Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    She's the principal of Harper High in Atlanta, Georgia. Having a great job, making good money, and being highly educated still doesn't replace what she longs for. She’s been wishing for one thing all of her life, true love. In her quest for a soul mate, she found Blunt. His swag personifies the streets, something she's totally against. She finds herself mesmerized by his love, and her heart overtakes her mind. Little does she know, there's another side to him.Molaysia is suddenly faced with some mind blowing information concerning Blunt. She has to decide whether she's sticking around or moving on. She soon discovers that being So Gone over a man can almost cause you to lose your mind. Will Molaysia turn and walk away or stand by her man? Find out in this drama-filled tale of love, lies, and deceit.

    Matty has had to care for her three younger sisters ever since their mother’s death ten years ago. She and the girls’ beloved father have worked hard to keep the family together and now it’s time to celebrate as Matty turns eighteen. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone…

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    A farce with a hilarious drunk scene for two stylish comediennes.

    But on the day of her funeral, he discovers a book Kate left for him, Things I Want You to Know. Her instructions for raising Emma and Liam without her give him comfort, but her other plans for him seem much more daunting...Five dates with five different women. Nick isn't sure his heart is in it...but as he tries to follow Kate's careful instructions, he slowly realises that it's not romance Kate wanted him to find, but something far more important. Will Nick find the courage to take a second chance?

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

    Eisenberg will star in the New York production of The Spoils in the Spring of 2015, directed by Scott Elliott for the New Group’s inaugural season at the Pershing Square Signature Center.Nobody likes Ben. Ben doesn't even like Ben. He’s been kicked out of grad school, lives off his parents’ money, and bullies everyone in his life, including his roommate, an earnest Nepalese immigrant. When Ben discovers that his grade school crush is marrying a straight-laced banker, he sets out to destroy their relationship and win her back. The Spoils is a deeply personal and probing comedy written by one of America’s most interesting writer-thespians.

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    Trigga found out in book 1 that the enemy who got away was right under his nose. The one man that he had been hunting to seek vengeance for his father’s death and mother’s brutal rape and murder was the man he called his boss, Street King, Damien Orlando. He only has one thing in mind, payback. With his boy Big Jake along with Gina, and Ray-Ray forming their own family, Dame and every goon in his circle are targets. Chaos is coming and Dame’s most trusted are about to bring him pain and death. E.N.G.A. Every Nigga Gotta Agenda

    A chance encounter with Sarah seems like destiny’s compensation for all his hard work. He also meets buddies for a lifetime. Their life-stories of love, regret, friendship and shattered dreams take him through Kashmir and Turkey; from brothels to hospitals; and from dingy quarters to the hallowed halls of UPSC.When life finally seems to be coming back on track, he stumbles upon a truth that is bound to change him and the rest of his life.Will Alok crack the exam, or will he be just one of the many soon-forgotten aspirants? Will a strange revelation make him see his life as A Pleasant Escape?

    Now available in the Arcade definitive edition, the Lehrstucke (or learning plays) lie at the heart of Brechtian theater.

    The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in America in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several of the actors. Initially and primarily focusing on a gay couple in Manhattan, the play also has several other storylines, some of which occasionally intersect.