From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

    Contents: -Introduction by Brian Stableford-Early Stories: The Egregore/ Funeral Oration/ The Locked Room/ Magic Lantern/ The Glass of Blood/ Beyond/ Glaucous Eyes-Sensations: One of Them/An Undesirable Residence/ A Troubled Night/ A Posthumous Protest/ An Uncanny Crime/ The Holes in the Mask/ The Visionary/ The Possessed/ The Double-Souvenirs: The Toad/ Night-Watch/ The Spirit of the Ruins/ Récits: Dolmance/ One January Night/ The Spectral Hand/ Prey to Darkness-Contes: The Princess of the Red Lilies/ The Princess at the Sabbat/ Narkiss/ The Princess au miroirs-Notes

    Originally serialized in a French newspaper, the novel created an instant controversy with it

    It is also the story of a century of French history as lived through the experiences and fates of three generations, the tumultuous history of the birth of modern France and the transformation of a society. "

    The fascinating "Montaillou: The Promised Land of Error" (and alternate titles; 1975, translation 1978) may be the best-known of his works, as well as the most controversial among historians, based as it is on village gossip recorded by Inquisitors. Perhaps more representative are detailed studies of a popular demonstration / riot in "Carnival in Romans" ("Le Carnaval de Romans," 1979), and of folktale themes as transmitted in popular and literary versions from the south of France, in "Love, Death and Money in the Pays D'Oc" ("L'argent, l'amour et la mort en pays d'Oc," 1980), in which social stresses and personal anxieties come together.Underlying much of this production, however, and perhaps giving Ladurie the confidence to interpret the notoriously difficult inquisitorial records, is this less-inspiring sounding early work, "Les Paysans de Languedoc" of 1966, here translated under an equally plain and literal title, which appeared in English only three years after the original French edition. In any case, it clearly underlies his later investigations of provincial culture and society.This is a sophisticated analysis of primarily economic records from one of the traditional provinces of southern France, covering mainly the sixteenth, seventeenth, and eighteenth centuries. It deals with the basics of ordinary life -- production, consumption, property, and taxes, and how they interacted. There are interesting confirmations of what can go wrong when people act without much guidance from economic theory in determining self-interest. For example, wide-spread cutting of wages in a time of rising prices reduced income and purchases, ultimately putting meat beyond the reach of most consumers. This was a catastrophe for some of the same employers, who were cattle-raisers (or owners of grazing land) with a diminishing market. (If I understand Ladurie's tables and charts correctly -- and this involves some interpretation on the part of a non-professional -- the typical response to their falling profits was to cut wages again, again reducing the cash in circulation, and reinforcing the cycle in a time when markets for most goods, especially perishable ones, were strictly local.)It is definitely not light reading, but Ladurie is not above adding characterizations (such as "tight-fisted fellows") to otherwise anonymous groups of property-owners and employers, sacrificing a little of the appearance of objectivity for the sake of human interest. Generally speaking, Ladurie draws such positions from the hard data, and the attentive reader may well reach the same conclusion; I remain happier about the practice from a literary point of view than an historical one."Peasants of Languedoc" represents a major move toward understanding the history of people left out of official histories, although the original description as "total history" is rather misleading. Taken together with Ladurie's later cultural studies, however, it does mark a considerable advance.This review by Ian M. Slater "aylchanan" was copied from Amazon.com. (There was no prior default book description.)

    Calls came in from people around the country eager to tell Linda how her words had touched their hearts. That was the beginning of an enduring phenomenon. "Live Your Dash" captures and expands upon the theme of the original poem: It's not your birth or death that matters most, but how you spend each passing year. Linda shares her message of joy, hope, and positive energy through uplifting stories, essays, and poetry, along with tales of people who have been "touched by the dash," including Bob Dole, legendary football coach Lou Holtz, and "American Idol" winner David Cook. An inspiring look at life based on the fantastically successful poem.

    Surely the Mediterranean sea breeze will blow away memories of the disastrous anniversary dinner-that-never-was??During a chance visit to a nearby perfumery, Rosie meets the owner, Jean-Michel de Fleurenne, whose distillery and crumbling chateau are desperately in need of her PR expertise. Everyone knows you should never mix business with pleasure… but in the heat of Provence the rules seem to melt away. The soft perfume of the lavender fields and the rich citrus aromas of the fruit trees are blissfully intoxicating and soon, maybe all too soon, Rosie is falling madly in love with a certain impossibly handsome French perfumier and his aristocratic life at Chateau de Fleurenne.But if French is the language of love then why doesn't the path of true love run smoothly for Rosie?

    The news that could exonerate him was leaked to the press, but was suppressed by the military. Anyone who sought to reopen the Dreyfus court-martial became victimized and persecuted and was considered an enemy of the state. Emile Zola, a popular journalist determined to bring the truth to light, undertook the challenge to publicly expose the facts surrounding the military cover-up. This is the story of Zola's battle to help Alfred Dreyfus reclaim his freedom and clear his name. Up against anti-Semitism, military resistance, and opposition from the Church in France, Zola committed his life to fighting for justice. But was it worth all the costs to him, to those around him, and to France?

    Kipling was born in India in 1865 but in 1871 he was sent to England to live with a foster family - an unhappy experience which is chronicled in 'Baa Baa, Black Sheep'.

    The narrator engages in a journey, one reminiscent of the Grail quest; failing, he experiences truth. He describes a movement toward a disappearing object, the same elusive object that moved Theresa of Avila and Catherine of Siena to ecstasy."Humanity is faced with a double perspective: in one direction, violent pleasure, horror and death – precisely the perspective of poetry – and in the opposite direction, that of science or the real world of utility. Only the useful, the real, have a serious character. We are never within our rights in preferring seduction to it: truth has rights over us. Indeed it has every right. And yet we can, and indeed we must respond to something which, not being God, is stronger than every right, that impossible to which we accede only by forgetting the truth of all these rights." —Georges BatailleGeorges Bataille (1897-1962) was a French intellectual and literary icon who wrote essays, novels, and poems exploring philosophical and sociological subjects such as eroticism and surrealism. City Lights published more of Bataille's works including Erotism, The Tears of Eros, and Story of the Eye.

    He brilliantly conveys what it was like to be facing death, day after day, night after night, with never a bed to sleep in nor a hot meal to go home to. This is warfare in the raw ' brutal, yet humorous, immensely tragic, but sadly, all true.

    He captures the essence of Kashmir in all its tragic beauty.

    As they take on the management of their new employers’ majestic house, will the opportunities to create luscious food for the guests and explore rural France enable them to create a dream life? Or will French officialdom, family illness and a sudden career curveball send them hurrying home to New Zealand?Perfect for fans of Peter Mayle’s A Year in Provence, Janine Marsh’s My Good Life in France and Beth Haslam’s Fat Dogs and French Estates.

    Their apartment in the Marais district is filled with wonderful food, accomplished friends, and good wine. All of this changes when Wesley loses his job and an attractive, magnetic woman enters their lives. Suddenly, in Katharine Davis' atmospheric first novel Capturing Paris, the sights, smells and sounds of Paris are cast in a different light, and may never be the same.... [R]eaders with a soft spot for the city of lights will want to give this a look. - Publishers Weekly