The complete opposite of Jasmine, her emotionally unstable baby sister, London has worked hard to stay out of the spotlight.Then she discovers that Wade, one of the most popular guys in school, is gay like her and their new-found closeness based around their shared secret has half the student body convinced they're hooking up...and a lot of girls aren't happy about it. Now she's been dubbed "Dirty London." Rumors are flying about her inability to keep her clothes on, and London is pretty sure she's developing a crush on the one girl who sees through it all. If she could admit why stealing boyfriends is the last thing on her mind—not to mention find out what's going on with Jasmine and her rapidly disappearing psych medications—her life would be a much brighter place. But if her and Wade's truth gets out, and if she doesn't find a way to help her sister, London faces losing a lot more than her obscurity.

    Her roommate has a boyfriend—and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she’s treading water in a dead-end job, her know-it-all therapist gives her advice she doesn’t ask for, and the men she is surrounded by are, to be polite, subpar. Enough is enough.So when Julia gets invited to a warehouse party in a part of town where “trendy people who have lots of sex might go on a Friday night”—she readily accepts. Whom she meets there, however, is surprising: a conceptual artist, also a woman.Julia’s sexual awakening begins; her new lesbian life, as she coins it, is exhilarating. She finds her tribe at queer swing dancing classes, and guided by her new lover Sam, she soon discovers London’s gay bars and BDSM clubs, and . . . the complexities of polyamory. Soon it becomes clear that Sam needs to call the shots, and Julia’s newfound liberation comes to bear a suspicious resemblance to entrapment . . . In at the Deep End is an unforgettably frank, funny, and racy odyssey through the pitfalls and seductions we encounter on the treacherous—and more often, absurd—path to love and self.

    Set in Montreal, a typical metropolis where strangers meet under varying circumstances and either fall in love or break apart, Julie Maroh’s gentle hues and fanciful vignettes unearth the pleasures, surprises, and complexities of love.

    Our heroine, Esme Rockett (aka MC Ferocious) is a Jewish lesbian lyricist. In her crew, Esme’s got her BFFs Marcy (aka DJ SheStorm, the butchest straight girl in town) and Tess (aka The ConTessa, the pretty, popular powerhouse of a vocalist). But Esme’s feelings for her co-MC, Rowie (MC Rohini), a beautiful, brilliant, beguiling desi chick, are bound to get complicated. And before they know it, the queer hip-hop revolution Esme and her girls have exploded in Holyhill is on the line. Exciting new talent Laura Goode lays down a snappy, provocative, and heartfelt novel about discovering the rhythm of your own truth.

    Preferring chaos to bullying, Del makes it her mission to save her dad's crumbling café, the Flywheel, while he 'finds himself' overseas. Accompanied by her charming troublemaker best friend Charlie, Del sets out to save the cafe, keep Charlie out of prison, and maybe get a date with Rosa, the beautiful flamenco dancer from across the road. But when life is messy enough as it is, can girl-on-girl romance ever have a happy ending? This hilarious and accident-prone novel is about how to be heartbroken and how to fall in love; about rising above high-school drama and wrestling with problems that are (almost) too big. It speaks directly to teens and assures them that they’re not alone, and does it all with an abundance of heart.

    Lexie Clarion's first night at college, she falls in with a pack of radical feminist werewolf hunters. The next morning, she falls for a mysterious woman who may be among the hunted. As Lexie's new lover and the Pack battle for Lexie's allegiance, the waxing moon illuminates old hatreds, new enemies, and a secret from Lexie's childhood that will change her life forever.

    In this environment, where the everyday rights of people are under attack, homosexuality is a dangerous transgression to be punished. And yet Romina, Flaca, Anita "La Venus," Paz, and Malena--five cantoras, women who "sing"--somehow, miraculously, find one another. Together, they discover an isolated, nearly uninhabited cape, Cabo Polonio, which they claim as their secret sanctuary. Over the next thirty-five years, their lives move back and forth between Cabo Polonio and Montevideo, the city they call home, as they return, sometimes together, sometimes in pairs, with lovers in tow, or alone. And throughout, again and again, the women will be tested--by their families, lovers, society, and one another--as they fight to live authentic lives. A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.

    Meanwhile, Zo is the gender fluid offspring of Libby's new neighbors who have moved to the country from Knoxville in hopes of living a slower-paced, more natural life. Zo and hir family are as far to the left ideologically as Libby's family is to the right, and yet Libby and Zo, who are the same age, feel a connection that leads them to friendship—a friendship that seems doomed from the start because of their families' differences. Through deft storytelling, built upon extraordinary character development, author Watts offers a close examination of the contemporary compartmentalization of social interactions, and forms a story that resonates far beyond its pages.

    Survivalists. Bex prefers to think of herself as a realist who plans to survive, but regardless of labels, they’re all sure of the same thing: a crisis is coming. And when it does, Bex will be ready. She’s planned exactly what to pack, she knows how to handle a gun, and she’ll drag her family to safety by force if necessary. When her older brother discovers Clearview, a group that takes survival just as seriously as she does, Bex is intrigued. While outsiders might think they’re a delusional doomsday group, she knows there’s nothing crazy about being prepared. But Bex isn’t prepared for Lucy, who is soft and beautiful and hates guns. As her brother’s involvement with some of the members of Clearview grows increasingly alarming and all the pieces of Bex’s life become more difficult to juggle, Bex has to figure out where her loyalties really lie. In a gripping new novel, E. M. Kokie questions our assumptions about family, trust, and what it really takes to survive.

    Missy Fuego is an eighteen-year-old Xicana, the first in her family to leave home and accept a scholarship at a prestigious yet hippie university tucked away in the Redwood forests of the Santa Cruz mountains in 1996. But scholarship money proves to be tough, and she has to moonlight as a stripper to pay the bills in "the city," putting her at constant odds with two developing worlds. Through her daily journey to get things done she manages to get entangled with a series of diverse and important people, dodging close-calls, neo-nazi skinheads, Xicano authenticity battles, Riot Grrrl race politics, and hippies, all the while exploring her Queer identity, getting paid through her thong, and learning to take a chance on herself.

    Now, only a goddess can tell the truth. Persephone has everything a daughter of Zeus could want--except for freedom. She lives on the green earth with her mother, Demeter, growing up beneath the ever-watchful eyes of the gods and goddesses on Mount Olympus. But when Persephone meets the enigmatic Hades, she experiences something new: choice. Zeus calls Hades "lord" of the dead as a joke. In truth, Hades is the goddess of the underworld, and no friend of Zeus. She offers Persephone sanctuary in her land of the dead, so the young goddess may escape her Olympian destiny. But Persephone finds more than freedom in the underworld. She finds love, and herself.

    Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie. As Edwidge Danticat has made personal the legacy of Haiti's political coming of age, Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope — a future where a woman might just be able to shape her life around truth and love.

    Includes:"Michael's Little Sister" / C. S. Adler"Dancing Backwards" / Marion Dane Bauer"Winnie and Tommy" / Francesca Lia Block"Am I Blue" / Bruce Coville"Parents Night" / Nancy Garden"Three Mondays in July" / James Cross Giblin"Running" / Ellen Howard"We Might as Well Be Strangers" / M. E. Kerr"Hands" / Jonathan London"Holding" / Lois Lowry"The Honorary Shepherds" / Gregory Maguire"Supper" / Lesléa Newman"50% Chance of Lightning" / Cristina Salat"In the Tunnels" / William Sleator"Slipping Away" / Jacqueline Woodson"Blood Sister" / Jane Yolen

    African American Studies. LGBT Studies. Women's Studies. "See YABO... like a Mingus composition: Pentecostal, blues-inflected, full of wit and that deep literacy of the black diaspora. The present, the past, the uncertain future collapse upon themselves in this narrative of place/s. Our dead move with us: behind us, above us, confronting us--in Manhattan; Asheville (N.C.); Buffalo, NY; Jamaica; the hold of a funky slave ship; crossing and bending lines between genders, sexualities, longing and geographies. Time is a river endlessly coursing, shallow in many places, deep for long miles, and, finally, deadly as the hurricane that engulfs and destroys the slave vessel, 'Henrietta Marie.' YABO calls our ghosts back and holds us accountable for memory."--Cheryl Clarke

    That’s what sixteen-year-old Zel keeps telling herself after moving to Sydney for her dad’s work. She’ll just wait it out until she gets back to New York and Prim, her epic crush/best friend, and the unfinished subway project. Even if Prim hasn’t spoken to her since that day on Coney Island.But Zel soon finds life in Sydney won’t let her hide. There’s her art teacher, who keeps forcing her to dig deeper. There’s the band of sweet, strange misfits her cousin has forced her to join for a Drama project. And then there’s the curiosity that is the always-late Stella.As she waits for Prim to explain her radio silence and she begins to forge new friendships, Zel feels strung between two worlds. Finally, she must figure out how to move on while leaving no one behind.