Worse, Alex wasn’t an innocent bystander but part of the gang that raided the vault and left behind numerous bodies.Simmering with rage over his loss, Will tries to let the police handle the matter. But as Alex’s killers remain at large, Will decides that it’s up to him—and a few old friends—to enact revenge in a most brutal manner.Now he’s calling on dangerous connections that have been buried for years—and should’ve stayed that way. But Will vows to do whatever it takes to see Alex’s killers repay their sins in blood, even if it means his own damnation.

    As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

    The Washington Post has described him as a “post-existentialist private eye.” An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster’s groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.

    Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base. The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical. A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault. Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys. This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war. In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them. Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community. Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken.

    In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

    They are inspired by the late-night talk radio discourses of Stone Columbus, a trickster healer who became rich as the captain of the sovereign bingo barge Santa Maria Casino, anchored in the international waters of the Lake of the Woods. The heirs' plan to reclaim their heritage enrages the government and inspires the tribal nations in a comic tale of mythic proportions.Vizenor is a mixed-blood Chippewa who writes fiction in the trickster mode of Native American tradition, using humor to challenge received ideas and subvert the status quo. In The Heirs of Columbus, he "reveals not only how Indians have staved off the tidal wave of assimilation," noted the San Francisco Chronicle, "but also how, through humor and persistence, they sometimes reverse the direction of cultural appropriation and, in the process, transform the alien values imposed on them.""Vizenor understands the wilder, irrational, half-mad parts of the Discoverer's soul as few people ever have," noted Kirkpatrick Sale in the Nation; "Columbus is appropriated here in an entirely new way, made to be an Indian in service to his Indian descendants." And the Voice Literary Supplement said, "Even more rousing than Vizenor's deconstruction of Columbus, though, is his alternative vision of an American identity."

    Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything—friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy’s only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy and Kellan goes missing after a party, and news of him assaulting another girl in a town close by gets out, Romy must decide whether she wants to fight or carry the burden of knowing more girls could get hurt if she doesn’t speak up. Nobody believed her the first time—and they certainly won’t now — but the cost of her silence might be more than she can bear.　With a shocking conclusion and writing that will absolutely knock you out, All the Rage examines the shame and silence inflicted upon young women after an act of sexual violence, forcing us to ask ourselves: In a culture that refuses to protect its young girls, how can they survive?

    Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    But as he travels, he starts to remember the events leading up to this point, memories which are also being prised out in gruelling psychiatric interviews. What is the secret of Adam Farmer? And what will happen when he finds out?

    Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

    Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche.Jane explores the nature of this haunting incident via a collage of poetry, prose, and documentary sources, including newspapers, related "true crime" books, and fragments from Jane’s own diaries written. Each piece in Jane has its own form that serves as an important fissure, disrupting the tabloid, "page-turner" quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Part elegy, part memoir, detective story, part meditation on violence, and part conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, expands the notion of what poetry can do—what kind of stories it can tell, and how it can tell them.

    Three gritty and suspenseful novels from the Badge of Honor series--Men in Blue, Special Operations, and The Victim--appear in an unabridged omnibus edition.

    When Katherine Langley’s roommate, Emma, disappears from a house party on New Year’s Day, the only evidence left is a single set of footprints in the snow leading down to a deserted dock. Flashback sixteen months to Katherine’s first day at the University of Virginia when life is sweet. She is finally free from the drama of her parents’ dysfunctional marriage and ready to focus on studying to become a nurse. Her brother, Ben, belongs to the hottest fraternity on campus, and her new roommate, Emma, is beautiful and charming, a party girl whose answer for a hangover is happy hour. She is also a psychopath. When Katherine’s obsessive-compulsive overprotective brother succumbs to Emma’s charms and falls dangerously off-track, Katherine must save Ben from himself. From the University of Virginia campus to a cozy cottage on Carter’s Creek, Saving Ben is a haunting tale of love and loyalty, anger management, substance abuse, and betrayal.“This beautifully designed book might have come from any of the biggest publishing houses and sit shoulder to shoulder with some of the best LOOKING books to be released this year . . .The writing is exceptional and the story compelling with an emotional resonance that demonstrates a maturity to the writing that makes Ashley Farley an author to watch.”— Judge, Writer’s Digest 21st Annual Self-Published Book Awards

    Untouchable, they have the kind of power other girls only dream of. Every party is theirs and the world is at their feet. Until the night of Elle’s sweet sixteen, when they crash a St. Andrew’s Prep party. The night the golden boys choose Elle as their next target. They picked the wrong girl. Sworn to vengeance, Elle transfers to St. Andrew’s. She plots to destroy each boy, one by one. She’ll take their power, their lives, and their control of the prep school’s hierarchy. And she and her coven have the perfect way in: a boy named Mack, whose ambition could turn deadly. Foul is Fair is a bloody, thrilling revenge fantasy for the girls who have had enough. Golden boys beware: something wicked this way comes.

    It sits on a barren landscape that was once peppered with one-hundred-year-old pines and now houses as many mysteries as it does lives. Jeannette, Duke, and Ellis were the first to make Poverty a home. They are the guardians, the ones who remember what was once taken from them. Chapter by chapter, as each character takes up the narrative, we learn about the way life is lived on this Indian reservation. Here rumors swirl like the snow drifts that alter the landscape in the bitter winter. It was the snow that first brought them Donovan, the boy who acts as caretaker for Little, the strange younger brother who was born with fused claws for hands. All through his short and enigmatic life Little had only one word: you.