The Skin We're In will spark a national conversation, influence policy, and inspire activists.In his 2015 cover story for Toronto Life magazine, Desmond Cole exposed the racist actions of the Toronto police force, detailing the dozens of times he had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, shaking the country to its core and catapulting its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis.Both Cole’s activism and journalism find vibrant expression in his first book, The Skin We’re In. Puncturing the bubble of Canadian smugness and naive assumptions of a post-racial nation, Cole chronicles just one year—2017—in the struggle against racism in this country. It was a year that saw calls for tighter borders when Black refugees braved frigid temperatures to cross into Manitoba from the States, Indigenous land and water protectors resisting the celebration of Canada’s 150th birthday, police across the country rallying around an officer accused of murder, and more.The year also witnessed the profound personal and professional ramifications of Desmond Cole’s unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper’s opinions editor and informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another police board meeting, Cole challenged the board to respond to accusations of a police cover-up in the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking out of the meeting, handcuffed and flanked by officers, fortified the distrust between the city’s Black community and its police force.Month-by-month, Cole creates a comprehensive picture of entrenched, systemic inequality. Urgent, controversial, and unsparingly honest, The Skin We’re In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians.

    But as he says: "no description of me is truly complete without saying I'm a Canadian." He has often winked and nodded to Canada in his outrageously accomplished body of work, but now he turns the spotlight full-beam on his homeland.His hilarious and heartfelt new book is part memoir, part history and pure entertainment. It is Mike Myers' funny and thoughtful analysis of what makes Canada Canada, Canadians Canadians and what being Canadian has always meant to him. His relationship with his home and native land continues to deepen and grow, he says. In fact, American friends have actually accused him of "enjoying" being Canadian and he's happy to plead guilty as charged.A true patriot who happens to be an expatriate, Myers is in a unique position to explore Canada from within and without. With this, his first book, Mike brings his love for Canada to the fore at a time when the country is once again looking ahead with hope and national pride. "Canada" is a wholly subjective account of Mike's Canadian experience. Mike writes, "Some might say, 'Why didn't you include this or that?' I say there are 35 million stories waiting to be told in this country, and my book is only one of them."This beautifully designed book is illustrated in colour (and "not" color) throughout, and its visual treasures include personal photographs and Canadiana from the author's own collection. Published in the lead-up to the 2017 sesquicentennial, this is Mike Myers' birthday gift to his fellow Canadians. Or as he puts it: "In 1967, Canada turned one hundred.Canadians all across the country made Centennial projects.This book is my Centennial Project. I'm handing it in a little late.... Sorry."

    Every map tells a story. And every map has a purpose--it invites us to go somewhere we've never been. It's an account of what we know, but also a trace of what we long for.Ten Maps conjures the world as it appeared to those who were called upon to map it. What would the new world look like to wandering Vikings, who thought they had drifted into a land of mythical creatures, or Samuel de Champlain, who had no idea of the vastness of the landmass just beyond the treeline?Adam Shoalts, one of Canada's foremost explorers, tells the stories behind these centuries old maps, and how they came to shape what became "Canada."It's a story that will surprise readers, and reveal the Canada we never knew was hidden. It brings to life the characters and the bloody disputes that forged our history, by showing us what the world looked like before it entered the history books. Combining storytelling, cartography, geography, archaeology and of course history, this book shows us Canada in a way we've never seen it before.

    Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.

    Birthplace of the Taliban decades earlier, this fertile region had since become Afghanistan's most deadly turf. It would soon turn deadlier still. Advised in the night by his intelligence officers that the Taliban had secretly amassed for a full-scale military assault, Fraser knew it would fall to him, his Canadians and their allies to avoid the wholesale slaughter of NATO troops, keep the Taliban from laying siege to Kandahar and restore control of the south of the country to a newly formed, democratic Afghan government.     The odds were solidy against Fraser's forces. The Taliban knew every millimetre of their own terrain. During the months of secret manoeuvres they had stocked every farmhouse, school, grape hut and tunnel with weapons and ammunition. They had drilled Soviet-era landmines into all of the marijuana and poppy fields, and dug IEDs into every roadway. Protected from detection by corrupt officials, their sophisticated warfare schools had successfully readied an army of zealous fighters to attack and fight to the death. And now their top commanders were poised to launch decisive military operations against freshly arrived troops who had never seen combat.     The bloodiest battle in NATO's history was about to begin.

    Focusing on the growth of executive power under Harper and drawing on interviews with prominent insiders, Martin probes the smearing of opponents, the silencing of the public and diplomatic service, the secrecy, the prorogations, the unprecedented centralizing of power, and the attempted muzzling of the media. He examines controversies such as the existence of a secret dirty-tricks handbook, the Chuck Cadman affair, campaign financing, the dismissal of nuclear power head Linda Keen, the Afghan detainees cover-up, the turning of access-to-information laws into barricades to information, and more—and lets readers draw their own conclusions. Tough but balanced, Harperland offers a clear picture of a skilled politician at a crucial point in Canadian politics.

    Macdonald follows his life from his birth in Scotland in 1815 to his emigration with his family to Kingston, Ontario, to his days as a young, rising lawyer, to his tragedy-ridden first marriage, to the birth of his political ambitions, to his commitment to the all-but-impossible challenge of achieving Confederation, to his presiding, with his second wife Agnes, over the first Canada Day of the new Dominion in 1867. Colourful, intensely human and with a full measure of human frailties, Macdonald was beyond question Canada’s most important prime minister. This volume describes how Macdonald developed Canada’s first true national political party, encompassing French and English and occupying the centre of the political spectrum. To perpetuate this party, Macdonald made systematic use of patronage to recruit talent and to bond supporters, a system of politics that continues to this day. Gwyn judges that Macdonald, if operating on a small stage, possessed political skills–of manipulation and deception as well as an extraordinary grasp of human nature–of the same calibre as the greats of his time, such as Disraeli and Lincoln. Confederation is the centerpiece here, and Gywn’s commentary on Macdonald’s pivotal role is original and provocative. But his most striking analysis is that the greatest accomplishment of nineteenth-century Canadians was not Confederation, but rather to decide not to become Americans. Macdonald saw Confederation as a means to an end, its purpose being to serve as a loud and clear demonstration of the existence of a national will to survive. The two threats Macdonald had to contend with were those of annexation by the United States, perhaps by force, perhaps by osmosis, and equally that Britain just might let that annexation happen to avoid a conflict with the continent’s new and unbeatable power. Gwyn describes Macdonald as “Canada’s first anti-American.” And in pages brimming with anecdote, insight, detail and originality, he has created an indelible portrait of “the irreplaceable man,”–the man who made us.“Macdonald hadn’t so much created a nation as manipulated and seduced and connived and bullied it into existence against the wishes of most of its own citizens. Now that Confederation was done, Macdonald would have to do it all over again: having conjured up a child-nation he would have to nurture it through adolescence towards adulthood. How he did this is, however, another story.”“He never made the least attempt to hide his “vice,” unlike, say, his contemporary, William Gladstone, with his sallies across London to save prostitutes, or Mackenzie King with his crystal-ball gazing. Not only was Macdonald entirely unashamed of his behaviour, he often actually drew attention to it, as in his famous response to a heckler who accused him of being drunk at a public meeting: “Yes, but the people would prefer John A. drunk to George Brown sober.” There was no hypocrisy in Macdonald’s make-up, nor any fear. —from John A. Macdonald

    It’s called BASTARDS AND BONEHEADS.Bastards succeed. Whether their goals are noble or immoral, Bastards are ruthless. Active. They cause events to unfold by an act of focussed will. Boneheads fail, usually by stumbling over their own two feet. Boneheads are reactive. Inept. They cause events to unfold mainly by accident. Bastards screw Canada. Boneheads just screw up.BASTARDS AND BONEHEADS makes an excellent parlour game. Pierre Trudeau was a Bastard. Joe Clark was not. Brian Mulroney managed to be both. Your turn: Jean Chrétien—Bastard or Bonehead?But Ferguson doesn’t limit himself to the prime ministers. No, sir. He takes on the full sweep of Canadian history, examining and evaluating the key personalities behind our most momentous events. When the English captured Quebec in 1759, was it a “Battle of Boneheads” or a “Contest of Bastards”? Was the War of 1812 won by Bastards? Or lost by Boneheads? From the internment of Japanese Canadians during the Second World War to Canada’s contribution to the Holocaust, from the battle for women’s rights to the rise of the separatist movement, Will Ferguson looks at our past head-on, wars and all. This is history on the edge: opinionated, hard-hitting, outrageous and always thought-provoking. Watch out, Canada. Will Ferguson is headed our way.

    Bands like The Tragically Hip, Blue Rodeo, and Sloan created a fever pitch for Canadian music, but there were also numerous others in the underground who created equally exciting work. This vital, lively, and entertaining examination of a groundbreaking decade contains vivid original photographs and interviews with all the major players.

    He is the only remaining original member of the group since the inception of April Wine in 1969. Goodwyn grew up poor and is the classic “small-town kid makes good” success story. As a young teen, Goodwyn honed his skills, playing in bands such as East Gate Sanctuary and Woody’s Termites. From the very beginning, Goodwyn plotted the course of the band. His unique but classic rock voice gives April Wine a distinct and immediately recognizable sound. Ranging from hard rock classics to soulful ballads, his vocal range and style can really grab a hold of you. His songwriting skills are prolific. He has penned virtually every April Wine song. He has a knack with words and seems to have an ability to write a catchy tune at will. Through the ups and downs and changing faces of the band, the one thing that has remained constant is Myles Goodwyn. Even today and with their latest release and shift in direction, his voice is as strong and apparent as ever. Now in its fourth decade, April Wine continues to charge ahead as one of Canada’s very best rock bands. And as far as rock history goes, Myles Goodwyn is already a living legend (especially in the annals of Canadian rock history), being known as one of the all-time greats.In Just Between You and Me, Goodwyn shares the story of his upbringing, first at home in rural New Brunswick and then in the music business as the lead singer of one of Canada’s most popular bands ever, April Wine.

    As weeks turned to years, the disappearance became the most "extraordinary unsolved mystery" of its time. Everything about the sensational case would be called into question in the decades to come, including the motivations of his inner circle, his enemies, and the police who followed the trail across the continent, looking for answers in asylums, theatres, and the Pacific Northwest. In The Missing Millionaire, Katie Daubs tells the story of the Small mystery, weaving together a gripping narrative with the social and cultural history of a city undergoing immense change. Daubs examines the characters who were connected to the case as the century carried on: Ambrose's religious wife, Theresa; his long-time secretary, Jack Doughty; his two unmarried sisters, Florence and Gertrude; Patrick Sullivan, a lawless ex-policeman; and Austin Mitchell, an overwhelmed detective. A series of trials exposed Small’s tumultuous business and personal relationships, while allegations and confessions swirled. But as the main players in the Small mystery died, they took their secrets to the grave, and Ambrose Small would be forever missing. Drawing on extensive research, newly discovered archival material, and her own interviews with the descendants of key figures, Katie Daubs offers a rich portrait of life in an evolving city in the early twentieth century. Delving into a crime story about the power of the elite, she vividly recounts the page-turning tale of a cold case that is truly stranger than fiction.

    Determined to find redemption in the midst of their derision and to find joy despite uncertainty, Moira faces impossible choices with consequences beyond anything she can imagine.Thrown into the purgatory of a bleak prairie landscape as unforgiving as her mother, twenty-year-old Newfoundlander Moira Burns is certain she will rise above the locals of Ibsen, Saskatchewan. Until the reasons for her flight west become clear. Until she is befriended by a prostitute and courted by a ‘half breed’. Until she becomes the “dolly-bird” of superstitious Irish Catholic homesteader, Dillan Flaherty.Scattered through with birth, death, and the violent potential of both man and the elements, Dollybird excavates the small mercies which come to mean more than they should on a prairie peopled with characters struggling under a huge sky that waits, not so quietly, for them to fail.

    

    Caught up in his enthusiasm, she couldn't understand her parents' less-than-enthusiastic reaction. Now that her other brother, Jack, has also enlisted, she yearns for the safe return of both brothers. If only she had a friend that she could talk to about her feelings. . .

     In its coming to inherit the unwanted distinction of being the serial killer capital of not just Canada—but apparently also the world during this dark age in the city’s sordid history— the crimes seen in London over this quarter-century period remain unparalleled and for the most part unsolved. From the earliest documented case of homicidal copycatting in Canada, to the fact that at any given time up to six serial killers were operating at once in the deceivingly serene “Forest City,” London was once a place that on the surface presented a veneer of normality when beneath that surface dark things would whisper and stir. Through it all, a lone detective would go on to spend the rest of his life fighting against impossible odds to protect the city against a tidal wave of violence that few ever saw coming, and which to this day even fewer choose to remember. With his death in 2011, he took these demons to his grave with him but with a twist—a time capsule hidden in his basement, and which he intended to one day be opened. Contained inside: a secret cache of his diaries, reports, photographs, and hunches that might allow a new generation of sleuths to pick up where he left off, carry on his fight, and ultimately bring the killers to justice—killers that in many cases are still out there. Murder City is an explosive book over fifty years in the making, and is the history of London, Ontario as never told before. Stranger than fiction, tragic, ironic, horrifying, yet also inspiring, this is the true story of one city under siege, and a book that marks a game changer for the true crime genre.