Shortly afterwards, in the middle of a storm on Christmas Eve, Edwin disappears, leaving nothing behind but some personal belongings and the suspicion that his jealous uncle John Jasper, madly in love with Rosa, is the killer. And beyond this presumed crime there are further intrigues: the dark opium dens of the sleepy cathedral town of Cloisterham, and the sinister double life of Choirmaster Jasper, whose drug-fuelled fantasy life belies his respectable appearance. Dickens died before completing The Mystery of Edwin Drood, leaving its tantalising mystery unsolved and encouraging successive generations of readers to turn detective.This edition contains an introduction by David Paroissien, discussing the novel's ending, with a chronology, notes, original illustrations by Samuel Luke Fildes, appendices on opium use in the nineteenth century, the 'Sapsea Fragment' and Dickens's plans for the story's conclusion.Charles Dickens is one of the best-loved novelists in the English language, whose 200th anniversary was celebrated in 2012. His most famous books, including Oliver Twist, Great Expectations, A Tale of Two Cities, David Copperfield and The Pickwick Papers, have been adapted for stage and screen and read by millions.If you enjoyed The Mystery of Edwin Drood, you might like Dickens's Little Dorrit, also available in Penguin Classics.

    Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class- and gender issues as they intersect within the domestic sphere.

    Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

    On discovering that the man she loves, Edward Springrove, is already engaged to his cousin, Cytherea comes under the influence of Miss Aldclyffe's fascinating, manipulative steward Manston.Blackmail, murder and romance are among the ingredients of Hardy's first published novel, and in it he draws blithely on the 'sensation novel' perfected by Wilkie Collins. Several perceptive critics praised the author as a novelist with a future when Desperate Remedies appeared anonymously in 1871. In its depiction of country life and insight into psychology and sexuality it already bears the unmistakable imprint of Hardy's genius.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Widely regarded as one of Trollope's most successful later novels, He Knew He Was Right is a study of marriage and of sexual relationships cast against a background of agitation for women's rights.

    Immensely popular for years, the novel led to a hit play, a series of popular films, Trilby products from hats to ice-cream, and streets in Florida named after characters in the book. The setting reflects Du Maurier's bohemian years as an art student in Paris before he went to London to make a career in journalism. A celebrated caricaturist for Punch magazine, Du Maurier's drawings for the novel--of which his most significant are included here--form a large part of its appeal.

    When she loses her job and home, he offers her comfort and shelter, only to cruelly desert her soon after. Nearly dead with grief and shame, Ruth is offered the chance of a new life among people who give her love and respect, even though they are at first unaware of her secret - an illegitimate child. When Henry enters her life again, however, Ruth must make the impossible choice between social acceptance and personal pride. In writing Ruth, Elizabeth Gaskell daringly confronted prevailing views about sin and illegitimacy with her compassionate and honest portrait of a 'fallen woman'.

    At its heart is Romola, the devoted daughter of a blind scholar, married to the clever but ultimately treacherous Tito whose duplicity in both love and politics threatens to destroy everything she values, and she must break away to find her own path in life. Described by Eliot as 'written with my best blood', the story of Romola's intellectual and spiritual awakening is a compelling portrayal of a Utopian heroine, played out against a turbulent historical backdrop.

    But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn.From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls—or that a handsome, mysterious stranger would so incite her passions... tempting her to love a man whom she dares not trust.

    First published in 1853, Villette is Brontë's most accomplished and deeply felt work, eclipsing even Jane Eyre in critical acclaim. Her narrator, the autobiographical Lucy Snowe, flees England and a tragic past to become an instructor in a French boarding school in the town of Villette. There she unexpectedly confronts her feelings of love and longing as she witnesses the fitful romance between Dr. John, a handsome young Englishman, and Ginerva Fanshawe, a beautiful coquette. The first pain brings others, and with them comes the heartache Lucy has tried so long to escape. Yet in spite of adversity and disappointment, Lucy Snowe survives to recount the unstinting vision of a turbulent life's journey - a journey that is one of the most insightful fictional studies of a woman's consciousness in English literature.

    Unlike the "New Woman" novels of the era which challenged the idea that the unmarried woman was superfluous, Gissing satirizes that image and portrays women as "odd" and marginal in relation to an ideal. Set in a grimy, fog-ridden London, Gissing's "odd" women range from the idealistic, financially self-sufficient Mary Barfoot to the Madden sisters who struggle to subsist in low paying jobs and little chance for joy. With narrative detachment, Gissing portrays contemporary society's blatant ambivalence towards its own period of transition. Judged by contemporary critics to be as provocative as Zola and Ibsen, Gissing produced an "intensely modern" work as the issues it raises remain the subject of contemporary debate.

    A novel that chronicles the lives of two women who could not be more different: Becky Sharp, an orphan whose only resources are her vast ambitions, her native wit, and her loose morals; and her schoolmate Amelia Sedley, a typically naive Victorian heroine, the pampered daughter of a wealthy family.

    He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.