No, not only, but to some extent. Here and there, my story is about something else.” A mesmerizing memoir of extraordinary brilliance by an entomologist, The Fly Trap chronicles Fredrik Sjöberg’s life collecting hoverflies on a remote island in Sweden. Warm and humorous, self-deprecating and contemplative, and a major best seller in its native country, The Fly Trap is a meditation on the unexpected beauty of small things and an exploration of the history of entomology itself.   What drives the obsessive curiosity of collectors to catalog their finds? What is the importance of the hoverfly? As confounded by his unusual vocation as anyone, Sjöberg reflects on a range of ideas—the passage of time, art, lost loves—drawing on sources as disparate as D.H. Lawrence and the fascinating and nearly forgotten naturalist René Edmond Malaise. From the wilderness of Kamchatka to the loneliness of the Swedish isle he calls home, Sjöberg revels in the wonder of the natural world and leaves behind a trail of memorable images and stories.

    He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini's Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art. "A work of great ambition and enormous intellectual scope...consistently provocative and revealing."--New York Times"Extraordinary...a summary cannot convey the riches of this book. It will absorb, instruct, and fascinate."--New York Review of Books

    They are particularly known for their evocative calls which embody wild places; they provoke a range of emotions that many have expressed in poetry, art and music.There is a wildlife spectacle that can transport the soul to a place of yearning and beauty, to an experience that has inspired generations of thinkers and dreamers. Imagine if you will, a blustery, cold day in December. Bitterly cold. A bird stands alone on the edge of a mudflat, some distance from where you are standing. Its silhouette is unmistakable. A plump body sits atop long, stilty legs. The long neck arcs into a small head, which tapers further into a long curved bill. The smooth, convex outlines of this curlew are alluring. They touch some ancestral liking we all have for shapes that are round and smooth. The curved curlew’s outline is anomalous in this planar, uniform landscape, but its colour blends well. The mud is gunmetal grey, the curlew brown and the water murky. The sky is dull with a hint of drab. The air is infused with the smells of decay.Over the last thirty years curlew numbers have fallen by an alarming 20 per cent across the European continent, and in their most western reaches in the Irish Republic there is nothing short of a disaster unfolding. In the 1980s there were around 5,000 pairs of nesting curlews, today there are fewer than 130, a staggering drop of 99 per cent. So alarming are the figures that curlews were made a species of highest conservation concern in the UK in December 2015, and put onto the red list of threatened species by the IUCN, the worldwide union of conservation bodies which monitors the status of animals and plants throughout the globe. They are now in the same category as jaguars, ‘near threatened,’ which means extinction is likely in the future.This transition of curlews to high conservation status made it clear they were slipping away for problems that could be addressed with the public and political will to solve them. It was then that the idea of a 500-mile journey by foot began to crystallise in Mary Colwell’s mind and became a concrete plan. Colwell decided to take time out to walk from the West coast of Ireland through Wales to the East coast of England to raise awareness about its plight, and to raise funds to protect this beautiful bird and its habitat.Colwell started walking in the early spring when birds were first arriving on their breeding grounds in the west of Ireland, walking through to Wales when they incubated their eggs. She then travelled through England to coincide with the time when the chicks were hatching. Six weeks after setting out she arrived in East Anglia as the fledglings were beginning to try out their wings. By finishing on the east coast, she marked the place where many curlews would come to spend the winter.Colwell chronicles her impressive journey in this beautifully illustrated book, weaving a wonderfully told story of the experiences on her walk, interspersed with the natural history of this most impressive of birds that has fascinated us for millennia.

    He put his children into the local school and lived quietly, recording his experiences in this blend of anthropology and art, capturing the tensions which both support and threaten a small community.

    The complex behavior of birds recounted here demonstrates that birds have sophisticated mental abilities previously unrecognized by conventional avian research. Ackerman supports her thesis with descriptions of the behavior of an entertaining variety of birds from across the world. She brings scientific research alive with personal field observations and accounts of her encounters with colorful and fascinating birds. Throughout, Ackerman reminds readers that birds are thinking beings--their brains are wired differently than those of mammals, giving them increased brain power despite their small size. She further makes the case that bird intelligence shows that humankind is not alone in using language and tools or constructing complex structures and manipulating other creatures.

    Drawn to the natural world, for years she worked as a ranger in National Parks, at times living in her run-down car (which lacked a reverse gear), on abandoned construction sites, or camping on a piece of land in Montana she bought from a colleague. She managed to put herself through college and then graduate school, eventually earning a Ph.D. in biology.Yet she never felt at home with people, and though she worked at various universities and taught field classes in the National Parks, she built a house on a remote plot of land in Montana and, except when teaching, spoke to no one. One day, she realized that the fox who had been appearing at her house was coming by every day at 4:15. He became a regular visitor, who eventually sat near her as she read to him from The Little Prince or Dr. Seuss. Her scientific training had taught her not to anthropomorphize animals, but as she grew to know him, his personality revealed itself—and he became her friend. But friends cannot always save each other from the uncontained forces of nature.Though this is a story of survival, it is also a poignant and dramatic tale of living in the wilderness and coping with inevitable loss. This uplifting fable-like true story about the friendship of a woman and a wild fox not only reveals the power of friendship and our interconnectedness with the natural world but is an original, imaginative, and beautiful work that introduces a stunning new voice.

    From India's sacred banyan tree to the fragrant cedar of Lebanon, they offer us sanctuary and inspiration – not to mention the raw materials for everything from aspirin to maple syrup.In Around the World in 80 Trees, expert Jonathan Drori uses plant science to illuminate how trees play a role in every part of human life, from the romantic to the regrettable. Stops on the trip include the lime trees of Berlin's Unter den Linden boulevard, which intoxicate amorous Germans and hungry bees alike, the swankiest streets in nineteenth-century London, which were paved with Australian eucalyptus wood, and the redwood forests of California, where the secret to the trees' soaring heights can be found in the properties of the tiniest drops of water.Each of these strange and true tales – populated by self-mummifying monks, tree-climbing goats and ever-so-slightly radioactive nuts – is illustrated by Lucille Clerc, taking the reader on a journey that is as informative as it is beautiful.

    This special, large-format volume is geared as much to nonbirders as it is to the out-and-out obsessed, covering more than two hundred species and including more than 330 new illustrations by the author. While its focus is on familiar backyard birds--blue jays, nuthatches, chickadees--it also examines certain species that can be fairly easily observed, such as the seashore-dwelling Atlantic puffin. David Sibley's artwork and expertise bring observed behaviors vividly to life. (For most species, the primary illustration is reproduced life-sized.) And while the text is aimed at adults--including fascinating new scientific research on the myriad ways birds have adapted to environmental changes--it is nontechnical, making it the perfect occasion for parents and grandparents to share their love of birds with young children, who will delight in the big, full-color illustrations of birds in action.

    He is as passionate about swamps, bogs, and vernal ponds and the creatures who live in them as most of us are about our families and closest friends. He knows frogs and snakes, muskrats and minks, dragonflies, water lilies, cattails, sedges--everything that swims, flies, trudges, slithers, or sinks its roots in wet places. In this "intimate and wise book" (Sue Hubbell), Carroll takes us on a lively, unforgettable yearlong journey, illustrated with his own elegant drawings, through the wetlands and reveals why they are so important to his life and ours -- and to all life on Earth.

    He learned the tricks of master trail-builders, hunted down long-lost Cherokee trails, and traced the origins of our road networks and the Internet. In each chapter, Moor interweaves his adventures with findings from science, history, philosophy, and nature writing—combining the nomadic joys of Peter Matthiessen with the eclectic wisdom of Lewis Hyde’s The Gift.Throughout, Moor reveals how this single topic—the oft-overlooked trail—sheds new light on a wealth of age-old questions: How does order emerge out of chaos? How did animals first crawl forth from the seas and spread across continents? How has humanity’s relationship with nature and technology shaped world around us? And, ultimately, how does each of us pick a path through life?Moor has the essayist’s gift for making new connections, the adventurer’s love for paths untaken, and the philosopher’s knack for asking big questions. With a breathtaking arc that spans from the dawn of animal life to the digital era, On Trails is a book that makes us see our world, our history, our species, and our ways of life anew.

    Their numbers are in freefall, dropping by nearly 70 percent in the last sixty years, a billion fewer now than in 1950. Extinction stalks the ocean, and there is a danger that the hundred-million-year-old cries of a seabird colony, rolling around in the bays and headlands of high latitudes, will this century become but a memory.

    Each autumn they migrate south, to Delaware, California and the Gulf of Mexico. In the spring they fly north again. William Fiennes decided to go with them and to write about his travels.

    From the #1 bestselling author of The Hot Zone comes an amazing account of scientific and spiritual passion for the tallest trees in the world, the startling biosystem of Rthe canopy, S and those who are committed to the preservation of this astonishing and largely unknown world.

    To many it is unremarkable; to others it is a doomed place where 18th-century thieves hid out, where the town tip once sat, and where suicides leapt to their deaths. Its brooding form presided over the early years of Ted Hughes, who called Scout Rock 'my spiritual midwife . . . both the curtain and backdrop to existence'.Into this beautiful, dark and complex landscape steps Benjamin Myers, asking: are unremarkable places made remarkable by the minds that map them? Seeking a new life and finding solace in nature's power of renewal, Myers excavates stories both human and elemental. The result is a lyrical and unflinching investigation into nature, literature, history, memory and the meaning of place in modern Britain.UNDER THE ROCK is about badgers, balsam, history, nettles, mythology, moorlands, mosses, poetry, bats, wild swimming, slugs, recession, floods, logging, peacocks, community, apples, asbestos, quarries, geology, industrial music, owls, stone walls, farming, anxiety, relocation, the North, woodpiles, folklore, landslides, ruins, terriers, woodlands, ravens, dales, valleys, walking, animal skulls, trespassing, crows, factories, maps, rain - lots of rain - and a great big rock.'A bone-tingling book' -- Richard Benson, author of The Valley and The Farm“Extraordinary, elemental … never less than compelling: this is a wild, dark grimoire of a book” – The Times Literary Supplement 'The writing is perfectly poised and seductive, luminous, an earthy immersion into the granular dark of place. The prose has an intense, porous quality, inhabiting the reader right from the stunning start with the voices of rock, earth, wood and water. This is a truly elemental read from which I emerged subtly changed. The writing has a shamanic quality; Benjamin Myers is a writer of exceptional talent and originality ... it has all the makings of a classic' -- Miriam Darlington, author of Otter Country and Owl Sense“Compelling … admirable and engrossing. Myers writes of the rain with a poet’s eye worthy of Hughes” – Erica Wagner, New Statesman'One of the many joys of Under the Rock - this absorbing, compelling, moving book - is its language; it trickles like a rivulet, thunders like a cataract, and sticks to you like mud. It is full of crannies and dips and peaks wherein wonders hide; explore it for a lifetime and you will not exhaust its mysteries. Unafraid of blood-drenched history and the darkest of despair, this is nonetheless a defiantly life-praising book; it accompanied me to bed and bar, train and plane, and each situation was enriched and brightened by its presence... . It is utterly vital' -- Niall Griffiths, author of Grits, Sheepshagger and Stump'Richly layered, densely and elegantly structured, discursive, elegiac and beautiful. Under the Rock is a stunning exploration of place, mind and myth' -- Jenn Ashworth, author of Fell and The Friday Gospels“Prodigious, awe-incurring … few are as impressive as the formidable Benjamin Myers, who has developed a voice as pure and authentic as it is stark, honest and resolutely northern … creates an overall sense of dreamy, quiet beauty, born of love for the lie of the land.” – The Big Issue “Compelling … an atmospheric exploration of the landscape and its history” – Irish Times“A visionary work of immense power and subtlety which establishes Myers as one of Britain’s most consistently interesting and gifted writers” – Morning Star 'Place-writing at its most supple: both deeply considered, and deeply felt' -- Melissa Harrison, author of Rain: Four Walks in English Weather“Best known for his bleak and brilliant crime fiction Myers turns his focus to nature writing with absorbing results in this lyrical exploration of Scout Rock in Yorkshire’s Calder Valley” – i-news, Best Books to Take on Holiday 2018“Exceptionally engaging … beguiling … this is a startling, unclassifiable book” – Stuart Kelly, The Scotsman“Thoughtful, engaging and beautifully crafted … the writing is lyrical yet muscular and elemental, transporting the reader to this plaece of rugged beauty and dark secrets” – The Yorkshire Post “[A] beautifully poetic, passionate and elegiac book … Myers’ writing left me with a heart-wrenching desire to be there” – Harry Gallon, Minor Literatures'What distinguishes Under the Rock is Myers' unshakeable commitment. He writes at all times with rock-solid conviction, fashioning a book which is less a work of simple description than a new contribution to the mythology of Elmet' -- Will Ashon, author of Strange Labyrinth, Clear Water and The Heritage'I have become a Benjamin Myers junkie in the last 12 months . . . Myers' place-writing is as good as anything being scrawled in Britain today' - Horatio Clare, author of Down to the Sea in Ships and Orison for a Curlew“Terrific… It’s a book which doesn’t just discuss or describe landscape, but immerses you within it… if this doesn’t put Ben Myers on everyone’s radar then I don’t know what will” – Daniel Carpenter, Bookmunch“An author to adopt as your own, a book to turn others on to ... boy does it rock” – Cally Callomon, Caught by the River“A daring new work … make[s] the unremarkable truly remarkable. It’s a work that is focused on landscape and place and is another step on this special writer cementing himself as more than just a cult favourite” – Narc Magazine“An extraordinary blend of power, poetry and grit … Benjamin Myers has made his rock sing” – Richard Littledale, The Preacher’s Blog“Myers’ prose is outstanding” – Marcel Krueger, Hong Kong Review of Books“Under the Rock is the most beautifully written non-fiction book… There is an extremely powerful sense of place. I was fully immersed in the landscape, the water, the woods, the rock. Lyrical, powerful, engaging, moving and fascinating. Highly recommended” – The Book Corner, Halifax

    Drawing deep from personal experience, cutting-edge science, and colorful history, he spins captivating stories about the birds in our midst and reveals the startlingly intimate coexistence of birds and humans.