Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.Jason Baker is a writer of short stories living in Brooklyn, New York.

    Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.--Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

    Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape in search of a rare species of river dolphin and enlists the aid of a local fisherman and a translator. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukœ—the curse that has haunted the Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim. Diaz immerses us in the tumultuous life of Oscar and the history of the family at large, rendering with genuine warmth and dazzling energy, humor, and insight the Dominican-American experience, and, ultimately, the endless human capacity to persevere in the face of heartbreak and loss. A true literary triumph, The Brief Wondrous Life of Oscar Wao confirms Junot Diaz as one of the best and most exciting voices of our time.

    As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

    In another, it is a tragedy, a reflection on the difficulties of writing and the solitary nature of reading. The Reader buys a fashionable new book, which opens with an exhortation: "Relax. Concentrate. Dispel every other thought. Let the world around you fade." Alas, after 30 or so pages, he discovers that his copy is corrupted, and consists of nothing but the first section, over and over. Returning to the bookshop, he discovers the volume, which he thought was by Calvino, is actually by the Polish writer Bazakbal. Given the choice between the two, he goes for the Pole, as does the Other Reader, Ludmilla. But this copy turns out to be by yet another writer, as does the next, and the next.The real Calvino intersperses 10 different pastiches—stories of menace, spies, mystery, premonition—with explorations of how and why we choose to read, make meanings, and get our bearings or fail to. Meanwhile the Reader and Ludmilla try to reach, and read, each other. If on a Winter's Night is dazzling, vertiginous, and deeply romantic. "What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space."

    In the wake of a wildly disastrous affair with her married archeology professor, Willie Upton arrives on the doorstep of her ancestral home in Templeton, New York, where her hippie-turned-born-again-Baptist mom, Vi, still lives. Willie expects to be able to hide in the place that has been home to her family for generations, but the monster's death changes the fabric of the quiet, picture-perfect town her ancestors founded. Even further, Willie learns that the story her mother had always told her about her father has all been a lie: he wasn't the random man from a free-love commune that Vi had led her to imagine, but someone else entirely. Someone from this very town. As Willie puts her archaeological skills to work digging for the truth about her lineage, she discovers that the secrets of her family run deep. Through letters, editorials, and journal entries, the dead rise up to tell their sides of the story as dark mysteries come to light, past and present blur, old stories are finally put to rest, and the shocking truth about more than one monster is revealed.

    Atile'i is one such boy, but as the strongest swimmer and best sailor, he is determined to defy destiny and become the first to survive.Alice Shih, who has lost her husband and son in a climbing accident, is quietly preparing to commit suicide in her house by the sea. But her plan is interrupted when a vast trash vortex comes crashing onto the shore of Taiwan, bringing Atile'i with it.In the aftermath of the catastrophe, Atile'i and Alice retrace her late husband's footsteps into the mountains, hoping to solve the mystery of her son's disappearance. On their journey, memories will be challenged, an unusual bond formed, and a dark secret uncovered that will force Alice to question everything she thought she knew.

    Childless, they are drifting apart--he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone--but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods. She hunts with a red fox at her side, skims lightly across the snow, and somehow survives alone in the Alaskan wilderness. As Jack and Mabel struggle to understand this child who could have stepped from the pages of a fairy tale, they come to love her as their own daughter. But in this beautiful, violent place things are rarely as they appear, and what they eventually learn about Faina will transform all of them.

    The sketches, poems, and stories of black rural and urban life that make up Cane are rich in imagery. Visions of smoke, sugarcane, dusk, and flame permeate the Southern landscape: the Northern world is pictured as a harsher reality of asphalt streets. Impressionistic, sometimes surrealistic, the pieces are redolent of nature and Africa, with sensuous appeals to eye and ear.

    A classic coming-of-age story in the tradition of The Catcher in the Rye and A Portrait of the Artist as a Young Man, Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood.An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

    At nine years old, he is sent to America in the bottom of a boat. His only possession is an old guitar and six precious strings. His amazing journey weaves him through the musical landscape of the 1940s, ’50s and ’60s, with his stunning playing and singing talent affecting numerous stars (Duke Ellington, Hank Williams, Elvis Presley) until, as if predestined, he becomes a pop star himself.He makes records. He is adored. But Frankie Presto’s gift is also his burden, as he realizes the power of the strings his teacher gave him, and how, through his music, he can actually affect people’s lives. At the height of his popularity, tortured by his biggest mistake, he vanishes. His legend grows. Only decades later, having finally healed his heart, does Frankie reappearjust before his spectacular death—to change one last life. With the Spirit of Music as our guide, we glimpse into the lives that were changed by one man whose strings could touch the music—and the magic—in each of us.

    "Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

    Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.