The scene is Mrs. Orcutt's boarding house, where the hopes and ambitions of sixteen young women are revealed in scenes of entertaining comedy. Contrasted with this are the cases of the girl without talent and the elderly actress whose days are over. The central plot has to do with courageous Terry Randall, who fights against discouragement to a position in the theater where we are sure she will conquer. One of her fellow aspirants gives up in despair, one gets married, and one goes into pictures, but Terry, with the help of idealistic David Kingsley, sticks to her guns.

    Fueled by jealousy and resentment, the girls embark on a night of debauchery that goes from playfully wasted to devastatingly destructive. Their old fears, unfulfilled desires and deep bonds with each other transform a prenuptial bender into a night they'll never forget. A wicked black comedy about female friendship and growing up in an age of excess.

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    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    . . and sometimes we cannot shake off the shackles of decisions made by others in the past.Kate Flynn has spent her whole life running away. She reckons the best decision she ever made was to leave Ireland the day after she finished school. Having seldom returned since, she would be perfectly happy if she never had to go back there. She is happy in London where she runs a successful photography gallery with her best friend Nat, though their relationship is going through a rocky patch since Nat began an affair with a married man. When Kate becomes pregnant and her partner Ben persuades her to make the trip home, she is forced to confront everything she left behind and memories of Eva, the mother she feels betrayed her. Kate finds it impossible to forgive Eva who chose to refuse cancer treatment while pregnant and died, leaving a young family motherless. Do some wounds go too deep to ever heal? Must Eva's Choice forever deny Kate real happiness?The Last Goodbye is a powerful story of love and loss, forgiveness and new beginnings - a heart-wrenching and emotional page-turner for mothers and daughters everywhere.