Come join the fun as a bunch of literate cows turn Farmer Brown's farm upside down.

    In his room, he imagines sailing far away to a land of Wild Things. Instead of eating him, the Wild Things make Max their king.

    Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor—and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke.

    It certainly wasn't the day that Alan Mitz stumbled into the garden of Abdul Gasazi. For in this bizarre and eerie place—where strange topiary trees loomed—the evil visage of Gasazi casts its shadow. And even after Alan escaped, the spell of Gasazi still seemed to penetrate into his everyday world. In this extraordinary, unusual, and unique picture book, Chris Van Allsburg explores both the real and surreal worlds with incredible deftness. In doing so, he has created exquisite and beautiful images that will continue to haunt readers long after they have left the enchanted garden of Abdul Gasazi.

    Perfect entertainment for bath time or for bedtime, the joyful music and hilarious rhyming tale will provide hours of fun for young readers.

    Set in picturesque Paris, this tale of a brave little girl's trip to the hospital was a Caldecott Honor Book in 1940 and has as much appeal today as it did then. The combination of a spirited heroine, timelessly appealing art, cheerful humor, and rhythmic text makes Madeline a perennial favorite with children of all ages.

    He would rather be El Skippito, the great sword fighter, who can do anything. Like saving a roving band of Mexican Chihuahuas from a humongous bumblebeeto that is tormenting them.Join Skippyjon Jones on his first great adventure. He's fearless, he's fun, he gets the job done - yes, indeed-o.

    Only the person who gave us Tuesday could have devised this fantastic Caldecott Honor–winning tale, which begins with a school trip to the Empire State Building. There a boy makes friends with a mischievous little cloud, who whisks him away to the Cloud Dispatch Center for Sector 7 (the region that includes New York City). The clouds are bored with their everyday shapes, so the boy obligingly starts to sketch some new ones. . . . The wordless yet eloquent account of this unparalleled adventure is a funny, touching story about art, friendship, and the weather, as well as a visual tour de force.

    . .In this celebration of observation, curiosity, and imagination, Brendan Wenzel shows us the many views of one cat, and how perspective shapes what we see. When you see a cat, what do you see?

    When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works.

    It's time for the little red chicken's bedtime story—and a reminder from Papa to try not to interrupt. But the chicken can't help herself! Whether the tale is "Hansel and Gretel" or "Little Red Riding Hood" or even "Chicken Little," she jumps into the story to save its hapless characters from doing some dangerous or silly thing. Now it's the little red chicken's turn to tell a story, but will her yawning papa make it to the end without his own kind of interrupting? Energetically illustrated with glowing colors—and offering humorous story-within-a-story views—this all-too-familiar tale is sure to amuse (and hold the attention of) spirited little chicks.

    Though he didn't make it into the zoo that day, he did receive some unexpected guests.Philip C. Stead's gently humorous tale of friendship and dedication is illustrated by his wife Erin E. Stead's elegant drawings, embellished with subtle hints of color.

    With a twist, a turn, and even a flop, these unlikely friends learn at last how to dance together in perfect harmony. Full of humor and heart, this stunning performance (and splashy ending!) will have readers clapping for more!For more feathery fun, pick up Flora and the Penguin, Flora and the Peacocks, Flora and Friends Matching Game or, coming soon, Flora and the Chicks.

    But when he opens his box of crayons, he finds only letters, all saying the same thing: We quit!Beige is tired of playing second fiddle to Brown. Blue needs a break from coloring all that water, while Pink just wants to be used. Green has no complaints, but Orange and Yellow are no longer speaking to each other. What is Duncan to do? Debut author Drew Daywalt and New York Times bestseller Oliver Jeffers create a colorful solution in this playful, imaginative story that will have children laughing and playing with their crayons in a whole new way.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b