Drawn to what lies beyond the range of reason, they all reach for the beautiful and fleeting, whether through humor, music, poetry, or unspoken words. Across his encounters with each of them, the narrator—a Guatemalan literature professor and writer named Eduardo Halfon—pursues his most enigmatic subject: himself.Mapping the geography of identity in a world scarred by a legacy of violence and exile, The Polish Boxer marks the debut of a major new Latin American voice in English.Eduardo Halfon has been cited as among the best young Latin American writers by the Hay Festival of Bogotá and is the recipient of Spain’s prestigious José María de Pereda Prize for the Short Novel. In 2011 he received a Guggenheim Fellowship to continue the story of The Polish Boxer, which is his first novel to be published in English. He travels frequently to his native Guatemala and lives in Nebraska.

    Though originally denounced as pornographic, Kvachi's tale is one of the great classics of twentieth-century Georgian literature -- and a hilarious romp to boot.

    For generations the Erskine clan has lived in poverty and isolation on North Mountain, shunned by the God-fearing people of nearby Gideon. Now, Albert Erskine comes down off the mountain hoping to change the future for his brothers and sisters and sets in motion a chain of events that will change everything. Inspired by a true story. From best-selling novelist Lauren B. Davis comes the deeply compassionate story of what happens when we view our neighbors as "The Other," as well as the transcendent power of unlikely friendships. OUR DAILY BREAD is a compelling narrative set in a closely observed, sometimes dark, but ultimately life-enhancing landscape. Lauren B Davis' vivid prose and empatheticaly developed characters will remain in the reader's mind long after the final chapter has been read." -- Jane Urquhart, prize winning author of AWAY and THE STONE CARVERS.

    There, a young village egg-seller, Silver Frond, is amusing herself with a comic song-and-dance act based on popular gossip—about him. The meeting instantly changes their lives. With characteristic verve and wit, Catherine Lim traces the struggles of an unusual couple through the jungle of human quandaries and predicaments created by the force of tradition, and celebrates the ultimate triumph of an even more extraordinary force—love.

    Brian Duncan thought he had it all. Then, in a single moment of betrayal, his world crumbles. Deciding to leave behind his once ideal Manhattan life, Brian sets off on a journey of self-discovery and redemption. What he finds in the seemingly perfect world of Linden Corners is a majestic windmill and Annie Sullivan, the alluring woman who powers it. Even as Annie and Brian feel their relationship deepening into a rich passion, the uncertainties they battle loom large -- perhaps too large. In a profound twist of nature, Brian learns that love comes in unexpected ways.

    The grim circumstances of Laila’s life are counter-balanced by her energy, vitality and determination to survive. Nine-year-old Laila is spirited and intelligent. She lives in a slum but she is happy: she’s got plenty of friends to play with, and is well looked after by her beloved elder sister, Jumana, while her mother works as a maid for rich families across town. But when Jumana contracts TB, their mother cannot afford the medicines that would save her life. Following Jumana’s lingering, painful death, and her mother’s emotional collapse, Laila discovers that her feckless stepfather is planning to sell her into prostitution to pay his gambling debts. Running away is her only option. Finding help from unexpected quarters, Laila makes her way to one of the families her mother worked for, and is taken into their household as a servant. There she finds unimaginable luxury, but also great unhappiness within this privileged family. At first Laila’s gift for making friends serves her well, but then disaster strikes, and Laila must flee again. But where is she running, and to whom? How can she hide from the terrible violence that threatens her? And how can she hope to find love, affection, and the chance at a normal life? Slum Child is the story of a girl forced to run alone, strong and courageous, to a future that cannot deny her happiness.

    The kidnappers demand a ransom; his rich father does not reply. The kidnappers threaten to cut off his son's foot and still hear nothing. They then slice off one of Juan Luis's toes and send it to his father, who still refuses to act. So the next day... The Good Cripple obsessively focused, chilling, allegorical is stunningly explosive. With its enigmatic beginning, however, and its circular relentless structure, the novel is also dense with ideas: can one be whole after mutilation? Can the injured transcend violence? Rodrigo Rey Rosa's style is of a lithe pristine clarity, but beneath that calm surface cruelty, revenge, and diffidence churn darkly away. The Good Cripple is an astonishingly intense book, and as unforgettable as the sight of "the place where the foot had been severed, where a circle of red flesh, now a little black along the edges, could be seen, with a concentric circle of white bone that was both milky and glassy..."

    Six-year-old Kassandra is given a doll: "I put her to sleep in her box, but first I cut off her legs and arms so she'd fit," she tells us, "Later, I cut her head off too, so she wouldn't be so heavy. Now I love her very much." Kassandra is an unforgettable narrator, a perfect, brutal guide to childhood as we've never seen it, a journey that passes through the looking glass but finds the darkest corners of the real world.This edition brings Kassandra and the Wolf back into print at last, a tour de force and, as Karapanou liked to call it, a scary monster of a book.

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    The boxer is fleeing an unhappy love. The father hopes to escape his dull routine. Both know that, eventually, they will have to return to the place each calls 'home'.

    Offered refuge by Nadzeya, the last in the Yanovskys’ line, he learns of the family curse and terrible apparitions that portend her early death and trap her in permanent, maddening fear.As Belaretsky begins to unravel the secrets of the Yanovskys, he himself becomes quarry of the Wild Hunt, silent phantoms who stalk the marshes on horseback and deliver death to all who cross their path. He must uncover the truth behind the ghostly hunt to release Nadzeya from her fate and undo the curse that hangs over the marshes.A jewel of Belarusian classic literature, King Stakh's Wild Hunt is one of Karatkevich's most critically acclaimed works that also inspired a 1979 film adaptation. Based on an ancient European legend, this suspense masterpiece taps into the imagery of the country’s rich cultural heritage to offer both a haunting piece of gothic intrigue as well as a profound meditation on the destiny of the Belarusian people.

    But when Hanna Woyczik becomes the key witness in a pivotal court case, he is called on to perform the most difficult task imaginable: to move in with and guard the woman for an entire week.

    The mistress of the house, Dona Deolinda, embarks on a mission to save Ndani's soul through religious teaching, but the master of the house has less righteous intentions. Ndani is expelled from the house and drifts towards home, where she becomes the wife of a village chief. He has built a mansion and a school to flaunt his power to the local Portuguese administrator, but he abandons Ndani when he finds she's not a virgin. She eventually finds love with the school's teacher, but in tumultuous times, making a future with an educated black man involves a series of hurdles.By turns humorous, heartrending and wise, The Ultimate Tragedy is a captivating novel that brings this little-known country to colourful, vivid life.

    Djebar, too, tackles cross-cultural issues just by writing in French of an Arab society (the actual act of writing contrasting with the strong oral traditions of the indigenous culture), as a woman who has seen revolution in a now post-colonial country, and as an Algerian living in exile.In this new novel, Djebar brilliantly plays these contradictions against the bloody history of Carthage, a great civilization the Berbers were once compared to, and makes it both a tribute to the loss of Berber culture and a meeting-point of culture and language. As the story of one woman's experience in Algeria, it is a private tale, but one embedded in a vast history.A radically singular voice in the world of literature, Assia Djebar's work ultimately reaches beyond the particulars of Algeria to embrace, in stark yet sensuous language, the universal themes of violence, intimacy, ostracism, victimization, and exile.

    It is the story of Skeeter, a young boy growing up in a family poor in material goods but rich in the appreciation of their natural surroundings. The river they live on is the source of life—and death.