During a hot Melbourne summer Jovan’s cleaning work at a bayside hospital is disrupted by acts of graffiti and violence becoming increasingly malevolent. For Jovan the mysterious words that must be cleaned away dislodge the poetry of the past. He and his wife Suzana were forced to flee Sarajevo and the death of their children. Intensely human, yet majestic in its moral vision, Black Rock White City is an essential story of Australia’s suburbs now, of displacement and immediate threat, and the unexpected responses of two refugees as they try to reclaim their dreams. It is a breathtaking roar of energy that explores the immigrant experience with ferocity, beauty and humour.

    When the corporate rug is pulled from under her Maddison Markham heads back home – back to Blue Gum Flat. It won’t be for long, just time to regroup and get her life back on track. But Blue Gum Flat is not the sleepy little town she remembers from her childhood. New people, new attitudes and even a coffee machine. Cameron Dean has every intention of making his dream of a rural life a reality and when Maddison arrives in town it seems his stars have finally aligned. But he hasn’t considered the impact their relationship will have on his son and after the mistakes he has made family comes first.

    After the death of his much-loved wife and his recognition that he will never write the great study of history that was to be his life's crowning work, Max believes his life is all but over. Everything changes, though, when his valedictory lecture is challenged by Professor Vita McLelland, a feisty young Australian Aboriginal academic visiting Germany. Their meeting and growing friendship sets Max on a journey that would have seemed unthinkable just a few short weeks earlier.When, at Vita's invitation, Max travels to Australia, he forms a deep friendship with her uncle, Aboriginal elder Dougald Gnapun. It is a friendship that not only gives new meaning and purpose to Max, but which teaches him the profound importance of truth-telling in reconciliation with his own and his country's past.

    Monty fell hard for her and, despite strong family opposition on both sides, they would marry.Valerie was keen to have a large brood and, though her pregnancies were difficult, she gave birth to four children. But they were not enough and in 1947 she adopted the first of three more children who were designated to be playmates for her own. It was a social experiment that would end in tears, as would the fortunes of the iconic company, destroyed by the glue that once bound it together - family.Rocky Road is the story of this chocaholic clan and the creative and eccentric woman who dominated it. Behind the irresistible sweetness of Darrell Lea lay a family who made bitter sacrifices to succeed in the candy business.

    Through her music and performing, this beloved Australian artist has touched hundreds of thousands of lives. But what of the stories she used to tell herself? That 'real life' only begins once you're thin or beautiful, that good things only happen to other people.YOUR OWN KIND OF GIRL reveals a childhood punctuated by grief, anxiety and compulsion, and tells how these forces shaped Clare's life for better and for worse. This is a heartbreaking, wise and at times playful memoir. Clare's own story told raw and as it happened. A reminder that even on the darkest of nights, victory is closer than it seems.With startling candour, Clare lays bare her truth in the hope that doing so will inspire anyone who's ever done battle with their inner critic. This is the work of a woman who has found her true power - and wants to pass it on. Happiness, we discover, is only possible when we take charge of the stories we tell ourselves.

    While she has made a happy life for herself since moving to Broome, she's never told her friends there why she divorced her husband, nor why she made the heartbreaking decision to return home to Australia, leaving her son behind in France. Jean-Luc's yearly visits to the Kimberley are her happiest periods, matched only by her sadness each time their annual reunions end.Jacqui's tranquil existence is about to be disrupted. A charming filmmaker's flattering attention reminds her that it might be time to put the past behind her. A childhood acquaintance who appears in Broome irritates her just as much as he did when they were young. And the community she has come to love threatens to tear itself apart when a proposed mining development forces people to take sides. Jacqui is faced with difficult choices on all fronts. She wants to do the right thing, but how can she know what the right thing is?

    This title focuses on the changes to NSW criminal laws after these murders.16 b&w photos

    Well, an ex-cop. Long since retired, John spent years embroiled in some of the seediest, scariest intrigue and escapades imaginable. Paul, however, is something of an artsy, sensitive soul who can’t understand why he doesn’t have the same heroism and courage as his dad. One day, John offers Paul the chance of a lifetime: he'll spill his guts, on tape, for the first time ever, and try to get to the bottom of this difference between them.What unfolds is a goldmine of true-crime stories, showing John’s dramatic (and sometimes dodgy) experience of policing in Sydney in the 1980s. The crims, the car chases, the frequent brushes with death and violence, and the grey zone between what’s ethical and what’s effective: finally Paul gets real insight into what’s formed his father’s character.Thrilling, fascinating and often laugh-out-loud funny, Loose Units is a high-octane adventure in policing, integrity and learning what your father is really all about.

    During the week, I write about Australia’s booze-soaked culture. At the weekends, I write myself off.’Booze had dominated Jill Stark’s social life ever since she had her first sip of beer, at 13. She thought nothing could curb her love of big nights. And then came the hangover that changed everything. In the shadow of her 35th year, Jill made a decision: she would give up alcohol. But what would it mean to stop drinking in a world awash with booze?This lively memoir charts Jill’s tumultuous year on the wagon, as she copes with the stress of the newsroom sober, tackles the dating scene on soda water, learns to watch the footy minus beer, and deals with censure from friends and colleagues, who tell her that a year without booze is ‘a year with no mates’.In re-examining her habits, Jill also explores Australia’s love affair with alcohol, meeting alcopop-swigging teens who drink to fit in, beer-swilling blokes in a sporting culture backed by booze, and marketing bigwigs blamed for turning binge drinking into a way of life. And she tracks the history of this national obsession: from the idea that Australia’s new colonies were drowning in drink to the Anzac ethos that a beer builds mateship, and from the six o’clock swill that encouraged bingeing to the tangled weave of advertising, social pressure, and tradition that confronts drinkers today.Will Jill make it through the year without booze? And if she does, will she go back to her old habits, or has she called last drinks? This is a funny, moving, and insightful exploration of why we drink, how we got here, and what happens when we turn off the tap.

    Bestselling Maritme Biographer, Rob Mundle, is back on the ocean with a blockbuster. First Fleet tells the extraordinary story of the eighteenth century convoy of eleven ships that left England on 13th May 1787 for the 'land beyond the seas'. Aboard were seafarers, convicts, marines and a few good citizens - some 1300 hundred in all - who had been consigned to a virtually unknown land on the opposite side of the world where they would establish a penal colony, and a nation. The fleet stopped at Tenerife, Rio de Janeiro and Cape Town before sailing across the notorious and challenging Southern ocean, bound for Botany bay. Somehow all 11 ships arrived safely between 18 and 20 January 1788. But it's what happened during 252 days at sea while sailing halfway around the world, and subsequently on land, that is almost beyond belief. No nation has ever been founded in such a courageous and dangerous manner. It's the basis for one hell of an adventure

    Songwriter. Swamp child. Soul man. Tex Perkins is a true rock'n'roll animal. In this loud, uncut, no-holds-barred, laugh-out-loud and take-no-prisoners memoir, the enigmatic king of the Australian music underground lays bare an extraordinary life lived on the road, on the stage and on the edge.Raised a bible-thumping Catholic and beaten bloody on the streets of Brisbane for being a "cow-punk", skinny Gregory Perkins flees to Sydney and mutates into "Tex", rogue leader of the Dums Dums, Thug and Salamander Jim before finding a strange kind of success, celebrity, sex symboldom and icon status as Tex Perkins, snake-hipped, honey-voiced, often bloodied frontman of influential Aussie bands the Cruel Sea, Beasts of Bourbon and Tex, Don & Charlie... and inventor of "Zoneball".Gigs. Albums. Tours. Fights. Feuds. Arrests. Drugs. High times. Low roads. This is a wild ride of a life written loudly, proudly and full of punk energy.

    Now I don't want to seem callous, but to me that's not a tragedy - that's natural selection.'In SURVIVAL OF THE DUMBEST, Wil Anderson turns his sharp gaze and wicked wit to the stupid, strange and perplexing quandaries of popular culture. Wil spares no-one, not even himself, as he delivers an almighty forehead slap to the modern world. And let's face it: between TV, politics, oversexed sports stars, advertising and automatic phone-banking systems - there are a lot of foreheads that need one.Wil Anderson caused cornflake snorting incidents as a breakfast announcer on Triple J, hosts ABC TV's ever-popular The Glass House and continues to thrill audiences at just about every comedy festival known to man. Now Wil has set down some of his funniest rants and observations in this book. Let's just hope there are enough people left who can read…

    Trouble is, Jason’s bad news. Really bad. Now Mum’s quit her job and they’re all moving north to Port Flinders, population nobody."That's a Southern Right Whale. They have the largest balls of any animal in the world."She’d do anything to keep her ten-year-old brother safe. Things she can’t even say out loud. And when Jason gets violent, Skye knows she has to take control. She’s got to get Ben out and their mum’s useless as. The train home to Adelaide leaves first thing each morning and they both need to be on it. Everything else can wait."Ladybirds bleed from their knees when they're stressed."The Gulf is an acute, moving and uplifting story from the inimitable, alchemical imagination of Anna Spargo-Ryan."Anna Spargo-Ryan returns with another impressive novel that will have readers feeling every emotion experienced by the beautifully written characters." - Books + Publishing 4 STARSPRAISE FOR ANNA SPARGO-RYAN‘There is something magical about Anna Spargo-Ryan’s debut ...In its wildly imaginative way, The Paper House tears at the fabric of reality, rendering an incomprehensible loss palpably real.’Gretchen Shirm, Sydney Morning Herald‘Equally heartbreaking, uplifting and insightful.’Sunday Herald Sun

    It is the inside account of the hopes, achievements and bitter failures of the Labor Government from 2007 to 2013. Kevin Rudd and Julia Gillard came together to defeat John Howard, formed a brilliant partnership and raised the hopes of the nation. Yet they fell into tension and then hostility under the pressures of politics and policy. Veteran journalist Paul Kelly probes the dynamics of the Rudd–Gillard partnership and dissects what tore them apart. He tells the full story of Julia Gillard’s tragedy as our first female prime minister - her character, Rudd’s destabilisation, the carbon tax saga and how Gillard was finally pulled down on the eve of the 2013 election. Kelly documents the most misunderstood event in these years - the rise of Tony Abbott and the reason for his success. It was Abbott’s performance that denied Rudd and Gillard the chance to recover. Labor misjudged Abbott and paid the price. Kelly writes with a keen eye and fearless determination. His central theme is that Australian politics has entered a crisis of the system that, unless corrected, will diminish the lives of all Australians.

    Golden curled and boyishly handsome, his rise and fall as captain and player is unparalleled in our cricketing history. He played at least three innings that count as all-time classics, but it's his tearful resignation from the captaincy that is remembered. Insecure but arrogant, abrasive but charming; in Hughes' character were the seeds of his own destruction. Yet was Hughes' fall partly due to those around him, men who are themselves legends in Australia's cricketing history? Lillee, Marsh, and the Chappells, all had their agendas, all were unhappy with his selection and performance as captain—evidenced by Dennis Lillee's tendency to aim bouncers relentlessly at Hughes' head during net practice. As he traces the high points and the low, Chris Ryan sheds new and fascinating light on the cricket—and the cricketers—of the times.