The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.

    Winner of the 1989 PEN/Hemingway Foundation Award for best first novel, this exquisite book confronts real-life issues of alienation and violence  from which the author creates a stunning testament  to the human capacity for mercy, compassion and love.

    Set in a small seaport town (1862), The Morgesons is the dramatic story of Cassandra Morgeson's fight against social and religious norms in a quest for sexual, spiritual, and economic autonomy. An indomitable heroine, Cassandra not only achieves an equal and complete love with her husband and ownership of her family's property, but also masters the skills and accomplishments expected of women.Counterpointed with the stultified lives of her aunt, mother, and sister, Cassandra's success is a striking and radical affirmation of women's power to shape their own destinies. Embodying the convergence of the melodrama and sexual undercurrents of gothic romance and Victorian social realism, The Morgesons marks an important transition in the development of the novel and evoked comparisons during Stoddard's lifetime with such masters as Balzac, Tolstoy, Eliot, the Brontes, and Hawthorne.

    She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling."Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." —Claire-Louise Bennett, author of Pond A ghostly feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.

    M. Barnard." Louisa May Alcott's novel of romance and sexual intrigue is one of her lesser-known gems. Its tone and characterizations strike a markedly different chord from her best-known works, such as "Little Women" and "Little Men," and it remains a popular addition to her oeuvre.

    For her and her brother, Nik, now in their forties, no relationship is more significant. They grew up in Los Angeles in the late seventies and early eighties. Nik was always the artist, always wrote music, always had a band. Now he makes his art in private, obsessively documenting the work, but never testing it in the world. Denise remains Nik’s most passionate and acute audience, sometimes his only audience. She is also her family’s first defense against the world’s fragility. Friends die, their mother’s memory and mind unravel, and the news of global catastrophe and individual tragedy haunts Denise. When her daughter, Ada, decides to make a film about Nik, everyone’s vulnerabilities seem to escalate.Dana Spiotta has established herself as a “singularly powerful and provocative writer” (The Boston Globe) whose work is fiercely original. Stone Arabia—riveting, unnerving, and strangely beautiful—reexamines what it means to be an artist and redefines the ties that bind.

    The Tony Award-winning play that focuses on the meaning of art (in the form of a solid white painting) as well as the meaning of friendship, to both the man who bought the painting and the two friends who come to see it."

    She and her artist brother, Felix, travel to Boston to meet distant cousins relatives, partially in hopes of making a wealthy marriage. Its wit, gaiety, and what Rebecca West calls its "clear sunlit charm" have made this masterly short novel one of the most popular of James's novels.

    The story concerns a few days in the life of a 32-year-old man, descendant of Indians and living in two worlds, his mother's home on the reservation and the dreary bars and hotels of nearby Havre and Malta, Montana. His days and nights blending together in an alcoholic haze, he meets a deranged white man, picks up women and gets punched in the nose. Meanwhile, he is haunted by a past that includes the death of an older brother and an injury to his knee that multiple operations have not remedied. Out of these unpromising circumstances, Welch finds the beginnings of a kind of personal salvation. By reaching back through the memory of a blind old man's act of charity, he restores the younger man's vision of himself.

    According to custom, she moved to the Forbidden City at the age of seventeen to become one of hundreds of concubines. But her singular beauty and powers of manipulation quickly moved her into the position of Second Consort.Tzu Hsi was feared and hated by many in the court, but adored by the people. The Empress's rise to power (even during her husband's life) parallels the story of China's transition from the ancient to the modern way.

    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    Through pithy and poetic chapter-moments - "spring landscape: detail," "death of grandmother," "first beau," "low yellow," "everybody will be surprised" - Maud Martha grows up, gets married, and gives birth to a daughter. Maud Martha, a gentle woman with "scraps of baffled hate in her, hate with no eyes, no smile..." who knows "while people did live they would be grand, would be glorious and brave, would have nimble hearts that would beat and beat," is portrayed with exquisitely imaginative and tender detail by Gwendolyn Brooks, the first African-American to win a Pulitzer Prize

    Bridge, an inspired novel set in the years around World War II that testified to the sapping ennui of an unexamined suburban life. India Bridge, the title character, has three children and a meticulous workaholic husband. She defends her dainty, untouched guest towels from son Douglas, who has the gall to dry his hands on one, and earnestly attempts to control her daughters with pronouncements such as "Now see here, young lady ... in the morning one doesn't wear earrings that dangle." Though her life is increasingly filled with leisure and plenty, she can't shuffle off vague feelings of dissatisfaction, confusion, and futility. Evan S. Connell, who also wrote the twinned novel Mr. Bridge, builds a world with tiny brushstrokes and short, telling vignettes.

    But for Clara Darden and Virginia Clay, it represents something quite different.For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded—even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter—Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece—an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.

    Sybylla rejects the opportunity to marry a wealthy young man in order to maintain her independence. As a consequence she must take a job as a governess to a local family to which her father is indebted. "My Brilliant Career" is an early romantic novel by this popular Australian author.