Since their birth, Rose and Ruby Darlen have been known simply as "the girls." They make friends, fall in love, have jobs, love their parents, and follow their dreams. But the Darlens are special. Now nearing their 30th birthday, they are history's oldest craniopagus twins, joined at the head by a spot the size of a bread plate. When Rose, the bookish sister, sets out to write her autobiography, it inevitably becomes the story of her short but extraordinary life with Ruby, the beautiful one. From their awkward first steps--Ruby's arm curled around Rose's neck, her foreshortened legs wrapped around Rose's hips-- to the friendships they gradually build for themselves in the small town of Leaford, this is the profoundly affecting chronicle of an incomparable life journey.As Rose and Ruby's story builds to an unforgettable conclusion, Lansens aims at the heart of human experience--the hardship of loss and struggles for independence, and the fundamental joy of simply living a life. This is a breath taking novel, one that no reader will soon forget, a heartrending story of love between sisters.

    They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.        Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    A novel about not just discovering but inventing oneself.The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.

    Now she is returning to the frozen seas as the head of her own exploration expedition. Jakob de Beyn was raised in Manhattan, but his yearning for new horizons leads him to the Arctic as part of a rival expedition. When he and Flora meet, all thoughts of science and exploration give way before a sudden, all-consuming love.The affair survives the growing tensions between the two groups, but then, after one more glorious summer on the Greenland coast, Jakob joins his leader on an extended trip into the interior, with devastating results.The stark beauty of the Arctic ocean, where pack ice can crush a ship like an eggshell, and the empty sweep of the tundra, alternately a snow-muffled wasteland and an unexpectedly gentle meadow, are vividly evoked. Against this backdrop Penney weaves an irresistible love story, a compelling look at the dark side of the golden age of exploration, and a mystery that Flora, returning one last time to the North Pole as an old woman, will finally lay to rest.

    Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at the prison, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. But her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings.

    In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone—familiar to city-dwellers everywhere—NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

    There, she finds a foreign, civilized world -- and Manus, the architect son of a wealthy, devout family. Together Deirdre and Manus build a marriage that, like Dublin itself, is fraught with hope and threatened by legacies. When Deirdre's secret resurfaces, she is forced to confront the questions "How much of our parents do we carry? Do their sins and frailties shape who we become to our own children?"

    The Other evokes just that sort of rapid pace and dramatic imagery. Consider FBI Agent Zack Tolliver, the sun-washed ochre cliffs of Arizona, the body of a little blonde girl found on a remote mesa top apparently killed by a bear, the Navajo guide side-kick, the tracks that change mid-stride from animal to human, the evidence that appears to lead to a local recluse crazed by the tragic death of his wife and child. Then the wild ride from case closed to case wide open again, racing off to the deserts of California, another little blonde girl preyed upon and abandoned, and who’s doing all this, anyway? What sinister force is toying with our FBI agent?

    

    Heartbroken and humiliated, she leaps at a chance to make a fresh start away from her native Tullamore. Within a week she has crossed the Irish Sea, and is lodging with other young women in a house off Newcastle city centre, just a short walk from Harrison’s – the rundown knitting and sewing shop where she will work for reserved and troubled spinster, Lucy Harrison. Sarah now finds herself amongst people of different classes, religion and race, and when her Irish nationality is attacked she must discover the skills to survive. Putting the past behind her, she channels her energies into rebuilding the old-fashioned, neglected Harrison’s into a thriving business and her wonderful sewing and design skills soon lead her down a new and exciting path in life. A path without love though, as she is too raw to consider romance again. Or so she thinks …

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    . . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

    And because she has a child with her, seemingly out of marriage, they want nothing to do with her – except for pub landlord Mick Castle. When Emma opens an academy and sets herself up in competition with the local school, she provokes a savage response from the community. But she will not be deterred – even when her past catches up with her and Mick is forced to choose between family and love.