Through his lonely lens we peer into the mind of an art student grappling with ennui, ethics and empathy as she comes to terms with her own beliefs in a godless world. We telescope out to the story of idiot extraterrestrials struggling to pilot a complicated spaceship. We follow a retired mercenary as he tries to save his marriage and questions his life abroad. Mind-bending and cracklingly new, Somerville’s broadly appealing and uniquely imaginative constructions probe the outer reaches of sympathy, death, and love in a world seen from the inside out.

    Collected in this remarkable volume are twenty renowned writers of the modern age who brilliantly mastered the distinctive power and beauty of the form--each bringing his or her own unique vision to the page. This powerful collection includes the work of: Sherwood Anderson, Anton Chekov, Joseph Conrad, Shirley Jackson, D.H. Lawrence, Katherine Mansfield, Lionel Trilling, and many more.

    In one narrative, a man wakes up one morning to find the odor of dead fish won't go away, but no one else can smell it. In another, a couple's visit with friends to watch the Academy Awards has the protagonist envying his friends' lawn and lifestyle. In these and eleven other stories, Christopher Meeks balances tragedy and wit. As novelist David Scott Milton explains, "In this collection, Christopher Meeks examines the small heartbreaks of quiet despair that are so much a part of all our lives. He does it in language that is resonant, poetic, and precise.... If you like Raymond Carver, you'll love Meeks. He may be as good--or better."

    Prince Nicu II and Princess Victoria's immutable, romantic feelings for one another forces them to engage in extremely risky actions and fabricate various falsehoods. Throughout the play Nicu II and Victoria deceive everyone; including their parents King Nicu I and Queen Isabella. Nicu II is presumptuous in character, therefore, he maintains an excessive confidence within himself that he and his sister's romantic relationship can continue without being discovered, but Victoria fears that they cannot continue their affair emotionally unscathed. Despite Victoria's worries, she continues with the relationship as Nicu II emboldens her more and more.

    His is a voice combining humor and pathos with an edginess creating fresh new stories that are being published in great literary journals regularly.A boy acts out at the death of his father and abandonment by his brother through a savage playground beating; a young man confronts his own troubled history when asked to hire on his girlfriend's strung-out brother in an attempt to keep him out of prison; a teenage babysitter works through a scorching-hot summer afternoon that will prove to alter her life forever; a grieving widower finds comfort in the unlikeliest of places, a recently-built casino; an itinerant farm worker visits the same former lover in South Dakota year after year while following the Harvest north; two friends search for excuses and fail to claim responsibility for their own decisions after one loses his father, and the other's house burns to the ground; and a taxidermist falls in love with the ex-wife of his high school bully and tries to convince her to marry him despite her son who seems to share his father's bullying mentality."A brilliant, sometimes heartbreaking debut by this gifted young writer and Columbia writing teacher. Cross captures the angst and tenderness of the young men and women growing up in the rust belt with little hope and less luck. The moments of grace and redemption shine through. I loved every story." —Linda Bubon, Women & Children First Bookstore"There are countless moments like this in Fires of Our Choosing, lines that appear true from the moment they’ve been written and hang in the back of the mind for days afterwards... With Fires of Our Choosing, Cross climbs boldly into the ring with the greats, if only to deliver a decisive knockout punch." —Urban Waite, Fiction Writers Review"Cross offers no apologies for his characters: their poor choices, their lack of moral fortitude, their betrayals of each other and the poverty of their surroundings and, often, themselves; he leaves these things alone. They are who they are, and if dignity has been denied them by the rest of us, including us story-tellers, it is restored by this collection. That he has undertaken to serve as their raconteur should place Cross on the radar of all the big prizes that gift those blessed with talent, compassion and fearlessness, particularly during this present moment in our history." —Ru Freeman, Huffington PostEugene Cross was born and raised in Erie, Pennsylvania and received an MFA from the University of Pittsburgh. His stories have appeared in Narrative Magazine (which named him one of "20 Best New Writers" and his story "Harvester's" a "Top Five Story of 2009-2010"), American Short Fiction, Story Quarterly, TriQuarterly, and Callalloo among other publications. His work was also listed among the 2010 Best American Short Stories' 100 Distinguished Stories. He is the recipient of scholarships from the Bread Loaf Writers' Conference and the Chautauqua Writers' Festival, and the winner of the 2009 Dzanc Prize for Excellence in Literary Fiction and Community Service. He currently lives in Chicago where he teaches in the Fiction Department at Columbia College Chicago.

    The far ranging imagination of A. E. van Vogt will take you - Thousands of years into the future! Millions of years into the past! Trilions of miles into outer space! - and into other dimensions, galaxies and universes. Here is one of the modern masters of science fiction of whom it can well be said: "van Vogt's formula is grandoise - imaginative, I love it all." -Groff Conklin, Galaxy magazine. It contains the following stories:The Great Engine (1943) The Great Judge (1948) Secret Unattainable (1942) The Harmonizer (1944) The Second Solution (1942) Film Library (1946) Asylum (1942)

    Contributors include: Tom Bissell, Sean Warren, Samantha Hunt, Robert Olmstead, T.C. Boyle,  David Means, Doug Dorst, Joyce Carol Oates, A.G. Pasquella, Brent Hoff, Stephen Elliott, Daphne Beal, Denis Johnson, and many others. McSweeney's Quarterly Concern Issue 11 comes complete with a letters section and an interview with prominent scientists, in this case with those investigating the recently found colossal squid, the largest known to man.

    With stunning lyricism, Wideman sings of "dead children in garbage cans, of gospel and basketball, of lost gods and dead fathers" (John Leonard). It is a celebration of people who, in the face of crisis, uphold one another--with grace, courage, and dignity.

    Sudden Fiction brilliantly captures the tremendous popularity of this new and distinctly American form.

    When Haney Remmel dies in an accident, he leaves to his wife Mattie an alfalfa farm in the plains of South Dakota and a devastating secret. Mattie must wrestle with both, deciding to keep the farm running even as she deals with the discovery that her husband's life had been a lie. She enlists the help of two women who are just as embattled: daughter Shelley, an insecure college student, and Dawn, a handywoman with a past that's closing in on her. A young runaway Native American boy joins them, and together they forge an unlikely family, relying on each other to cope with a western landscape that is as cruel as it is profoundly beautiful, and a violent threat born of revenge that will challenge the bonds they have made.

    It was praised by the New York Times as "a powerful allegory of our civilization’s many maladies, artfully and elegantly articulated, by one of the young wise women of our generation."In her second book, a collection of twelve stories irresistibly seductive in their strangeness, she explores human life from beginning to end: the distress of birth into a world already formed; the brief and confusing period of "living" where we understand what is expected of us and struggle to do it; and the death-y period toward the end where we sense it is ending and will end only partially understood, at best.The title is taken from one of the stories ("Intimation"), but is also a play on Wordsworth's "Intimations of Immortality"—only in this case it’s not clear exactly what is being intimated, but it’s nothing so gleaming and good as Immortality. The middle, "Living" section of the book, is fleshed out with a set of stories that borrow more from traditional realist fiction to illustrate the inner lives of the characters.At once familiar and mysterious, these stories have an eerie resonance as its characters find themselves in new and surprising situations. An unnamed woman enters a room with no exit and a ready-made life; the disappearance of people, objects, and memory creates an apocalypse; the art of dance is used to try to tame a feral child; the key to surviving a house-party lies in knowing the difference between fake and real blood.Elegant, surprising, wondrous, and haunting, Intimations is an utterly transporting collection from one of our most ingenious and brilliant young writers.

    And, as Maura scanned her own memories, it was a time that not a single other generation would ever fully understand. It was their time."Short Stories from 1929 is the first set of short stories woven from the threads of the novel, 1929. More than forty years after the Great Crash, Maura gathers friends and family for an evening of storytelling. From the tales she crafts a book for Jonathan, who has suffered a stroke and is now bedridden. Loved ones narrate accounts from long ago, moments mentioned but never fully explained in the novel, 1929 by M.L. Gardner. The Night of the Big Wind in IrelandThe Voyage to America The Last Christmas.

    James Lasdun's great gift is his unfailing psychological instinct for the vertiginous moments when the essence of a life discloses itself. With forensic skill he exposes his characters' hidden desires and fears, drawing back the folds of their familiar self-delusions, their images of themselves, their habits and routines, to reveal their interior lives with brilliant clarity.In sharply evoked settings that range from the wilds of Northern Greece to the beaches ofCape Cod, these intensely dramatic tales chart the metamorphoses of their characters as they fall prey to the full range of human passions. They rise to unexpected heights of decency or stumble into comic or tragic folly. They throw themselves open to lust, longing, and paranoia--always recognizably mirrors of our own conflicted selves.As James Wood has written, "James Lasdun seems to be one of the secret gardens of English writing . . . When we read him we know what language is for again." This collection of haunting, richly humane pieces is further proof of the powers of an enormously inventive writer.

    Weaving tales of India and of the new settlers in America, Chitra Divakaruni's stories explore themes of solitude, expectations, love and betrayal, as well as other reflections on life in both the East and the West.

    Vollmann, James Franco, Megan Abbott, Jerry Stahl, Beth Lisick, Jess Walter, Scott Phillips, James Greer, Tao Lin, Joseph Mattson, Natalie Diaz, Kenji Jasper, and Rose Bunch.The subject of speed is so innately intimidating yet so undeniably present that it begs to be written about. It is no secret that the drug has historically tuned up the lives of writers, including Jack Kerouac, Susan Sontag, Philip K. Dick, and scores more. Too rarely, though, has it been written about, and its jolt to the bones of the American landscape continues to peak. Akashic Books dares to bring forth the first contemporary collection of all new literary short fiction on the drug from an array of today's most compelling and respected authors. These are no stereotypical tales of tweakers--the element of crime and the bleary-eyed, shaky zombies at dawn are here right alongside heart-wrenching narratives of everyday people, good intentions gone terribly awry, the skewed American Dream going up in flames, and even some accounts of pure joy.