Try again.In this devilish satire by one of France's most audacious social commentators, a man gets a state-of-the-art cellphone that, in spite of himself, he falls in love with. It really does seem as if it's going to make his life easier. Except then he loses it. Luckily, he's a preferred customer, which is supposed to make it easy for him to get a replacement. And so begins a long, fiendish descent down the rabbit hole known as "customer service." But our hero is determined to stay on the line...to outwit the phone menus...to outwait the hold muzak...to talk to the head of customer service, who wrote to him that all he needed to do was call, and he would be able to get back that time-saving convenience that made his life so much simpler...The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

    It is a place of contradictions, equal parts glamour and chaos. As a young man, Javier Marías made the city his home; since then he has left and returned many times, drawn back to its labyrinth of blind alleys, its pearly green canals, its imagined spaces.His love affair with the city has lasted over thirty years - he has traced every inch of its endless interior, has lived among the Venetians and lived apart from them. In Venice, An Interior, Marías sets out to uncover the heart of this strange and enchanting place.

    Harshwardhana, the leader, believes they will win…Until he falls upon a sinister secret of the dark forces.Centuries later… Prithvi Sen is a regular college-going boy. His growth from childhood to adulthood has been plagued by an uncanny disease. Although medicines have it under control, Prithvi feels that the illness hasn’t revealed its truest nature yet. During his existential crisis, a drastic series of events occur and bring the most unexpected twist into his life. Could there be a link between Prithvi and the Dharmayodhas?

    The lion represents the fierce intensity that recognizes no authority except the highest truth. At the same time, Rumi's lion is full of heart and devotion. Through these poems the reader will explore the qualities that are vital to the spiritual aspirant who seeks to overcome the imprisonment of ego.

    This trilogy contains three of Paulo Coelho’s most beloved titles.By the River Piedra I Sat Down and Wept traces the journey of two lovers on a timeless spiritual quest across the Pyrenees. In this exhilarating and magical novel, you will discover the deep secrets of life and love, told in the tradition of Coelho’s beloved bestseller the Alchemist. Veronika Decides to Die is a moving and uplifting story of life, centred around the days following the heroine’s suicide attempt. In this, she questions the idea of madness and comes to realise that every second of existence is a choice that we all make between living and dying. The Devil and Miss Prym is set in the remote village of Viscos, and tells the story of a community devoured by greed, cowardice and fear. In his inimitable style, Coelho dramatises the struggle within every soul between light and darkness. this is an emotion-charged story, in which the integrity of being human meets a terrifying test. And on the Seventh Day is the latest offering from this incomparable storyteller and is an inspirational collection that no lover of literature should be without

    Their first encounter is in 1944 at theirworkplace, an office in Senate House, Bloomsbury, London, where Juneworks as a linguist doing “… translation work for a project involving theadaptation of treadle sewing machines to power generation” (p. 135)and Bernard, originally a Cambridge science graduate, has “… a deskjob peripherally connected with the intelligence services.” (p. 135).Two years later, the newly-weds sign up as members of the CommunistParty, leave their jobs and travel to the former battlefields of Europewith the intention of building a new Europe. During their honeymoonthey also spend some time in the south of France where June is(almost) attacked by two huge black dogs. She manages to drive themaway but is deeply frightened. She sees them as an encounter with evil.Nevertheless June really enjoys the countryside of this area and buys ahouse there. Unfortunately, hers andBernard's worldviews are too different to combine and they live moreand more often apart from each other. Their children grow up partly inEngland and partly in France. Whereas June leaves the CommunistParty after a few months, due to the difference between Communistideas and the way these ideas were put into practice, Bernard stays forapproximately 10 years. [...]

    Composed in the tumultuous aftermath of World War II, largely in the Danish prison cell where the author was awaiting extradition to France on charges of high treason, the book offers a unique perspective on the war, the postwar political purges in France, and Louis-Ferdinand Céline’s own dissident politics.  The tale of a man imprisoned and reviled by his own countrymen, the Fable follows its character’s decline from virulent hatred to near madness as a result of his violent frustration with the hypocrisy and banality of his fellow human beings. In part because of the story’s clear link to his own case—and because of the legal and political difficulties this presented—Céline was compelled to push his famously elliptical, brilliantly vitriolic language to new and extraordinary extremes in Fable for Another Time. The resulting linguistic and stylistic innovation make this work stand out as one of the most original and revealing literary undertakings of its time. Louis-Ferdinand Céline (1894–1961) was a French writer and physician best known for the novels Journey to the End of the Night (1932) and Death on the Installment Plan (1936). Céline was accused of collaboration during World War II and fled France in 1944 to live first in Germany, then in Denmark, where he was imprisoned for over a year; an amnesty in 1951 allowed him to return to France. Céline remains anathema to a large segment of French society for his antisemitic writings; at the same time his novels are enormously admired by each new generation.

    "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker

    In its fifth edition, THE WADSWORTH ANTHOLOGY OF DRAMA broadens its scope to offer even more plays than ever before.

    But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese—as his name might indicate.Torn between a chance at self-discovery that he’s ready to seize and the prejudices of others that he can’t control, Sugihara must decide who he wants to be and where he wants to go next. Will Sakurai be able to confront her own bias and accompany him on his journey?

    I am a victim of murder. Through a series of events and by two shots of a gun, I was made a widow at the age of 28, with my youngest child just six weeks old. I am a victim of infidelity. I have felt unlovable. I have felt rejected. I have had days in my life when I wasn’t sure if I would ever take a breath again, let alone be able to raise my five children by myself. I have lived in fear. I have felt much heartache. I have felt truly broken to my core. I have carried some heavy burdens...not only of my own, but burdens put upon my shoulders by the death of my husband. I have felt alone. I have felt humiliated. I have been humbled to my knees. I have searched my soul to find my worth in this world, and in the life that was left for me. My world has been totally shattered. I have faced realities I never knew were possible, and found strength within myself to keep up the fight and live every day as if it was on purpose. I have been carried by Angels...both earthly beings and those unseen. I have found that being a “victim” doesn’t mean we have an excuse to stop living. Being a victim means finding a reason for seeking a higher road. I have picked up the pieces left and carried on. I am a mother. We are survivors. In one way or another, we are all victims. There are times in our lives when we are forced to question who we are at our core. When we are presented with a path...we can go this way or we can choose that way. For some, this moment comes when the one person whom we love the most decides we are not enough. This person leave us—at a most vulnerable moment—alone to search within ourselves for who we really are. We are left trying to find who it is that was left behind. Sometimes the person we love dies. Sometimes it is merely an internal battle we are facing...all alone inside our minds. Whatever the situation and wherever you have been...you have been hurt. You have felt alone. You have been abandoned, either by your parents, your lover, your friends, complete strangers, or even yourself. We have all been at that crossroad where all we have left is ourselves. Sometimes these moments of lows have brought you to your knees and caused you to reflect and ponder your relationship with God...and other times they have made you question if He is even there, or if He knows you are alone. Whatever that moment has been for you, it is personal and real. It has defined and refined who you are, who you think you were, and who you want to become. This is my story...the defining moments that have truly brought me to my knees, the times when I’ve questioned to my core my very existence, and the experiences I’ve had that have shown me who I really am and who my Heavenly Father still needs me to become. The night of my husband’s death was my darkest hour, but also the very moment when I saw firsthand that my Heavenly Father sent Angels on errands for me. He carried me. It was the hour when all my fears and all the pain of this world collided together and He was there...putting back together all the pieces, one step at a time.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind.Writings on Music documents the creative journey of this thoughtful, groundbreaking composer. These 64 short pieces include Reich's 1968 essay Music as a Gradual Process, widely considered one of the most influential pieces of music theory in the second half of the 20th century. Subsequent essays, articles, and interviews treat Reich's early work with tape and phase shifting, showing its development into more recent work with speech melody and instrumental music. Other essays recount his exposure to non-western music -- African drumming, Balinese gamelan, Hebrew cantillation -- and the influence of these musics as structures and not as sounds. The writings include Reich's reactions to and appreciations of the works of his contemporaries (John Cage, Luciano Berio, Morton Feldman, Gyorgy Ligeti) and older influences (Kurt Weill, Schoenberg). Each major work of the composer's career is also explored through notes written for performances and recordings.Paul Hillier, himself a respected figure in the early music and new music worlds, has revisited these texts, working with the author to clarify their central narrative: the aesthetic and intellectual development of an influential composer. For long-time listeners and young musicians recently introduced to his work, this book provides an opportunity to get to know Reich's music in greater depth and perspective.

    [Penguin Readers Level 6]