries on the edge of some of the most horrific battlefronts of human history. But he also allows the friendships and love of these courageous and compassionate women to enrich their experiences, and ours. Profoundly moving, this is a story of extraordinary courage and humanity shown by a group of woman whose contribution to the Anzac legend has barely been recognized in our history. Peter Rees has changed that understanding forever.

    They are called "pantsers," because they write by the "seat of the pants." Other writers plan and outline and know the ending before they start. These are the "plotters." The two sides never seem to agree with each other on the best approach. But what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to #1 bestselling writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process. Bringing together years of craft study and personal discovery, Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life. "I need three things before I tackle a new novel: Diet Coke, a laptop, and my dog-eared copies of James Scott Bell's books on writing craft!” - Kami Garcia, #1 NYT Times & International Bestselling author

    Exploring love, language and land, van Neerven flexes their distinctive muscles and shines a light on Australia's unreconciled past and precarious present with humour and heart. Van Neerven is unsparing in the interrogation of colonial impulse, and fiercely loyal to telling the stories that make us who we are.

    Dancing with Strangers tells the story of what happened between the first British settlers of Australia and these Aborigines. Inga Clendinnen interprets the earliest written sources, and the reports, letters and journals of the first British settlers in Australia. She reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon) that was ultimately destroyed by the assertion of profound cultural differences. A Prize-winning archaeologist, anthropologist and historian of ancient Mexican cultures, Inga Clendinnen has spent most of her teaching career at La Trobe University in Bundoora, Australia. Ambivalent Conquests: Maya and Spaniard in Yucatan (Cambridge, 1989) and Aztecs: An Interpretation (Cambridge, 1995) are two of her best-known scholarly works; Tiger's Eye: A Memoir, (Scribner, 2001) describes her battle against liver cancer. Reading the Holocaust (Cambridge, 2002) explores World War II genocide from various perspectives.

    . . the work of a stunningly talented writer who both graces and surpasses her material" (Guardian), this is the frank, harrowing, and true story of one young woman's descent into heroin addiction and prostitution and the long, arduous struggle to redeem her life that made her stronger. A shy, bookish college graduate from a solid middle-class home, Kate Holden was uncertain of her way in life. When she decided to try her first hit of heroin as a one-time adventure with friends, she did not anticipate that the drug would take over. She lost her job and apartment and stole from her family. Desperation drove her first to offer her body on the streets and then in high-class brothels, where she discovered hidden strengths as well as parts of herself that frightened her. With the acceptance and unyielding love of a family that never abandoned her, Kate Holden ultimately defeated the drug and left her netherworld behind.

    These are the memoirs of 29 year old John Birmingham, who has shared houses and apartments with 89 people and kept notes on all of them.

    Bill Bass, one of the world's leading forensic anthropologists, gained international attention when he built a forensic lab like no other: The Body Farm. Now, this master scientist unlocks the gates of his lab to reveal his most intriguing cases-and to revisit the Lindbergh kidnapping and murder, fifty years after the fact.