A runner, a reader and a romantic, Kurshan adapted to its pace, attuned her ear to its poetry, and discovered her passions in its pages. She brought the Talmud with her wherever she went, studying in airplanes, supermarket lines, and over a plate of pasta at home, careful not to drip tomato sauce upon discussions about the sprinkling of blood on the Temple altar. By the time she completed the Talmud after seven and a half years, Kurshan was remarried with three young children. With each pregnancy, her Talmud sat perched atop her growing belly.This memoir is a tale of heartache and humor, of love and loss, of marriage and motherhood, and of learning to put one foot in front of the other by turning page after page. Kurshan takes us on a deeply accessible and personal guided tour of the Talmud, shedding new light on its stories and offering insights into its arguments both for those already familiar with the text and for those who have never encountered it. For people of the book both Jewish and non-Jewish If All the Seas Were Ink is a celebration of learning through literature how to fall in love once again.

    The phone rings. A grandfather he never knew is dying. He rushes to the old man's bedside and finds himself promising to find the Ark of the Covenant, missing for over 2,500 years. In Israel Alex picks up a partner in his quest—archeologist Rivka Golan. Within days they are targeted by a sniper, chased through the streets of Jersualem by a bulldozer, interrogated by Israeli intelligence, and trapped in a tunnel under the world's most sacred site—the Temple Mount.

    1,465). When the business became a worldwide success, Postville found itself both revived and divided. The town's initial welcome of the Jews turned into confusion, dismay, and even disgust. By 1997, the town had engineered a vote on what everyone agreed was actually a referendum: whether or not these Jews should stay.The quiet, restrained Iowans were astonished at these brash, assertive Hasidic Jews, who ignored the unwritten laws of Iowa behavior in almost every respect. The Lubavitchers, on the other hand, could not compromise with the world of Postville; their religion and their tradition quite literally forbade it. Were the Iowans prejudiced, or were the Lubavitchers simply unbearable? Award-winning journalist Stephen G. Bloom found himself with a bird's-eye view of this battle and gained a new perspective on questions that haunt America nationwide. What makes a community? How does one accept new and powerfully different traditions? Is money more important than history? In the dramatic and often poignant stories of the people of Postville - Jew and gentile, puzzled and puzzling, unyielding and unstoppable - lies a great swath of America today.

    Tristan Brodsky, sprung from the asphalt of the depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remakes American culture while slowly suffocating his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer escapes from behind the Iron Curtain with a group of black musicians only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge and the survival of each requires the sacrifice of another. The End of the Jews offers all the rewards of the traditional family epic, but Mansbach’s irreverent wit and rich, kinetic prose shed new light on the genre. It runs on its own chronometer, somersaulting gracefully through time and space, interweaving the tales of these three protagonists who, separated by generation and geography, are leading parallel lives.