A bad business.And for Thomas Marsden, on what was an unremarkable spring night in London, it becomes a very spooky business. For lying in an unmarked grave and half covered with dirt is a boy the spitting image of Thomas himself.This is only the first clue that something very strange is happening. Others follow, but it is a fortune teller’s frightened screams that lead Thomas into a strange world of spiritualists, death and faery folk.Faery folk with whom Thomas’s life is bizarrely linked. Faery folk who need his help.Desperate to unearth the truth about himself and where he comes from, Thomas is about to discover magic, and ritual, and that sometimes, just sometimes, the things that make a boy ordinary are what make him extraordinary.

    Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about.Until now.Before long, Kate, Michael, and Emma are on a journey through time to dangerous and secret corners of the world...a journey of allies and enemies, of magic and mayhem. And — if an ancient prophesy is correct — what they do can change history, and it is up to them to set things right.

    She's looking forward to hosting a month-long house party, with guests including her Vassar college roommate Isobel Porteous and old chum Betsy Ray. With lots of the old Crowd and a new friend--wealthy, unkempt, but lovable Sam Hutchinson--around, the days are filled with fun. And romance seems to be in the air. But Carney can never be romantic about anyone but Larry Humphreys, her high school sweetheart, who moved to California four years ago. Then Larry returns to Deep Valley and sets the town abuzz. Will Larry propose? And will Carney say yes? In addition to her beloved Betsy-Tacy books, Maud Hart Lovelace wrote three more stories set in the fictional town of Deep Valley: Winona's Pony Cart, Carney's House Party, and Emily of Deep Valley. Longtime fans and new readers alike will be delighted to find the Deep Valley books available again for the first time in many years.

    The lyrical storytelling of award-winning author Donna Jo Napoli dramatizes the timeless tales of ancient Egypt in the year when Angelina Jolie will make Cleopatra a multimedia star. And just like the popular National Geographic Treasury of Greek Mythology, the stories in this book will be beautifully illustrated to bring ancient characters vividly to life. The stories are embellished with sidebars that provide historical, cultural, and geographic context and a mapping feature that adds to the fun and fascination. Resource notes and ample back matter direct readers to discover more about ancient Egypt. With its attractive design and beautiful narrative, this accessible treasury stands out from all other mythology titles in the marketplace.

     The king's magnificent palace was built in a matter of weeks. No one saw the builders, no villagers are allowed beyond the gilded gate, and only one servant has ever left. The haunted look in her eyes as she was recaptured by the palace guards is something Josie, daughter of the village doctor, has never forgotten. For Josie, the palace is a mystery that grows more intriguing after she meets the captain of the guards, a man known only as Hammer, as mysterious and captivating as the palace itself. Whispers of magic fuel Josie's desire to uncover the truth, but an ordinary girl like her can only dream of ever being invited inside. When the king decides to take a wife from among the eligible daughters of the noble families, the palace gates are finally thrown open and the kingdom's elite pour in. In a court where old rivalries and new jealousies collide, the king's favorite is poisoned and the doctor is summoned. As her father's assistant, Josie finally sees inside the lavish walls, but she soon learns the palace won't surrender its secrets easily, for not a single resident, from the lowest servant to the king himself, has a memory from before the palace existed. In the search for the truth, Josie is drawn deeper into danger, and the answers she seeks might shake the very foundations of the kingdom.

    Before he was a vampire.Larten Crepsley was a boy. As a child laborer many centuries ago, Larten Crepsley did his job well and without complaint, until the day the foreman killed his cousin as an example to the other children. In that moment, young Larten flies into a rage that the foreman wouldn't survive. Forced on the run, he sleeps in crypts and eats cobwebs to get by. And when a vampire named Seba offers him protection and training as a vampire's assistant, Larten takes it.This is his story.

    A glimpse into a multinational company that is in reality the oldest of secret societies, one that spans close to seven thousand years of existence, weaving in and out of history, guiding and protecting humanity from creatures and forces that most of us believe are only mythology and fairy tales.The other is the story of Thomas Byrne, a young man thrust into secrets he shouldn't be aware of and dangers he shouldn't face, but that he ultimately will, for he is a Cypher. The only one who can steer humanity's future.The ultimate conspiracy theory is that Magic is real. Kept in check by technology, but every five hundred years the balance can shift and, if it does, technology will fail and those creatures we've driven into myth will come back with a vengeance.To protect the present, Guardians Incorporated needs to know the future.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'