Timothy Cratchit, not the pious child the world thought he was, has just buried his father. He's also struggling to bury his past as a cripple and shed his financial ties to his benevolent "Uncle" Ebenezer by losing himself in the thick of London's underbelly. He boards at a brothel in exchange for teaching the mistress how to read and spends his nights dredging the Thames for dead bodies and the treasures in their pockets.Timothy's life takes a sharp turn when he discovers the bodies of two dead girls, each seared with the same cruel brand on the upper arm. The sight of their horror-struck faces compels Timothy to become the protector of another young girl, Philomela, from the fate the others suffered at the hands of a dangerous and powerful man.A different kind of Christmas story, this breathless flight through the teeming markets, shadowy passageways, and rolling brown fog of 1860s London would do Dickens proud for its surprising twists and turns, and its extraordinary heart.

    Thatcher's policies have put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. Shuggie's mother Agnes walks a wayward path: she is Shuggie's guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good--her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion's share of each week's benefits--all the family has to live on--on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes's older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is "no right," a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her--even her beloved Shuggie.A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Edouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell.

    They tried to convince her to mend her ways.She didn't.And then she died.Now she's stuck working for the top-secret company Project Scrooge--as the latest Ghost of Christmas Past.Every year, they save another miserly grouch. Every year, Holly stays frozen at seventeen while her family and friends go on living without her. So far, Holly's afterlife has been miserable.But this year, everything is about to change. . . .

    Everyone knows that if Scarlett O’Hara had an unlimited text-and-data plan, she’d constantly try to tempt Ashley away from Melanie with suggestive messages. If Mr. Rochester could text Jane Eyre, his ardent missives would obviously be in all-caps. And Daisy Buchanan would not only text while driving, she’d text you to pick her up after she totaled her car. Based on the popular web-feature, Texts from Jane Eyre is a witty, irreverent mashup that brings the characters from your favorite books into the twenty-first century.

    . . . Sierra's family runs a Christmas tree farm in Oregon—it's a bucolic setting for a girl to grow up in, except that every year, they pack up and move to California to set up their Christmas tree lot for the season. So Sierra lives two lives: her life in Oregon and her life at Christmas. And leaving one always means missing the other.  Until this particular Christmas, when Sierra meets Caleb, and one life eclipses the other. By reputation, Caleb is not your perfect guy: years ago, he made an enormous mistake and has been paying for it ever since. But Sierra sees beyond Caleb's past and becomes determined to help him find forgiveness and, maybe, redemption. As disapproval, misconceptions, and suspicions swirl around them, Caleb and Sierra discover the one thing that transcends all else: true love.What Light is a love story that's moving and life-affirming and completely unforgettable.

    But as Christmas approaches, Olivia is home alone and questioning her choices while eating too many of her own specialty confections.When Simon Blacklock, a handsome, whimsical stranger, breezes into her shop and buys a cupcake and then returns the next day and the day after, Olivia begins to dream. Can romance blossom amidst the sugar and flour? And after a lifetime of living on the side lines, is she brave enough to star in her own story?Simon may be hiding a painful secret, but Olivia harbors secrets of her own. If they can dare to risk their hearts, this Christmas might be the most magical yet!

    While she is chafing against such suffocating traditions, a mysterious man purchases the neighbouring townhouse. Dr Drosselmeier is a charming but calculating figure who wins over the rest of the Stelle family with his enchanting toys and wondrous mechanisms. When Drosselmeier constructs an elaborate set for Marietta’s final ballet performance, she discovers it carries a magic all of its own. On the stroke of midnight on Christmas Eve, she is transported to a snowy forest, where she encounters danger at every turn: ice giants, shadow goblins and the shrieking mist all lurk amidst the firs and frozen waterfalls and ice cliffs. After being rescued by the butterscotch-eyed captain of the king’s guard, she is escorted to the frozen sugar palace. At once, Marietta is enchanted by this glittering world of glamorous gowns, gingerbread houses, miniature reindeer and the most delicious confectionary. But all is not as it seems and Marietta is soon trapped in the sumptuous palace by the sadistic King Gelum, who claims her as his own. She is confined to a gilded prison with his other pets; Dellara, whose words are as sharp as her teeth, and Pirlipata, a princess from another land. Marietta must forge an alliance with the two women to carve a way free from this sugar-coated but treacherous world and back home to follow her dreams. Yet in a hedonistic world brimming with rebellion and a forbidden romance that risks everything, such a path will never be easy.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    When her unorthodox methods are discovered, Lucy's secret ruins her relationship with her boss and her boyfriend James—leaving Lucy in a heap of hurt, and trouble. Something has to change; she has to change.In a sudden turn of events, James's wealthy grandmother Helen hires Lucy as a consultant for a London literary and antiques excursion. Lucy reluctantly agrees and soon discovers Helen holds secrets of her own. In fact, Helen understands Lucy's predicament better than anyone else.As the two travel across England, Lucy benefits from Helen's wisdom, as Helen confronts the ghosts of her own past. Everything comes to a head at Haworth, home of the Brontë sisters, where Lucy is reminded of the sisters' beloved heroines, who, with tenacity and resolution, endured—even in the midst of change.Now Lucy must go back into her past in order to move forward. And while it may hold mistakes and regrets, she will prevail—if only she can step into the life that's been waiting for her all along.

    As a tour guide at a beautiful historic mansion, she tells visitors about its original owner, Charles Whitley. An inventor and businessman in the early 1900s, he rose from poverty to wealth…only to disappear without a trace. Charles was always intrigued by the future. He just never expected to go there. But when he repairs a mysterious clock he bought on his travels, he’s transported to the twenty-first century, with his home decorated for Christmas and overrun by strangers. Charles is determined to find a way back to his own era, especially when he learns about what happened after he left. But as Megan introduces him to the wonders of smartphones, pizza, and modern holiday traditions, they both feel a once-in-a-lifetime connection. Could it be that, somewhere in time, they belong together?

    Florence is a talented musician who dreams of a career on the concert stage and of the perfect life she will create with Edward, an earnest young history student at University College of London, who unexpectedly wooed and won her heart. Newly married that morning, both virgins, Edward and Florence arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their worries about the wedding night to come. Edward, eager for rapture, frets over Florence’s response to his advances and nurses a private fear of failure, while Florence’s anxieties run deeper: she is overcome by sheer disgust at the idea of physical contact, but dreads disappointing her husband when they finally lie down together in the honeymoon suite. Ian McEwan has caught with understanding and compassion the innocence of Edward and Florence at a time when marriage was presumed to be the outward sign of maturity and independence. On Chesil Beach is another masterwork from McEwan—a story of lives transformed by a gesture not made or a word not spoken.

    ” A timeless tale of love,  devotion . . . and the undead.Jane Slayre, our plucky demon-slaying heroine, a courageous orphan who spurns the detestable vampyre kin who raised her, sets out on the advice of her ghostly uncle to hone her skills as the fearless slayer she’s meant to be. When she takes a job as a governess at a country estate, she falls head-over-heels for her new master, Mr. Rochester, only to discover he’s hiding a violent werewolf in the attic—in the form of his first wife. Can a menagerie of bloodthirsty, flesh-eating, savage creatures-of-the-night keep a swashbuckling nineteenth-century lady from the gentleman she intends to marry? Vampyres, zombies, and werewolves transform Charlotte Brontë’s unforgettable masterpiece into an eerie paranormal adventure that will delight and terrify.

    Kate Battista feels stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister Bunny? Plus, she’s always in trouble at work – her pre-school charges adore her, but their parents don’t always appreciate her unusual opinions and forthright manner. Dr. Battista has other problems. After years out in the academic wilderness, he is on the verge of a breakthrough. His research could help millions. There’s only one problem: his brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, all would be lost.When Dr. Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he’s relying – as usual – on Kate to help him. Kate is furious: this time he’s really asking too much. But will she be able to resist the two men’s touchingly ludicrous campaign to bring her around?

    Lewis, comes another enchanting story that pulls back the curtain on the early life of C. S. Lewis. “Where did Narnia come from?” The answer will change everything. Megs Devonshire is brilliant with numbers and equations, on a scholarship at Oxford, and dreams of solving the greatest mysteries of physics.She prefers the dependability of facts—except for one: the younger brother she loves with all her heart doesn’t have long to live. When George becomes captivated by a copy of a brand-new book called The Lion, the Witch and the Wardrobe and begs her to find out where Narnia came from, there’s no way she can refuse.Despite her timidity about approaching the famous author, Megs soon finds herself taking tea with the Oxford don and his own brother, imploring them for answers. What she receives instead are more stories . . . stories of Jack Lewis’s life, which she takes home to George.Why won’t Mr. Lewis just tell her plainly what George wants to know? The answer will reveal to Meg many truths that science and math cannot, and the gift she thought she was giving to her brother—the story behind Narnia—turns out to be his gift to her, instead: hope.Praise for Once Upon a Wardrobe: “I advise you to read this book, then wait for a while and then read it again, for while it may not be Narnia, there is magic in it.” —Douglas Gresham, C. S. Lewis’s stepsonNew York Times bestselling authorAlso by Patti Callahan: Becoming Mrs. Lewis and Surviving SavannahIncludes discussion questions for book clubs as well as a note from Douglas Gresham, C. S. Lewis’s stepson

    But his wife, Fanny, has no desire to share their newly inherited estate with Belle Dashwood's daughters. When she descends upon Norland Park with her Romanian nanny and her mood boards, the three Dashwood girls—Elinor, Marianne, and Margaret—are suddenly faced with the cruelties of life without their father, their home, or their money.As they come to terms with life without the status of their country house, the protection of the family name, or the comfort of an inheritance, Elinor and Marianne are confronted by the cold hard reality of a world where people's attitudes can change as drastically as their circumstances.With her sparkling wit, Joanna Trollope casts a clever, satirical eye on the tales of Elinor and Marianne Dashwood. Re-imagining Sense and Sensibility in a fresh, modern new light, she spins the novel's romance, bonnets, and betrothals into a wonderfully witty coming-of-age story about the stuff that really makes the world go around. For when it comes to money, some things never change. . . .