She and her father have packed their bags, changed their names and fled, and she doesn’t know why. She only knows that her father is trying to locate her mother, who disappeared when Anneli was five.Arriving in Toronto, Anneli has to fend for herself in an alien environment, isolated in a big city with no idea how to navigate the unspoken codes that come with being fourteen and in high school. Torn between two worlds, she is troubled by the things she and her father have left behind—a vanished town, a long-ago crime—but determined to find her mother: the one person who might be able to tell her just what it is they’re running from.

    Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business.So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets.Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.

    

    (Titan: An Alternate History, Delta, Hobson's Gate, Jewish Comix Anthology) and edited by Hope Nicholson (Brok Windsor, Lost Heroes, Nelvana of the Northern Lights), MOONSHOT brings together dozens of creators from across North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling.From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work in North America. The traditional stories presented in the book are with the permission from the elders in their respective communities, making this a truly genuine, never-before-seen publication. MOONSHOT is an incredible collection that is sure to amaze, intrigue and entertain!Here are some of the talented writers and artists who have contributed to MOONSHOT:Claude St-Aubin (R.E.B.E.L.S., Green Lantern, Captain Canuck), Jeffery Veregge (G.I. Joe, Judge Dredd), Stephen Gladue (MOONSHOT cover artist), Haiwei Hou (Two Brothers), Nicholas Burns (Arctic Comics, Curse of Chucky, Super Shamou), Jon Proudstar (Tribal Force), George Freeman (Captain Canuck, Aquaman, Batman), Elizabeth LaPensee (Survivance, The Nature of Snakes, Fala), Buffy Sainte-Marie (Fire & Fleet & Candlelight, Coincidence & Likely Stories), Richard Van Camp (Path of the Warrior, Kiss Me Deadly), David Robertson (The Evolution of Alice, Stone), David Cutler (The Northern Guard), Menton J. Matthews III (Monocyte, Memory Collectors, Three Feathers), Jay Odjick (Kagagi: The Raven), Ian Ross (Heart of a Distant Tribe, Bereav'd of Light, An Illustrated History of the Anishinabe), Lovern Kindzierski (X-Men, Wolverine, Incredible Hulk, Thor, Spiderman), Arigon Starr (Super Indian, Indigenous Narratives Collective), Michael Sheyahshe (Dark Owl, Native Americans in Comic Books), Fred Pashe (SpiritWolf) and more!

    In this novel America is in the grip of a deadly flu pandemic. When Frank catches the virus, his girlfriend Polly will do whatever it takes to save him—even if it means risking everything. When she finds out there’s a company that has invented time travel, she agrees to a radical contract: if she signs up for a one-way-trip into the future to work as a bonded laborer, the company will pay for the life-saving treatment Frank needs. Polly promises to meet Frank again in Galveston, Texas, where she will arrive in twelve years. But when Polly is re-routed an extra five years into the future, Frank is nowhere to be found. Alone in a transformed and divided America, with no status and no money, Polly must navigate a new life and find a way to locate Frank, to determine if he is alive, and if their love has endured.An Ocean of Minutes is a gorgeous and heartbreaking story that paints an intimate portrait of endurance and complexity of human relationships and the cost of holding onto the past—and the price of letting it go.

    Families, friends, lovers disappear.Kim Echlin’s powerful new novel tells the story of Anne Greves, from Montreal, who meets Serey, a Cambodian student forced into exile when he cannot return home during Pol Pot’s time of terror. Anne and Serey meet in a jazz club where their shared passion for music turns into a passion for each other, against the will of her father. But when the borders of Cambodia open, Serey is compelled to return home, alone, to try to find his family. Left behind, and without word from her lover, Anne tries to build a new life but she cannot forget her first love. She decides to travel to the war-ravaged country that claimed Serey. What she finds there is a traumatized and courageous people struggling to create new freedoms out of the tragedy that claimed their traditional ways, their livelihood, and a seventh of their population.“Despair is an unwitnessed life,” writes Anne as she searches for the truth, about her lover, and about herself. “If we live long enough, we have to tell, or turn to stone inside.”From its first page, The Disappeared takes us into the land of kings and temples, fought over for generations. It reveals the forces that act on love everywhere: family, politics, forgetting. Universal in its questions about how to claim the past, how to honor our dead, and how to go on after those we love disappear, it is a story written in spare and rhythmic prose. The Disappeared is a remarkable consideration of language, truth, justice, and memory that speaks to the conscience of the world, and to love, even when those we love most are gone.

    She spends her childhood and adolescence traveling constantly and changing identities. In adulthood, she finds it impossible to stop. Haunted by an inability to remember her early childhood, she moves restlessly from city to city, abandoning lovers along with way, possibly still followed by a private detective who has pursued her for years. Then her latest lover follows her from New York to Montreal, determined to learn her secrets and make sure she s safe. Last Night in Montreal is a story of love, amnesia, compulsive travel, the depths and the limits of family bonds, and the nature of obsession. In this extraordinary debut, Emily St. John Mandel casts a powerful spell that captures the reader in a gritty, youthful world charged with an atmosphere of mystery, promise and foreboding where small revelations continuously change our understanding of the truth and lead to desperate consequences. Mandel's characters will resonate with you long after the final page is turned.

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    Born a Tutsi, he is thrust into a world where it's impossible to stay apolitical - where the man who used to sell you gifts for your family now spews hatred, where the girl who flirted with you in the lunchroom refuses to look at you, where your Hutu coach is secretly training the very soldiers who will hunt down your family. Yet in an environment increasingly restrictive for the Tutsi, he holds fast to his dream of becoming Rwanda's first Olympic medal contender in track, a feat he believes might deliver him and his people from this violence. When the killing begins, Jean Patrick is forced to flee, leaving behind the woman, the family, and the country he loves. Finding them again is the race of his life. This is the third Bellwether Prize winner published by Algonquin. The Bellwether Prize is awarded biennially by Barbara Kingsolver for an unpublished novel that addresses issues of social justice and was previously awarded to The Girl Who Fell from the Sky and Mudbound.

    With pathos and pageantry, desperation and hope, magic and mythology, this acclaimed novel weaves its unforgettable spell.

    When Peter’s nipples begin speaking to him one day and inform him of their diabolical plan to expose his secret desires to the world, Peter finds himself cornered in a world that seems to have no tolerance for difference.Peter’s only solace is “The Bedtime Movies” — perfect-world fantasies that lull him to sleep every night. But when the lines between Peter’s fantasy world and his reality begin to blur, no one is safe from the depths of Peter’s imagination — especially Peter himself.

    In Rawi Hage's unforgettable novel, winner of the 2008 IMPAC Prize, this famous quote by Camus becomes a touchstone for two young men caught in Lebanon's civil war. Bassam and George are childhood best friends who have grown to adulthood in war torn Beirut. Now they must choose their futures: to stay in the city and consolidate power through crime; or to go into exile abroad, alienated from the only existence they have known. Bassam chooses one path: obsessed with leaving Beirut, he embarks on a series of petty crimes to finance his departure. Meanwhile, George builds his power in the underworld of the city and embraces a life of military service, crime for profit, killing, and drugs.Told in the voice of Bassam, De Niro's Game is a beautiful, explosive portrait of a contemporary young man shaped by a lifelong experience of war. Rawi Hage's brilliant style mimics a world gone mad: so smooth and apparently sane that its razor-sharp edges surprise and cut deeply. A powerful meditation on life and death in a war zone, and what comes after.

    Illiterate and white, Judith falls for “colored music” and dreams of life as a big city radio star. These teenaged girls are half-sisters. And when they catch wind of their wayward father’s inheritance coming down in Virginia, they hitch their hopes to a road trip together to claim what’s rightly theirs.In an old junk car, with a frying pan, a ham, and a few dollars hidden in a shoe, they set off through the American Deep South of the 1950s, a bewitchingly beautiful landscape as well as one bedeviled by racial strife and violence. Suzanne Feldman's Absalom’s Daughters combines the buddy movie, the coming-of-age tale, and a dash of magical realism to enthrall and move us with an unforgettable, illuminating novel.

    Miikwan and Dez are best friends. Miikwan is Anishinaabe; Dez is Inninew. Together, the teens navigate the challenges of growing up in an urban landscape – they’re so close, they even completed their Berry Fast together. However, when Dez’s grandmother becomes too sick, Dez is told she can’t stay with her anymore. With the threat of a group home looming, Dez can’t bring herself to go home and disappears. Miikwan is devastated, and the wound of her missing mother resurfaces. Will Dez’s community find her before it’s too late? Will Miikwan be able to cope if they don’t?

    Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.