They are talking about Prague, because Carol wants them all to go there for Christmas. Josef was born in Prague, but he left his home city when he was a young man. He is an old man now, and he would like to see Prague again before he dies. But he is afraid. He still remembers another Christmas in Prague, many long years ago - a Christmas that changed his life for ever...

    And suddenly there's a strange boy at the bottom of Flynn's garden. Soon, she and her wayward brother Sam are walking out of the house in the middle of a hot summer's night and crossing four fields to find him again. But as well as the boy, Flynn and Sam find a whole gang of runaway kids. There's Diana, who's just had a baby. There's Mouse, who's only five and likes to set fire to things. And there is the boy himself, who stirs up feelings in Flynn that she's never felt before.But there's also someone else - the unspeakably malign and terrifying presence they're all running from. Escaping him, they stumble on an amazing and extraordinary house by a waterfall, a house which seems to offer safety and meets their every desire and need - or does it? The youngest character in the novel is one day old, and the oldest only seventeen. But the themes that lie at the heart of this ferociously original story are as adult, unsettling and universal as those of Julie Myerson's other novels.

    His film is good and he is the only cameraman on the volcano. Now he can go home. But then he finds Jenny and she is dying. Rocks start to move and Mike is afraid. Can they get off the volcano alive? And what happens to Mike's camera and film?

    Originally published in 1914 between 4 July and 22 August in The Weekly Tale-Teller, the stories were belatedly collected into the current volume in the late 1990s by Jack Adrian. This is a collection of eight ghost stories, written by the remarkably prolific husband and wife team of Claude and Alice Askew, centering on Aylmer Vance, an investigator of the supernatural. Dexter, the narrator, meets Vance during a fishing holiday and Vance tells him three ghost stories on successive nights, each story involving Vance more closely in the action. The fourth story brings Dexter himself into the action, and reveals him to have unsuspected clairvoyant powers. The remaining stories feature Vance and Dexter as a sort of Holmes-and-Watson team investigating incidents not all of which prove to have supernatural causes. The final story, "The Fear" is very effective, describing a house in which a general feeling of extreme fear grips the inhabitants at various times and locations; the emotion of fear is effectively evoked and an interesting tale is constructed as Vance and Dexter work to assign the fear "a local habitation and a name."

    

    All dragonkind are born with a deeply ingrained calling to protect the innocent. As Primalthorn, the Ultimate Guardian, it becomes Skulla’s duty to preserve his dying race as well. But with his responsibility comes a great burden as he’s tasked with ending the lives of those on the verge of going rogue. Year after lonely year, only his obligations keep Skulla clinging to sanity, until the day he meets his mate. Kiah-thorn brings light back into his darkened soul. With the lives of not only dragonkind but his family at stake, Skulla is hesitant when the Ilyium call on him for assistance. For his choices may just end all dragonkind.Get Dracones Primalthorn and delve into the magical world of dragonkind to find out how the curse came to be. Can be read either before or after bk1, Dracones awakening.

    Buck is stolen from his home in the south and sold as a sledge-dog. He has to learn a new way of life - how to work in harness, how to stay alive in the ice and the snow... and how to fight. Because when a dog falls down in a fight, he never gets up again.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    Bluff Farmer Giles lives in a land-of-fable England, full of giants and dragons. A reluctant hero like the Brave Little Tailor or Bilbo in The Hobbit, Giles wins a great reputation by firing his blunderbuss at a wandering giant--who retreats not in fear but to avoid this tiresome stinging "insect". One thing leads to another, and despite all his excuses the now famous Giles is called to save his country from the marauding dragon Chrysophylax. He has a legendary anti-dragon sword and a lot of luck, but dragons can be as devious as politicians... Tolkien crammed much sly wit into his little story, plus jokey philological explanations that Giles's amazing adventures are commemorated in Thames Valley placenames like Worminghall and Thame. It's illustrated with nearly 50 line drawings by Paula Baynes: Tolkien loved these, but some look sadly faded here, like fourth-generation photocopies. As a bonus, the anniversary edition includes an introduction telling the story's history, a transcription of the original, unfinished draft, and 23 pages of notes on allusions and names (Chrysophylax means "keeper of gold", which is indeed what dragons do). A pleasant gift book. --David Langford

    No good can come of it . . .” When Clifford Fox QC receives a desperate letter from his estranged younger brother, Simon, he departs his comfortable Yorkshire home to locate him. The letter outlines the harrowing events that have led Simon to the very edge of sanity. Following a stint at the Brentwell Rehabilitation Unit, failed architect and recovering alcoholic, Simon, is invited by an old school-friend to Abbot’s Keep - a Tudor residence, nestled deep in remote Berkshire countryside. Soon after arriving he is left to explore the neighbouring monastery ruins and discover the house’s dark history. But the more he learns, the more certain he becomes that he is not alone at Abbot’s Keep, and that nothing is as it seems. But can he stop the house’s medieval past repeating itself one final time? And can his brother find him before it’s too late? Reviews ‘Abbot’s Keep is refreshing a hell. Finally, a ghost story that reminds you why the basement is so terrifying!’ Brett McNeill of Rue Morgue Magazine ‘Ashforth does Edgar Allen Poe and Bram Stoker proud delivering a solid contribution to the literary movement. It is time that the ghost story made a comeback. With writers like Benedict Ashforth writing Abbot’s Keep, a revival just might be at hand.’ Matthew J. Barbour of Horror Novel Reviews ‘A really entertaining read with a delightful frisson of fear.’ Simon Ball of Horror Hothouse ‘Ashforth builds on the tension and the feeling of unease with each page to revel in a wonderfully tense and unnerving finale.’ Jim Mcleod of Ginger Nuts of Horror ‘Reminiscent of Poe, Abbot's Keep by Benedict Ashforth is a haunting novella with unique form and beautiful prose.’ Michael Bailey (HWA Bram Stoker Award Nominee) ‘. . . an eerie, atmospheric ghost story . . . has a gentle eeriness that keeps the reader wanting to find out more.' Julie K Top 50 Reviewer ‘Perfect ghost story.’ Christine Waddington 'Ashforth successfully builds a dark and relentless dread that steadily creeps through the text. Extremely accomplished.’ L Sharif ‘A gripping read right from the beginning. Couldn't put it down.’ D Boydell ‘I just could not put this story down. I wanted to know what happened as soon as I picked up my kindle. Strongly recommend.’ Mr Tony Cordon ‘The actual writing is wonderful, beautifully descriptive.’ Fiona White ‘I could not stop reading! it was as though I was in a trance, the story is captivating and very original.’ Safa R ‘A fantastic read, lots of twists and turns. Would recommend this to all Mystery readers. A book that is hard to put down.' Ms P Frain ‘. . . great plot and a well developed storyline. It is elegantly told with well built atmosphere and tension . . . a well conceived idea and would make excellent viewing were it ever to be dramatized.’ Cate Hamilton Read over 170 more reviews on amazon.co.uk

    Accessible language and carefully controlled vocabulary build students' reading confidence. Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension. Before, during, and after reading activities included in the back of each book strengthen student comprehension. Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.

    The tale of a passionate, independent woman and her three suitors, it explores Hardy's trademark themes: thwarted love, the inevitability of fate, and the encroachment of industrial society on rural life.

    

    R. James wrote his ghost stories to entertain friends on Christmas Eve, and they went on to both transform and modernise a genre. James harnesses the power of suggestion to move from a recognisable world to one that is indefinably strange, and then unforgettably terrifying. Sheets, pictures, carvings, a dolls house, a lonely beach, a branch tapping on a window ordinary things take on more than a tinge of dread in the hands of the original master of suspense.

    By digging into the stones, he discovers a strange "sleeping" creature with ointments and a dangerous weapon buried alongside. Before he knows it, he has awakened a dangerous and terrifying secret.