In a matter of minutes, six innocent bystanders -- and Cavanaugh -- are dead. But when his body vanishes, and his weapon mysteriously appears in Hartman's luggage, Hartman is plunged into an unfathomable nightmare, and suddenly finds himself on the run. Meanwhile in Washington, D.C., Anna Navarro, field agent for the Department of justice, has been asked to investigate the sudden -- seemingly unrelated -- deaths of eleven men throughout the world. The only thing that connects them is a secret file, over a half-century old, linked to the CIA, and marked with the same puzzling codename: Sigma.But as Anna follows the connecting thread, she finds herself in the shadows of a relentless killer who is one step ahead of her, victim by victim. Together she and Hartman must uncover the diabolical secrets long held behind the codename, Sigma. It will threaten everything they think they know about themselves and confirm their very worst fears...

    The upside is that she's working with the Advanced Fertility Center as a marketing consultant, alongside the attractive, flirtatious Dr. Keaton. But the morning after their one-night stand, Lake finds Keaton with his throat slashed and discovers that things can indeed become worse-they can become deadly. So as not to jeopardize her case for custody, Lake is forced to lie to the police.Having just been intimate with a man who has been murdered, and wanting to protect herself from being charged with the crime, she begins her own search for the truth. Meanwhile, the police start looking at her closely, people at the clinic start treating her with hostility, and strange clues begin dropping-quite literally-on her doorstep, and Lake realizes that she is dangerously close to dark secrets, both about Keaton and the clinic. But can Lake stop what she's started before it's too late?

    What he got was a virtual cattle prod to the crotch, in the form of an impossible assignment delivered directly from the president's heroin-addict chief of staff. It seems the Constitution of the United States has some skeletons in its closet: the Founding Fathers doubted that the document would be able to stave off human nature indefinitely, so they devised a backup Constitution to deploy at the first sign of crisis. In the government's eyes, that time is now, as America is overgrown with perverts who spend more time surfing the Web for fetish porn than they do reading a newspaper. They want to use this "Secret Constitution" to drive the country back to a time when civility, God, and mom's homemade apple pie were all that mattered.The only problem is, no one can seem to find it . . .So who better to track it down than a private dick who's so down-and-out that he's coming up the other side, a shamus whose only skill is stumbling into every depraved situation imaginable?With no lead to speak of, and no knowledge of the underground world in which the Constitution has traveled, McGill embarks on a cross-country odyssey of America's darkest, dankest underbelly. Along the way, his white-bread sensibilities are treated to a smorgasbord of depravity that runs the gamut of human imagination. The filth mounts; it is clear that this isn't the kind of life, liberty, or happiness that Thomas Jefferson thought Americans would enjoy in the twenty-first century.But what McGill learns as he closes in on the real Constitution is that freedom takes many forms, the most important of which may be the fight against the "good old days." Like Vonnegut, Orwell, and Huxley before him, Warren Ellis deftly exposes the hypocrisy of the "moral majority" by giving us a glimpse at the monstrous outcome that their overzealous policies would achieve.

    If there were speed limits for the sheer pulse-racing excitement allowed in one novel, "Velocity" would break them all. Get ready for the ride of your life. Bill Wiles is an easygoing, hardworking guy who leads a quiet, ordinary life. But that is about to change. One evening, after his usual eight-hour bartending shift, he finds a typewritten note under the windshield wiper of his car. "If you don't take this note to the police and get them involved, I will kill a lovely blond schoolteacher. If you do take this note to the police, I will instead kill an elderly woman active in charity work. You have four hours to decide. The choice is yours." It seems like a sick joke, and Bill's friend on the police force, Lanny Olson, thinks so too. His advice to Bill is to go home and forget about it. Besides, what could they do even if they took the note seriously? No crime has actually been committed. But less than twenty-four hours later, a young blond schoolteacher is found murdered, and it's Bill's fault: he didn't convince the police to get involved. Now he's got another note, another deadline, another ultimatum...and two new lives hanging in the balance. Suddenly Bill's average, seemingly innocuous life takes on the dimensions and speed of an accelerating nightmare. Because the notes are coming faster, the deadlines growing tighter, and the killer becoming bolder and crueler with every communication--until Bill is isolated with the terrifying knowledge that he alone has the power of life and death over a psychopath's innocent victims. Until the struggle between good and evil is intensely personal. Until the most chilling words of all are: "The choice is yours."

    A year has passed since Lucy Darby's unexpected death, leaving her husband David and son Whitley to mend the gaping hole in their lives. David, a trauma-site cleanup technician, spends his nights expunging the violent remains of strangers, helping their families to move on, though he is unable to do the same. Whitley--an 11-year-old social pariah known simply as The Kid--hasn't spoken since his mother's death. Instead, he communicates through a growing collection of notebooks, living in a safer world of his own silent imagining.As the impending arrival of Y2K casts a shadow of uncertainty around them, their own precarious reality begins to implode. Questions pertaining to the events of Lucy's death begin to haunt David, while The Kid, who still believes his mother is alive, enlists the help of his small group of misfit friends to bring her back. As David continues to lose his grip on reality and The Kid's sense of urgency grows, they begin to uncover truths that will force them to confront their deepest fears about each other and the wounded family they are trying desperately to save.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

    Storms loves eliminating jerks and pests. His drug-addled partner Coleman loves cartoons. Hot stripper Sharon Rhodes loves cocaine, especially when purchased with rich dead men's money.On the other hand, there's Sean and David, who love fishing and are kind to animals -- and who are about to cross paths with a suitcase filled with $5 million in stolen insurance money. Serge wants the suitcase. Sharon wants the suitcase. Coleman wants more drugs . . . and the suitcase. In the meantime, there's murder by gun, Space Shuttle, Barbie doll, and Levi's 501s.In other words, welcome to Tim Dorsey's Florida -- where nobody gets out unscathed and untanned!

    But one career simply can’t support his luxurious lifestyle and his wife’s fledgling art gallery. At an art opening one night he meets Clas Greve, who is not only the perfect candidate for a major CEO job, but also, perhaps, the answer to his financial woes: Greve just so happens to mention that he owns a priceless Peter Paul Rubens painting that’s been lost since World War II—and Roger Brown just so happens to dabble in art theft. But when he breaks into Greve’s apartment, he finds more than just the painting. And Clas Greve may turn out to be the worst thing that’s ever happened to Roger Brown.

    Will the adults trying to find and protect them reach them before it’s too late?It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about.One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them.Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement.The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.

    He is all alone in the airplane, which will crash shortly into the vast Australian outback. Before it does, he will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah, author of a best-selling autobiography, Saved from Salvation, and the even better selling Book of Very Common Prayer (The Prayer to Delay Orgasm, The Prayer to Prevent Hair Loss, The Prayer to Silence Car Alarms). He'll reveal the truth of his tortured romance with the elusive and prescient Fertility Hollis, share his insight that "the only difference between suicide and martyrdom is press coverage," and deny responsibility for the Tender Branson Sensitive Materials Sanitary Landfill, a 20,000-acre repository for the nation's outdated pornography. Among other matters both bizarre and trenchant.Not since Kurt Vonnegut's Mother Night and Jerzy Kosinski's Being There has there been as dark and telling a satire on the wages of fame and the bedrock lunacy of the modern world. Unpredictable, compelling, and unforgettable, Survivor is Chuck Palahniuk at his deadpan peak; and it cements his place as one of the most original writers in fiction today.

    Years later, one of its members has stumbled out of the world’s most inhospitable rainforest: a former Special Forces soldier – scarred, mutilated, terrified, and mere hours from death – who went in with one arm missing…and came out with both intact.Unable to comprehend this inexplicable event, the government sends Nathan Rand into this impenetrable secret world of undreamed – of perils to follow the trail of his vanished father…toward mysteries that must be solved at any cost. But the nightmare that is awaiting Nate and his team of scientists and seasoned U.S. Army Rangers dwarfs any danger they anticipated…an ancient, unspoken terror – a power beyond human imagining-that can forever alter the world beyond the dark, lethal confines of the Amazon rainforest for better… and for worse.

    Now, with this new tale of psychological suspense, Martínez is poised to expand on the success of The Oxford Murders.The narrator is an up-and-coming young writer who has little in common with Kloster—a literary giant whose disturbing crime novels dominate the bestseller lists. However, they have both, at one time, employed the secretarial services of the alluring Luciana B. Out of the past, Luciana makes a desperate plea to the young writer. She thinks that Kloster is slowly killing off everyone close to her—can he help before her grandmother and younger sister are murdered?While the narrator suspects her misfortunes have driven her mad, Kloster has a powerful motive; and eerie parallels surface between the murders in Kloster’s books and the real-life deaths surrounding Luciana. As the body count multiplies, the question arises: Can words really kill? Fans of both Alfred Hitchcock and Carlos Ruiz Zafón will be thrilled with Martínez’s literary murder mystery.

     The craving for a new identity and the chance to start again is something they have in common. But the search for a fresh start isn't as easy as they'd imagined. And they soon discover that it doesn't matter where you are or who you are - if you can't lay the past to rest, coincidence, fate and deception have a way of catching up with you when you least expect it.

    In this compelling story of love, deception, obsession, and illusion, the arrival of two dangerous strangers in a small village in England in the early 1900s disrupts the quiet lives of a vicar with a fascination with spiritualism and his naïve young wife, and ultimately leads to murder. The Unseen is literary suspense at its most entertaining and enthralling, truly superior fiction not unlike the captivating tales of Kate Morton and Diane Setterfield.

    He would live to regret it. Kelly was never the sharpest knife in the drawer, and what started clean soon became messy, as two of his partners cut themselves into the action; a determined former Texas Ranger makes tracking Kelly his mission; and Kelly's wife, ever alert to her own self-interest, starts playing both ends against the middle. The result is a mesmerizing tale set in the first days of the modern FBI, featuring one of the best femmes fatales in history—the Lady Macbeth of Depression-era crime—a great unexpected hero, and some of the most colorful supporting characters in recent crime fiction.