Another man moves in front of the target.Atcho remains steady while in his mind’s eye he re-lives the events that had brought him to this point. Graduation with honors on a military parade field. Abandoned in battle. Seventeen years in the world’s worst dungeons. Separated from his motherless child. Coerced into espionage against the adopted country he loves.He has no way out.He creates one.The target clears. He sights on the birthmark once more. A persistent thought invades his concentration. How fast does World War III start after I take the shot? As he applies pressure to the cold, curved steel against his finger, another thought intrudes. What happens to my daughter if I don’t?Discover the suspense in this thriller that pits an unwilling spy against hidden masters who manipulate his sense of honor against his love of family and country. If you love spy thrillers, don't miss this one because, like Jason Bourne, Atcho stumbles when tripped. He bleeds when cut, but he never compromises or breaks. Get it now.

    Bigotry, poverty, social injustice, and sexual squalor in the Deep South—hallmarks of one of the most daring and phenomenally popular bestselling novelists of the twentieth-century. Here, in one volume, are three of his best-known works. “None of [his] characters would be caught dead in a novel by John Steinbeck, Carson McCullers, or Eudora Welty” (The Daily Beast).  Tobacco Road: The Great Depression compromises the morals of a poor farming family in Georgia. This classic, a Modern Library 100 Best Novels selection, was adapted for the stage in 1933 and made into a 1941 film directed by John Ford.  God’s Little Acre: Desperation takes its toll on a deluded Southern farmer obsessed with sex, violence, and the promise of gold. Banned in Boston, censored in Georgia, and prosecuted by the New York Society for the Suppression of Vice, this international bestseller was adapted into a film in 1958.  A Place Called Estherville: In the pre-civil-rights-era South, a biracial brother and sister move to a small segregated town to care for their aunt, only to be subjected to systematic racism, sexual violence, and prejudice.   “What William Faulkner implies, Erskine Caldwell records,” said the Chicago Tribune of the author who earned his reputation by writing about sex, racism, and religious hypocrisy when no one else was. Caldwell remains one of the most widely translated American authors of all time.  This ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library.

    Loyalties are tested and families are divided as individuals battle to deliver themselves from hardship, prejudice and injustice.Based on a true story of Puritans and pirates, The Hummingbird and the Sea is a powerful tale of love, faith, hidden passions and the eternal search for freedom.

    Ryan's bestselling Rex Dalton series.SideswipedWhen Rex nearly bumps into someone from his former life, it's time for Rex and Digger to get out of India. Rex goes to Thailand, where he plans to undergo cosmetic surgery to change his looks and hide from people in his past. But then he meets Sunstra. Her name means 'girl with beautiful eyes'. Right from the beginning they become fast friends, and before long there is a romance in the making. But then Sunstra disappears. Her family receives a ransom ultimatum: Sunstra is alive, but if her father doesn't sell his land, she won't stay that way for long. It's a race against the clock for Rex and Digger to save Sunstra's life, and time is running out. The Inca ConRex Dalton and Digger are exploring the remarkable history of Peru when they befriend a retired American couple. The couple invites them to join their expedition to a remote village high up in the Andes Mountains to inspect an archaeological site in which they want to invest. But on arrival in the village, it doesn't take long for Rex to discover that his new friends are victims of a cleverly designed con. This con is run by people who will do anything to make sure Rex and Digger don't interfere.The French GirlRex Dalton and Digger are looking forward to a trouble-free holiday on the idyllic islands of Vanuatu in the South Pacific Ocean. Swimming, playing on the beach, fishing, and hikes. Nothing but the laid-back lifestyle for the two of them. Then Digger introduces Rex to a beautiful French girl, not once, but twice. Soon, Rex and the girl become good friends. Then she disappears, and Rex is accused of having something to do with it. Thus, begins a series of dramatic and life-threatening events with international repercussions with Rex, Digger and the French girl in the center of it.

    In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters.Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco.Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.

    It is a fictionalized autobiography; Chaplin did not write the biography and in fact took legal action against Lane when he learned of its upcoming publication. Consequently, the publisher withdrew it before its release.

    He doesn't remember his own name, doesn't recognize the faces of anyone around him, there is a dead woman in his apartment, and a close friend has died suddenly in a tragic accident. The puzzle gets more complex by the hour as Nick struggles to piece together the holes in his memory, is questioned by police about a missing person, and becomes the target of a team of hired killers. Danger and mystery lurk around every corner, and as Nick soon discovers...the difference between friends and enemies is sometimes a very fine line.

    Her first case is to discover why a mysterious object was left behind at a jewelry store break-in. But when it turns into a murder case, Harley will need all her skills to find the killer and uncover the secret of the artifact. With the help of her new friends, an inquisitive cat, and two dashing men, Harley faces a race against the clock to catch a murderer.MURDER ON THE PAGE - Harley Hill Mysteries, Vol.2When Harley and her partner Cordelia are tasked to find a rare diary belonging to Queen Elizabeth’s closet confident, John Dee, they think it will be a routine case. But before they start their investigation into this ‘Doomsday Diary’ they discover a murder!A MYSTIC MURDER - Witches of Hemlock Cove, Vol.1Grace Angelo, born and bred in the small coastal town of Hemlock Cove is a retired detective… and a witch. She works with her two elder sisters at their old guesthouse converted into a bakery — until the body of the local bar owner is discovered inside their oven. Faced with mounting bills and no way to fulfill the contract for a huge banquet, Grace has her work cut out for her.

    Her body has been completely restructured so that she could survive an aggressive cancer.Jess's leg was amputated just before her ninth birthday, and she has had to adapt to living with a prosthetic leg. The challenges Jess has faced ever since have given her a unique outlook. Growing up, she felt alone in her difference, but she has learnt that the one thing people have in common is that we are all different.She is on a mission to normalise 'different', speaking out on social media, creating diversity through her work as a model and helping people see we have a choice over how we respond to hardship.This is a story of body acceptance, finding ways to live through life's adversities, and perseverance.Jess's inspirational 'you've got this' attitude has seen her through every struggle she's faced. Her philosophy embraces the fact that none of us gets to keep the body we were born in; we all bear scars that become part of our stories. She's learnt to change the narrative and be grateful for what she can do, rather than focusing on the things she can't.

    The gritty drama from the Sunday Times bestselling author of Nobody's Girl.

    It’s the place she grew up and the place that’s plagued her with lies, death and secrets.As Kaitlyn digs deeper into the murder that she is investigating and her sister's disappearance, she finds out that appearances are misleading and few things are what they seem.A murderer is lurking in the shadows and the more of the mystery that Kaitlyn unspools the closer she gets to danger herself.Can Kaitlyn find the killer and solve the mystery of her sister’s disappearance before it’s too late?What happens when someone else is taken?This is a suspenseful thriller perfect for fans of James Patterson, Leslie Wolfe, Lisa Regan, L. T. Vargus and Karin Slaughter. It has mystery, angst, a bit of romance and family drama.

    This edition features a new and expanded colour section, completely updated DVD information, and several brand new reviews of Takashi Miike films that were unavailable for coverage at the time of the book's initial production.

    I. PUDOVKIN Translated by IVOR MONTAGU Introduction by LEWIS JACOBS BONANZA BOOKS NEW YORK CONTENTS PAGE CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART H. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the envir iv uUC aiY MO. 7158987 PAGE onment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodol ogy or for its own standards. They elucidated what iv FILM TECHNIQUE AND FILM ACTING were the fundamentals of film art and defined the singular process of expression that distinguished it from all other media. Now film theory and practice could be attacked with greater assurance and efficiency...

    Then she receives a baffling letter from her rich Uncle Abraham, a Holocaust survivor: Only she, he mysteriously proclaims, can prevent a major terrorist attack on Boston. Working with Homeland Security, Shelby and her fiancé, Bruce Arrujo, race through the streets of Boston, first attempting to stop a Hiroshima-sized Liquified Natural Gas tanker explosion in Boston Harbor, then fighting to prevent a deadly release of anthrax powder at Fenway Park. Yet the terrorists always seem to be one step ahead of them. Through it all, a question haunts Shelby: Why does Uncle Abraham always seem to be one step ahead of the terrorists?

    The mystery of where—or rather when—Julia comes from kept me glued to the page. Once that’s revealed, it’s game on to try and change her fate. I’m impressed with any author that can take on something as complicated as time travel and have it make sense in the end. Holly Hook did so wonderfully."--Amazon Reviewer Seventeen year old Julia just learned that she's in the wrong time. With no memory of where she's from, she must escape the Timeless, a group bent on sending her back home. But home is danger, says mysterious Simon, the hot new guy at school. Home is death. Julia must grow closer to Simon to unravel the truth about where she's from--but doing may be her end. The story continues and concludes in 11:39 and 1500, the second and third books of the Timeless Trilogy.