In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl. Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is.

    But for half-black, half-Japanese Mimi, moving to a predominantly white Vermont town is enough to make her feel alien. Suddenly, Mimi's appearance is all anyone notices. She struggles to fit in with her classmates, even as she fights for her right to stand out by entering science competitions and joining Shop Class instead of Home Ec. And even though teachers and neighbors balk at her mixed-race family and her refusals to conform, Mimi’s dreams of becoming an astronaut never fade—no matter how many times she’s told no.This historical middle-grade novel is told in poems from Mimi's perspective over the course of one year in her new town, and shows readers that positive change can start with just one person speaking up.

    These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of Black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless Black melancholies and triumphs.

    Buran cannot—Buran will not—sit quietly at home and wait to be married to the man her father chooses. Determined to use her skills and earn a fortune, she instead disguises herself as a boy and travels by camel caravan to a distant city. There, she maintains her masculine disguise and establishes a successful business. The city's crown prince comes often to her shop, and soon Buran finds herself falling in love. But if she reveals to Mahmud that she is a woman, she will lose everything she has worked for.

    Having conducted extensive interviews with Sachiko Yasui, Caren Stelson chronicles Sachiko’s trauma and loss as well as her long journey to find peace. This book offers readers a remarkable new perspective on the final moments of World War II and their aftermath.

    But when his father is arrested on false charges and sent to prison by a corrupt system that targets the uneducated, the poor, and the indigenous majority, Francisco's mother abandons hope and her family. Francisco and his sister are left with no choice: They must move into the prison with their father. There, they find a world unlike anything they've ever known, where everything—a door, a mattress, protection from other inmates—has its price.Prison life is dirty, dire, and dehumanizing. With their lives upended, Francisco faces an impossible decision: Break up the family and take his sister to their grandparents in the Andean highlands, fleeing the city and the future that was just within his grasp, or remain together in the increasingly dangerous prison. Pulled between two equally undesirable options, Francisco must confront everything he once believed about the world around him and his place within it.In this heart-wrenching novel inspired by real events, Melanie Crowder sheds light on a little-known era of modern South American history—where injustice still darkens the minds and hearts of people alike—and proves that hope can be found, even in the most desperate places.Perfect for fans of Ruta Sepetys, Matt de la Pena, and Jacqueline Woodson.

    What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.—from “WHEREAS Statements”WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

    Carlos knows that when the soldiers arrive with warnings about the Communist rebels, it is time to be a man and defend the village, keep everyone safe. But Mama tells him not yet — he’s still her quiet moonfaced boy. The soldiers laugh at the villagers, and before they move on, a neighbor is found dangling from a tree, a sign on his neck: Communist. Mama tells Carlos to run and hide, then try to find her. . . . Numb and alone, he must join a band of guerillas as they trek to the top of the mountain where Carlos’s abuela lives. Will he be in time, and brave enough, to warn them about the soldiers? What will he do then? A novel in verse inspired by actual events during Guatemala’s civil war, Caminar is the moving story of a boy who loses nearly everything before discovering who he really is.

    Her wish comes true when her dad decides to bring her along on a business trip. She can't wait to finally meet her extended family and stay in the brownstone where her dad grew up. Plus, she wants to visit every landmark from the Apollo to Langston Hughes's home.But her family, and even the city, is not quite what Amara thought. Her dad doesn’t speak to her grandpa, and the crowded streets can be suffocating as well as inspiring. But as she learns more and more about Harlem—and her father’s history—Amara realizes how, in some ways more than others, she can connect with this other home and family.This is a powerful story about family, the places that make us who we are, and how we find ways to connect to our history across time and distance.

    So when Odette Meyer’s father is sent to a Nazi work camp, Odette’s mother takes desperate measures to protect her, sending Odette deep into the French countryside. There, Odette pretends to be a peasant girl, even posing as a Christian–and attending Catholic masses–with other children. But inside, she is burning with secrets, and when the war ends Odette must figure out whether she can resume life in Paris as a Jew, or if she’s lost the connection to her former life forever. Inspired by the life of the real Odette Meyer, this moving free-verse novel is a story of triumph over adversity.

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    Three generations. One great American love story. Ranee, worried that her children are losing their Indian culture; Sonia, wrapped up in a forbidden biracial love affair; Tara, seeking the limelight to hide her true self; Shanti, desperately trying to make peace in the family; Anna, fighting to preserve her Bengali identity.

    Octavia and Tali are dreading the road trip their parents are forcing them to take with their grandmother over the summer. After all, Mare isn't your typical grandmother. She drives a red sports car, wears stiletto shoes, flippy wigs, and push-up bras, and insists that she's too young to be called Grandma. But somewhere on the road, Octavia and Tali discover there's more to Mare than what you see. She was once a willful teenager who escaped her less-than-perfect life in the deep South and lied about her age to join the African American battalion of the Women's Army Corps during World War II. Told in alternating chapters, half of which follow Mare through her experiences as a WAC member and half of which follow Mare and her granddaughters on the road in the present day, this novel introduces a larger-than-life character who will stay with readers long after they finish reading.

    Features previously published and new poems that explore the natural world and how it is connected to human beings and spirituality.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.