In months Europe will be Hitler's, and Badenheim, a resort town vaguely in the orbit of Vienna, is preparing for its annual summer season. Soon the vacationers arrive, as they always have, a sample of Jewish middle-class life. The story unfolds as a matter-of-factly as a Chekhov play, its characters so deeply held by their defensive trivia that they manage to misconstrue every signal of their fate, until these signals take on the lineaments of disaster."The writing flows seamlessly...a small masterpiece." Irving Howe, NEW YORK TIMES BOOK REVIEW"As real as Kafka's unnamed Prague...imbued with a Watteau-like melancholy." Gabriel Annan, NEW YORK REVIEW OF BOOKS"Magical...gliding from a kind of romantic realism into universal allegory." Peter Prescott, NEWSWEEK"The sorcery of Badenheim 1939 [lies in] the success with which the author has concocted a drab narrative involving rather ordinary characters and made their experienced profoundly symbolic yet never hollow." Christopher Lehmann-Haupt, NEW YORK TIMES

    In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene’s childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. In the early 1920s, after their father's death, Helene and Martha move to Berlin, where Helene falls in love with a philosophy student named Carl, and finds a place for herself for the first time. But when Carl dies just before their engagement, life becomes largely meaningless for her, and she takes refuge in her work as a nurse. At a party Helene meets an ambitious civil engineer who wants to build motorways for the Reich and make Helene his wife. Their marriage proves disastrous, but produces a son, and Helene soon finds the love demanded by the little boy more than she can provide. Julia Franck’s unforgettable English language debut throws new light on life in early-twentieth-century Germany, revealing the breathtaking scope of its citizens’ denial—the “blindness of the heart” that survival often demanded. The reader, however, brings his or her own historical perspective to bear on the events unfolding, and the result is a disturbing and compulsive reading experience about a country ravaged from the inside out.

    For after winning acclaim with this novel—awarded the Robert Walser Prize in 1978—she embarked on a 10,000-page literary project called “The Fortress,” creating over her lifetime elaborate colorful diagrams and typescripts so complicated that her publisher had to print them straight from her original documents. A project as brilliant as it is ambitious and as bizarre as it is brilliant, it earned her cult status, comparisons to James Joyce no less than Henry Darger, and admirers including Elfriede Jelinek and W. G. Sebald.Yet in this, her first novel, we discover not an eccentric fluke of literary nature but rather a brilliant and masterful satirist, philosophically minded yet raging with anger and wit, who under the guise of a domestic horror story manages to expose the hypocrisy and deep abiding cruelties running parallel, over time, through the society and the individual minds of a century.

    But his son—the narrator of this slim, harrowing novel—is curious about Walter’s experiences during World War II, and so makes him a present of a blank notebook in which to write down his memories. Walter dies, however, leaving nothing but the barest skeleton of a story on those pages, leading his son to fill in the gaps himself, rightly or wrongly, with what he can piece together of his father’s early life.This, then, is the story of Walter and his dangerously outspoken friend Friedrich Caroli, seventeen-year-old trainee milkers on a dairy farm in northern Germany who are tricked into volunteering for the army during the spring of 1945: the last, and in many ways the worst, months of the war. The men are driven to the point of madness by what they experience, and when Friedrich finally deserts his post, Walter is forced to do the unthinkable.

    Steiner, a former music critic of Jewish descent suffering from tuberculosis in a Salzburg sanatorium in 1939. Drained by his illness and isolated in the gloomy sanatorium, Steiner finds solace only in music. He is horrified to learn that the Nazis’ are transforming a Mozart festival into a fascist event. Steiner feels helpless at first, but an invitation from a friend presents him with an opportunity to fight back. Under the guise of organizing a concert for Nazi officials, Steiner formulates a plan to save Mozart that could dramatically change the course of the war.

    But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

    Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed and experienced.

    As their lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive.In 1945, Elsie Schmidt is a naive teenager, as eager for her first sip of champagne as she is for her first kiss. She and her family have been protected from the worst of the terror and desperation overtaking her country by a high-ranking Nazi who wishes to marry her. So when an escaped Jewish boy arrives on Elsie's doorstep in the dead of night on Christmas Eve, Elsie understands that opening the door would put all she loves in danger. Sixty years later, in El Paso, Texas, Reba Adams is trying to file a feel-good Christmas piece for the local magazine. Reba is perpetually on the run from memories of a turbulent childhood, but she's been in El Paso long enough to get a full-time job and a fiancé, Riki Chavez. Riki, an agent with the U.S. Border Patrol, finds comfort in strict rules and regulations, whereas Reba feels that lines are often blurred. Reba's latest assignment has brought her to the shop of an elderly baker across town. The interview should take a few hours at most, but the owner of Elsie's German Bakery is no easy subject. Reba finds herself returning to the bakery again and again, anxious to find the heart of the story. For Elsie, Reba's questions are a stinging reminder of darker times: her life in Germany during that last bleak year of WWII. And as Elsie, Reba, and Riki's lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive.

    Set in the years leading up to World War II, it is the fictionalized account of the time spent in Mallorca by the author and his wife, who experience the most unpredictable and surreal adventures, pursued all the while by Nazis and Francoists. And just as the chaos comes to seem manageable, the Spanish Civil War erupts. Drawing comparisons to Don Quixote and The Man Without Qualities, The Island of Second Sight is a novel of astonishing and singular richness of language and purpose. At once ironic and humanistic, hilarious and profoundly serious, philosophical and grotesque, The Island of Second Sight is a literary tour de force.Praise for The Island of Second Sight"A masterpiece...Fabulous in all senses of the word." —Iain Bamforth, Times Literary Supplement"A genuine work of art." —Paul Celan"[The Island of Second Sight] is comparable in profundity as well as in complexity to Mann's own Magic Mountain. It is in a class with two other massive German masterpieces...: Hermann Broch's The Death of Virgil and Robert Musil's The Man Without Qualities." —Allen Guttmann, Amherst Magazine"There is a widely held misconception that Germans have no sense of humor. Here is evidence to the contrary as Thelen, belatedly, through his translator, gets a chance to show the English speaking world." —Anthea Bell, Literary Review

    Set against the backdrop of Italy between 1939 to 1944 - the months of anxiety before the country entered the war, through to the tension following the Allied victory - "All Our Yesterdays" follows the lives of two families during the period of great turbulence.

    Overwhelmed by the horror of his discoveries as they become entangled with his own feverish imaginings, he organizes a class trip. The school bus becomes Götz and Meyer’s truck, and the teacher and his students merge with Belgrade’s lost souls in a sacred act of remembering.

    A man becomes obsessed with observing his neighbors. A large family gathers for Christmas only to wait for the one member who never turns up. An old woman lures a man into her house where he finds dolls resembling himself as a boy. Mesmerizing and haunting stories about loss of identity in the modern world.Why Peirene chose to publish this book: 'I love Kafka and here we have a Kafkaesque sense of alienation - not to mention narrative experiments galore! Outwardly normal events slip into drama before they tip into horror. These oblique tales exert a fascinating hold over the reader.' Meike Ziervogel, PublisherFirst published under the original German title: Die Kinder beruhigte das nicht by Kiepenheuer & Witsch, 2006

    Maman, Oncle Henri, Yvonne, and Françoise silently watched as their Jewish neighbors were arrested or wordlessly disappeared. Now in June 1944, when the sirens wail each day, warning of approaching bombers, the family wonders if rumors of the coming Allied invasion are true—and if they will survive to see their country liberated.For sixteen-year-old Yvonne, thoughts of the war recede when she sees the red-haired boy bicycle past her window each afternoon. Murmuring to herself I love you, I love you, I love you, she wills herself to hear the whisper of his bicycle tires over the screech of Allied bombs falling from the sky.Yvonne’s sister, Geneviève, is in Paris to audition for the National Conservatory. Pausing to consider the shadow of a passing cloud as she raises her bow, she does not know that her family’s home in Normandy lies in the path of British and American bombers. While Geneviève plays, her brother Simon and Tante Chouchotte, anxiously await news from their loved ones in Normandy.Decades later, Geneviève, the wife of an American musician, lives in the United States. Each summer she returns to her homeland with her children, so that they may know their French family. Geneviève’s youngest daughter, Polly, becomes obsessed with the stories she hears about the war, believing they are the key to understanding her mother and the conflicting cultures shaping her life.Moving back and forth in time, told from varying points of view, News of Our Loved Ones explores the way family histories are shared and illuminates the power of storytelling to understand the past and who we are.

    They include supernatural tales, slices of life from Warsaw and the shtetls of Eastern Europe, and stories of the Jews displaced from that world to the New World, from the East Side of New York to California and Miami.

    With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. --penguinrandomhouse.comTwo Introductory parables: Before the law --Imperial message --Longer stories: Description of a struggle --Wedding preparations in the country --Judgment --Metamorphosis --In the penal colony --Village schoolmaster (The giant mole) --Blumfeld, and elderly bachelor --Warden of the tomb --Country doctor --Hunter Gracchus --Hunter Gracchus: A fragment --Great Wall of China --News of the building of the wall: A fragment --Report to an academy --Report to an academy: Two fragments --Refusal --Hunger artist --Investigations of a dog --Little woman --The burrow --Josephine the singer, or the mouse folk --Children on a country road --The trees --Clothes --Excursion into the mountains --Rejection --The street window --The tradesman --Absent-minded window-gazing --The way home --Passers-by --On the tram --Reflections for gentlemen-jockeys --The wish to be a red Indian --Unhappiness --Bachelor's ill luck --Unmasking a confidence trickster --The sudden walk --Resolutions --A dream --Up in the gallery --A fratricide --The next village --A visit to a mine --Jackals and Arabs --The bridge --The bucket rider --The new advocate --An old manuscript --The knock at the manor gate --Eleven sons --My neighbor --A crossbreed (A sport) --The cares of a family man --A common confusion --The truth about Sancho Panza --The silence of the sirens --Prometheus --The city coat of arms --Poseidon --Fellowship --At night --The problem of our laws --The conscripton of troops --The test --The vulture --The helmsman --The top --A little fable --Home-coming --First sorrow --The departure --Advocates --The married couple --Give it up! --On parables.