This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling and unsettled issues of the twentieth century that remains hotly debated to this day.

    Ewen Montagu, who masterminded the whole scheme, gives his personal account of the audacious and innovative plot to outwit the Germans by washing up a dead body on Spanish shores, complete with apparently confidential information concealed about his person. The preparations were fraught with tensions, as unforeseen difficulties were faced in creating a life persona for 'the man who never was'. Furthermore, as the new introduction by intelligence expert Alan Stripp reveals, failure of the operation could have had devastating results.

    Yet how were the lives of the ordinary German people of the 1930s and '40s affected by the politics of Hitler and his followers? Looking beyond the catalog of events, this intriguing book reveals that daily German life involved a complex mixture of bribery and terror; of fear and concessions; of barbarism and appeals to conventional moral values employed by the Nazis to maintain their grip on society. Eight leading historians present essays that shed fresh light on topics as familiar as the role of political violence in Nazi seizure of power and the German view of Hitler himself. It also focuses on lesser-known aspects of life in the Third Reich, such as village life, the treatment of social outcasts, and the Germans' own retrospective view of this period of their history.

    Even in the darkest moments of Occupation, glamour was ever present. French women wore lipstick. Why?It was women who came face to face with the German conquerors on a daily basis – perhaps selling them clothes or travelling alongside them on the metro, where a German soldier had priority over seats. By looking at collaborators to resisters, actresses and prostitutes, as well as teachers and writers, including American women and Nazi wives, spies, mothers, mistresses, fashion and jewellery designers – Anne Sebba shows that women made life-and-death decisions every day, and, in an atmosphere where sex became currency, often did whatever they needed to survive. Her fascinating cast includes both native Parisian women and those living in Paris temporarily: American women and Nazi wives, spies, mothers, mistresses, and fashion and jewellery designers. Some like the heiress Béatrice Camondo or novelist Irène Némirovsky, converted to Catholicism; others like lesbian racing driver Violette Morris embraced the Nazi philosophy; only a handful, like Coco Chanel, retreated to the Ritz with a German lover.In enthralling detail Sebba explores the aftershock of the Second World War. How did women who survived to see the Liberation of Paris come to terms with their actions and those of others? Although politics lies at its heart, Les Parisiennes is the first in-depth account of the everyday lives of women and young girls in this most feminine of cities.

    The Rote Kapelle, or Red Orchestra, was the Gestapo’s name for an intrepid band of German artists, intellectuals, and bureaucrats (almost half of them women) who battled treacherous odds to unveil the brutal secrets of their fascist employers and oppressors.Based on years of research, featuring new information, and culled from exclusive interviews, Red Orchestra documents this riveting story through the eyes of Greta Kuckhoff, a German working mother. Fighting for an education in 1920s Berlin but frustrated by her country’s economic instability and academic sexism, Kuckhoff ventured to America, where she immersed herself in jazz, Walt Disney movies, and the first stirrings of the New Deal. When she returned to her homeland, she watched with anguish as it descended into a totalitarian society that relegated her friends to exile and detention, an environment in which political extremism evoked an extreme response.Greta and others in her circle were appalled by Nazi anti-Semitism and took action on many fronts to support their Jewish friends and neighbors. As the war raged and Nazi abuses grew in ferocity and reach, resistance was the only possible avenue for Greta and her compatriots. These included Arvid Harnack–the German friend she met in Wisconsin–who collected anti-Nazi intelligence while working for their Economic Ministry; Arvid’s wife, Mildred, who emigrated to her husband’s native country to become the only American woman executed by Hitler; Harro Schulze-Boysen, the glamorous Luftwaffe intelligence officer who smuggled anti-Nazi information to allies abroad; his wife, Libertas, a social butterfly who coaxed favors from an unsuspecting Göring; John Sieg, a railroad worker from Detroit who publicized Nazi atrocities from a Communist underground printing press; and Greta Kuckhoff’s husband, Adam, a theatrical colleague of Brecht’s who found employment in Goebbels’s propaganda unit in order to undermine the regime.For many members of the Red Orchestra, these audacious acts of courage resulted in their tragic and untimely end. These unsung individuals are portrayed here with startling and sympathetic power. As suspenseful as a thriller, Red Orchestra is a brilliant account of ordinary yet bold citizens who were willing to sacrifice everything to topple the Third Reich.

    A starling reassessment of Hitler's aims and motivations, Frederic Spotts' Hitler and the Power of Aesthetics is an adroitly argued and highly original work that provides a key to fuller understanding of the Third Reich. Spotts convincingly demonstrates that contrary to the traditional view that Hitler had no life outside of politics, Hitler's interest in the arts was as intense as his racism-and that he used the arts to disguise the heinous crimes that were the means to fulfilling his ends. Hitler's vision of the Aryan superstate was to be expressed as much in art as in politics: culture was not only the end to which power should aspire, but the means of achieving it. Filled with evocative photographs and reproductions from Hitler's 1925 sketchbook, "Spotts's study of the Fuhrer's fascination with architecture, painting, sculpture, and music is ...elegantly composed and richly documented" (The New Yorker).

    They distributed anti-Nazi leaflets, printed subversive newspapers, hid resisters, secreted Jews to safety, transported weapons, and conveyed clandestine messages. The youngest was a schoolgirl of fifteen who scrawled "V" for victory on the walls of her lycée; the eldest, a farmer's wife in her sixties who harbored escaped Allied airmen. Strangers to each other, hailing from villages and cities from across France, these brave women were united in hatred and defiance of their Nazi occupiers.Eventually, the Gestapo hunted down 230 of these women and imprisoned them in a fort outside Paris. Separated from home and loved ones, these disparate individuals turned to one another, their common experience conquering divisions of age, education, profession, and class, as they found solace and strength in their deep affection and camaraderie.In January 1943, they were sent to their final destination: Auschwitz. Only forty-nine would return to France.A Train in Winter draws on interviews with these women and their families; German, French, and Polish archives; and documents held by World War II resistance organizations to uncover a dark chapter of history that offers an inspiring portrait of ordinary people, of bravery and survival—and of the remarkable, enduring power of female friendship.

    Eric Weitz has written the authoritative history that this fascinating and complex period deserves, and he illuminates the uniquely progressive achievements and even greater promise of the Weimar Republic. Weitz reveals how Germans rose from the turbulence and defeat of World War I and revolution to forge democratic institutions and make Berlin a world capital of avant-garde art. He explores the period’s groundbreaking cultural creativity, from architecture and theater, to the new field of "sexology"—and presents richly detailed portraits of some of the Weimar’s greatest figures. Weimar Germany also shows that beneath this glossy veneer lay political turmoil that ultimately led to the demise of the republic and the rise of the radical Right. Yet for decades after, the Weimar period continued to powerfully influence contemporary art, urban design, and intellectual life—from Tokyo to Ankara, and Brasilia to New York. Featuring a new preface, this comprehensive and compelling book demonstrates why Weimar is an example of all that is liberating and all that can go wrong in a democracy.

    Unlike many other treatments of the Holocaust, Nazism, World War II and the Holocaust discusses not only the persecution of Jews, but also other segments of society victimized by the Nazis: gypsies, homosexuals, Poles, Soviet POWs, the handicapped, and other groups deemed undesirable. With clear and eloquent prose, Bergen explores the two interconnected goals that drove the Nazi program of conquest and genocide - purification of the so-called Aryan race and expansion of its living space - and discusses how these goals affected the course of World War II. Including first hand accounts from perpetrators, victims and eyewitnesses, the book is immediate, human and eminently readable.

    Len Deighton brings to bear all the skills of a best-selling novelist in this compelling study.In Blitzkrieg, Len Deighton turns a searchlight on the rise of Hitler, the lightning dash of his armies to the Channel coast in 1940 and on the debacle of Dunkirk, where — in a mistake that was to trigger his eventual downfall — a quarter of a million British troops were allowed to escape.

    Adolf Hitler believed this surprise attack was crucial for German success in World War II. It aimed to destroy what Hitler perceived as a Jewish-Bolshevik conspiracy and to ensure German economic, political and cultural prosperity. A huge percentage of German resources were allocated to the campaign against the Soviet Union, and the total percen

    G.M. Gilbert, the prison psychologist, had an unrivaled firsthand opportunity to watch and question the Nazi war criminals. With scientific dispassion he encouraged Göering, Speer, Hess, Ribbentrop, Frank, Jodl, Keitel, Streicher, and the others to reveal their innermost thoughts. In the process Gilbert exposed what motivated them to create the distorted Aryan utopia and the nightmarish worlds of Auschwitz, Dachau, and Buchenwald. Here are their day-to-day reactions to the trial proceedings; their off-the-record opinions of Hitler, the Third Reich, and each other; their views on slave labor, death camps, and the Jews; their testimony, feuds, and desperate maneuverings to dissociate themselves from the Third Reich's defeat and Nazi guilt. Dr. Gilbert's thorough knowledge of German, deliberately informal approach, and complete freedom of access at all times to the defendants give his spellbinding, chilling study an intimacy and insight that remains unequaled.

    In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.

    Cities have been reduced to rubble and more than half of the population are where they do not belong or do not want to be. How can a functioning society ever emerge from this chaos?In bombed-out Berlin, Ruth Andreas-Friedrich, journalist and member of the Nazi resistance, warms herself by a makeshift stove and records in her diary how a frenzy of expectation and industriousness grips the city. The Americans send Hans Habe, an Austro-Hungarian Jewish journalist and US army soldier, to the frontline of psychological warfare - tasked with establishing a newspaper empire capable of remoulding the minds of the Germans. The philosopher Hannah Arendt returns to the country she fled to find a population gripped by a manic loquaciousness, but faces a deafening wall of silence at the mention of the Holocaust.Aftermath is a nuanced panorama of a nation undergoing monumental change. 1945 to 1955 was a raw, wild decade poised between two eras that proved decisive for Germany's future - and one starkly different to how most of us imagine it today. Featuring black and white photographs and posters from post-war Germany - some beautiful, some revelatory, some shocking - Aftermath evokes an immersive portrait of a society corrupted, demoralised and freed - all at the same time.

    Perhaps less familiar are Carin, Emmy, Magda, Margaret, Lina, Ilse and Gerda... These are the women behind the infamous men—complex individuals with distinctive personalities who were captivated by Hitler and whose everyday lives were governed by Nazi ideology. Throughout the rise and fall of Nazism these women loved and lost, raised families and quarreled with their husbands and each other, all the while jostling for position with the Fuhrer himself. Until now, they have been treated as minor characters, their significance ignored, as if they were unaware of their husbands' murderous acts, despite the evidence that was all around them: the stolen art on their walls, the slave labor in their homes, and the produce grown in concentration camps on their tables.James Wyllie's Nazi Wives explores these women in detail for the first time, skillfully interweaving their stories through years of struggle, power, decline and destruction into the post-war twilight of denial and delusion.