What I’m talking about here is the ka-pow, shake-you-to-your-core-and-turn-your-bones-to-plastic kind of crappy.Sixteen-year-old Laurel’s world changes instantly when her parents and brother are killed in a terrible car accident. Behind the wheel is the father of her bad-boy neighbor, David Kaufman, whose mother is also killed. In the aftermath of the tragedy, Laurel navigates a new reality in which she and her best friend grow apart, boys may or may not be approaching her out of pity, overpowering memories lurk everywhere, and Mr. Kaufman is comatose but still very much alive. Through it all there is David, who swoops in and out of Laurel’s life and to whom she finds herself attracted against her better judgment. She will forever be connected to him by their mutual loss—a connection that will change them both in unexpected ways.Jennifer Castle’s debut novel is a heart-wrenching, surprisingly witty testament to how drastically life can change in the span of a single moment.

    Everyone says guys and girls can’t be just friends, but these two are. They hang out after school, share tons of inside jokes, their families are super close, and Levi even starts dating one of Macallan’s friends. They are platonic and happy that way.Eventually they realize they’re best friends—which wouldn’t be so bad if they didn’t keep getting in each other’s way. Guys won’t ask Macallan out because they think she’s with Levi, and Levi spends too much time joking around with Macallan, and maybe not enough time with his date. They can’t help but wonder . . . are they more than friends or are they better off without making it even more complicated?

    Up until now, Hannah has happily devoted her entire life to ballet.But when she meets a handsome musician named Jacob, Hannah's universe begins to change, and she must decide if she wants to compete against the other "bunheads" in the company for a star soloist spot or strike out on her own in the real world. Does she dare give up the gilded confines of the ballet for the freedoms of everyday life?

    If given the opportunity, what sixteen-year-old wouldn't jump at the chance to move in with a friend and live parent-free? Although maybe "opportunity" isn't the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: "Lied to Our Parents"). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up "Skipping School" (#3), "Throwing a Crazy Party" (#8), "Buying a Hot Tub" (#4), and, um, "Harboring a Fugitive" (#7) at all is kind of a mystery to them. In this hilarious and bittersweet tale, Sarah Mlynowski mines the heart and mind of a girl on her own for the first time. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn't-have-done at a time.

    Determined to follow in Da Vinci’s footsteps, she’s ready to tackle the one thing that will give her an advantage in a museum-sponsored scholarship contest: drawing actual cadavers. But when she tries to sneak her way into the hospital’s Willed Body program and misses the last metro train home, she meets a boy who turns her summer plans upside down.Jack is charming, wildly attractive, and possibly one of San Francisco’s most notorious graffiti artists. On midnight buses and city rooftops, Beatrix begins to see who Jack really is—and tries to uncover what he’s hiding that leaves him so wounded. But will these secrets come back to haunt him? Or will the skeletons in her family’s closet tear them apart?

    Anne’s at the beginning of junior year, Charlotte Ryder already knows all about the former senator’s daughter. Most people do... or think they do.Charlotte certainly never expects she’ll be Julia’s friend. But almost immediately, she is drawn into the larger than-life-new girl’s world—a world of midnight rendezvous, dazzling parties, palatial vacation homes, and fizzy champagne cocktails. And then Charlotte meets, and begins falling for, Julia’s handsome older brother, Sebastian.But behind her self-assured smiles and toasts to the future, Charlotte soon realizes that Julia is still suffering from a tragedy. A tragedy that the Buchanan family has kept hidden... until now.

    She's pretty, rich, and popular, and her spot on the homecoming court is practically guaranteed. But when a night of partying ends in an it-could-have-been-so-much worse crash, everything changes. Her best friends start ignoring her, her boyfriend grows cold and distant, and her once-adoring younger sister now views her with contempt. The only bright spot is her creative writing class, led by a charismatic new teacher who encourages students to be true to themselves. But who is Paige, if not the homecoming princess everyone expects her to be? In this arresting and witty debut, a girl who was once high-school royalty must face a truth that money and status can't fix, and choose between living the privileged life of a princess, or owning up to her mistakes and giving up everything she once held dear.

    And what starts out as an innocent joke spirals into a whirlwind adventure that could change both their lives—and their hearts—forever. But are fame and love worth the price?Told in alternating points of view, #famous captures the out-of-control thrill ride of falling for someone in front of everyone.

    Out of her house, where her stepfather wields fear like a weapon and her mother makes her scrub imaginary dirt off the floors. Out of her California town, too small to contain her big city dreams. Out of her life, and into the role of Parisian artist, New York director—anything but scared and alone.Enter Gavin: charming, talented, adored. Controlling. Dangerous. When Grace and Gavin fall in love, Grace is sure it's too good to be true. She has no idea their relationship will become a prison she's unable to escape. Deeply affecting and unflinchingly honest, this is a story about spiraling into darkness—and emerging into the light again.

    Charlie Healey thinks Harmony Falls is the beginning of a whole new life. Middle school was brutal. But high school is Charlie's big chance to start over and stay out of drama, except that on her first day she runs into Will, her ex-best friend, who had moved away. Now a varsity athlete and hotter than Charlie remembered, Will hangs with the crowd running the school. But Charlie doesn't understand their power until an innocent delivery guy falls victim to a near-deadly hazing prank. Torn between doing what's right and her secret feelings for Will, Charlie must decide whether to turn in her very best friend or live with the guilt of knowing what he did. Rosalind Wiseman's first novel for young adults is a fresh, funny, and juicy read about friendship, betrayal, and how far some will go to be accepted.

    shift at GoodFoods Market4) Crashing a cart into a customer’s car right in front of her snarky coworker Sammi3) Trying to rock the “drowned rat” look after being caught in a snowstorm2) Making zero progress with her crush, Tyson (see #3)1) Being accused—along with her fellow teenage employees—of stealing upwards of $10,000 Chloe would rather be anywhere than locked in work jail (aka the break room) with five of her coworkers . . . even if one of them is Tyson. But if they can band together to clear their names, what looks like a total disaster might just make Chloe’s list of Top Ten Best Moments.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    HIM is Todd, Evelyn's secret un-boyfriend, who she thought she was just using for sex - until she accidentally fell in love with him. But before Evelyn gets a chance to tell Todd how she feels, something much more important comes up. IT. IT is a fetus. Evelyn is pregnant - and when Todd turns his back on her, Evelyn has no idea who to turn to. Can a cheating father, a stiff, cold mother, a pissed-off BFF, and a (thankfully!) loving aunt with adopted girls of her own help Evelyn make the heart-wrenching decisions that follow?

    Someone is stalking him . . . messing with him . . . threatening him. Worse, ever since his best friend Ariel has been gone, he's been unable to sleep, spending night after night torturing himself for his role in her absence. And as crazy as it sounds, Evan's starting to believe it's Ariel that's behind all of this, punishing him. But the more Evan starts to unravel the mystery, the more his paranoia and insomnia amplify, and the more he starts to unravel himself. Creatively told with black-and-white photos interspersed between the text so the reader can see the photos that are so unnerving to Evan, Every You, Every Me is a one-of-a-kind departure from a one-of-a-kind author.

    They've been best friends almost as long—at least, up until last November, when Josh did something that changed everything. Things have been weird between them ever since, but when Josh's family gets a free AOL CD in the mail, his mom makes him bring it over so that Emma can install it on her new computer. When they sign on, they're automatically logged onto their Facebook pages. But Facebook hasn't been invented yet. And they're looking at themselves fifteen years in the future.By refreshing their pages, they learn that making different decisions now will affect the outcome of their lives later. And as they grapple with the ups and downs of what their futures hold, they're forced to confront what they're doing right—and wrong—in the present.