A charmer, one might say.But he's also the son of the world's most infamous serial killer, and for Dear Old Dad, Take Your Son to Work Day was year-round. Jazz has witnessed crime scenes the way cops wish they could—from the criminal's point of view.And now bodies are piling up in Lobo's Nod.In an effort to clear his name, Jazz joins the police in a hunt for a new serial killer. But Jazz has a secret—could he be more like his father than anyone knows?

    Now she’s clean and sober but in need of a desperate favor—she asks Jason and his wife to take care of her teenage daughter for forty-eight hours while she handles some business in town.But Hayden never returns.And her disappearance brings up more unresolved problems from Jason’s past, including the abrupt departure of his best friend on their high school graduation night twenty-seven years earlier. When a body is discovered in the woods, the mysteries of his sister’s life—and possible death—deepen. And one by one these events will shatter every expectation Jason has ever had about families, about the awful truths that bind them and the secrets that should be taken to the grave.

    Later on, the Milford Mute. The Golden Boy. The Young Ghost. The Kid. The Boxman. The Lock Artist. That was all me.But you can call me Mike."Marked by tragedy, traumatized at the age of eight, Michael, now eighteen, is no ordinary young man. Besides not uttering a single word in ten years, he discovers the one thing he can somehow do better than anyone else. Whether it's a locked door without a key, a padlock with no combination, or even an eight-hundred pound safe ... he can open them all.  It's an unforgivable talent. A talent that will make young Michael a hot commodity with the wrong people and, whether he likes it or not, push him ever close to a life of crime. Until he finally sees his chance to escape, and with one desperate gamble risks everything to come back home to the only person he ever loved, and to unlock the secret that has kept him silent for so long. Steve Hamilton steps away from his Edgar Award-winning Alex McKnight series to introduce a unique new character, unlike anyone you've ever seen in the world of crime fiction.

    His eleven-year-old cousin, Lily, exhibits malicious behavior that escalates from eavesdropping and taunting to "guerrilla attacks" on David's apartment-strewing trash, destroying computer files, gluing CDs into their cases. Consumed by problems in their marriage dating back to the death of their older daughter Kathy four years before, Lily's parents refuse to recognize her disturbing actions and attitude.Expertly paced, the thriller unfolds tantalizingly slowly, as David learns additional details about Kathy's death and Lily's involvement. As the narrator, he also withholds the full story of his girlfriend's death until the very end, which both adds to the suspense and appropriately reflects his longing for privacy and anonymity. His deep-rooted guilt and loss color his thoughts and cast doubt in the reader's mind about his innocence. Everyday details such as David's adjustment to a new school and his interest in "The X-Files" ground the story in reality. Young adults will eat this one up.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Thirteen, awkward, and without a father, she finds herself mixed up with her school's outcasts-Charlie, the local detective's son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera-an ex-model with many "boyfriends" and a thirst for gin-the most, Vera's hand is found on the steps. But after five days, there's no body and Neptune disappears.Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn't trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.

    The plan is to get Jace off the grid while police find the two killers. The result is the start of a nightmare.The killers, known as the Blackwell Brothers, are slaughtering anyone who gets in their way in a methodical quest to reach him. Now all that remains between them and the boy are Ethan and Allison Serbin, who run the wilderness survival program; Hannah Faber, who occupies a lonely fire lookout tower; and endless miles of desolate Montana mountains.The clock is ticking, the mountains are burning, and those who wish Jace Wilson dead are no longer far behind.

    The case rocked the small farm town of Penny Gate, Iowa, where Jack was raised, and for years Jack avoided returning home. But when his beloved aunt Julia is in an accident, hospitalized in a coma, Jack and Sarah are forced to confront the past that they have long evaded. Upon arriving in Penny Gate, Sarah and Jack are welcomed by the family Jack left behind all those years ago—barely a trace of the wounds that had once devastated them all. But as facts about Julia's accident begin to surface, Sarah realizes that nothing about the Quinlans is what it seems. Caught in a flurry of unanswered questions, Sarah dives deep into the puzzling rabbit hole of Jack's past. But the farther in she climbs, the harder it is for her to get out. And soon she is faced with a deadly truth she may not be prepared for.

    Two teenagers. One impossible explanation.Summer 1958—a string of murders plagues the Midwest. The victims are found in their cars and in their homes—even in their beds—their bodies drained, but with no blood anywhere. September 19- the Carlson family is slaughtered in their Minnesota farmhouse, and the case gets its first lead: 15-year-old Marie Catherine Hale is found at the scene. She is covered in blood from head to toe, and at first she’s mistaken for a survivor. But not a drop of the blood is hers.Michael Jensen, son of the local sheriff, yearns to become a journalist and escape his small-town. He never imagined that the biggest story in the country would fall into his lap, or that he would be pulled into the investigation, when Marie decides that he is the only one she will confess to. As Marie recounts her version of the story, it falls to Michael to find the truth: What really happened the night that the Carlsons were killed? And how did one girl wind up in the middle of all these bodies?

    Far more important are the Ivies. The Ivies at Claflin Academy, that is. Five girls with the same mission: to get into the Ivy League by any means necessary. I would know. I’m one of them. We disrupt class ranks, club leaderships, and academic competitions…among other things. We improve our own odds by decreasing the fortunes of others. Because hyper-elite competitive college admissions is serious business. And in some cases, it’s deadly.A thriller about teens who will stop at nothing to get into the college of their dreams. Too bad no one told them murder isn’t an extracurricular.

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.

    And then the killer showed up. During the summer of 1987, from their tree house fort in the woods, neighborhood boys Tim, Scott, and Luke spot a man holding a gun to missing sixteen-year-old Molly Peterson's back. The problem is, nobody believes their story, not even the police. As search efforts to find Molly dwindle, the boys know that she, and the man with the gun, are nearby -- and that they must now find and save Molly themselves. A growing sense of honor and urgency forces the boys to take action -- to find Molly, to protect themselves, and to stand guard for the last long days of summer.

    Following the death of his wife four years ago, Crawford, a Texas Ranger, fell into a downward spiral that left him doing deskwork rather than fieldwork, and with his five-year-old daughter Georgia in the custody of her grandparents. But Crawford has cleaned up his act, met all the court imposed requirements, and now the fate of his family lies with Judge Holly Spencer.Holly, ambitious and confident, temporarily occupies the bench of her recently deceased mentor. With an election upcoming, she must prove herself worthy of making her judgeship permanent. Every decision is high-stakes. Despite Crawford's obvious love for his child and his commitment to being an ideal parent, Holly is wary of his checkered past. Her opinion of him is radically changed when a masked gunman barges into the courtroom during the custody hearing. Crawford reacts instinctually, saving Holly from a bullet. But his heroism soon takes on the taint of recklessness. The cloud over him grows even darker after he uncovers a horrifying truth about the courtroom gunman and realizes that the unknown person behind the shooting remains at large . . .and a threat. Catching the real culprit becomes a personal fight for Crawford. But pursuing the killer in his customary diehard fashion will jeopardize his chances of gaining custody of his daughter, and further compromise Judge Holly Spencer, who needs protection not only from an assassin, but from Crawford himself and the forbidden attraction between them. FRICTION will keep you on the edge of your seat with breathtaking plot twists and the unforgettable characters that make Sandra Brown one of the world's best-loved authors. It is an extraordinary novel about the powerful ties that bind us to the ones we love and the secrets we keep to protect them.

    . . . Meg Rosenthal is driving toward the next chapter in her life. Winding along a wooded roadway, her car moves through a dense forest setting not unlike one in the bedtime stories Meg used to read to her daughter, Sally. But the girl riding beside Meg is a teenager now, and has exchanged the land of make-believe for an iPod and some personal space. Too much space, it seems, as the chasm between them has grown since the sudden, unexpected death of Meg’s husband.  Dire financial straits and a desire for a fresh start take Meg and Sally from a comfortable life on Long Island to a tucked-away hamlet in upstate New York: Arcadia Falls, where Meg has accepted a teaching position at a boarding school. The creaky, neglected cottage Meg and Sally are to call home feels like an ill portent of things to come, but Meg is determined to make the best of it and to make a good impression on the school’s dean, the diminutive, elegant Ivy St. Clare.St. Claire, however, is distracted by a shocking crisis: During Arcadia’s First Night bonfire, one of Meg’s folklore students, Isabel Cheney, plunges to her death in a campus gorge. Sheriff Callum Reade finds Isabel’s death suspicious, but then, he is a man with secrets and a dark past himself. Meg is unnerved by Reade’s interest in the girl’s death, and as long-buried secrets emerge, she must face down her own demons and the danger threatening to envelop Sally. As the past clings tight to the present, the shadows, as if in a terrifying fairy tale, grow longer and deadlier. In Arcadia Falls, award-winning author Carol Goodman deftly weaves a mesmerizing narrative of passion: for revenge, for art, for love.

    She’s a freshman honor student, a leggings-wearing hot girl next door, who also happens to be a psychopath. Her hobbies include yogalates, frat parties, and plotting to kill Will Bachman, a childhood friend who grievously wronged her.Chloe is one of seven students at her DC-based college who are part of an unusual clinical study for psychopaths—students like herself who lack empathy and can’t comprehend emotions like fear or guilt. The study, led by a renowned psychologist, requires them to wear smart watches that track their moods and movements.When one of the students in the study is found murdered in the psychology building, a dangerous game of cat and mouse begins, and Chloe goes from hunter to prey. As she races to identify the killer and put her own plan into action, she’ll be forced to decide if she can trust any of her fellow psychopaths—and everybody knows you should never trust a psychopath.Never Saw Me Coming is a compulsive, voice-driven thriller by an exciting new voice in fiction, that will keep you pinned to the page and rooting for a would-be killer.