"Conveys a world that is spiritual, foreign, and entirely accessible."--Vanity Fair. Reading tour.

    Their possessions are meagre: the single room barely accommodates their bed, the water pot, the kitchen utensils and the tin box in which Sonsi keeps her precious things. But there is a magical place beyond the window which sustains Raghuvir Prasad's and Sonsi's spirit. This window lived in a wall.

    Will you still call this a love marriage? And what if on the engagement day while you pull the ring out from your pocket, you realize what you planned was just a dream which never comes true…? How would you react when a beautiful person comes into your life, becomes your most precious possession and then one day goes away from you…forever? Not all love stories are meant to have a perfect ending. Some stay incomplete. Yet they are beautiful in their own way. Ravin’s love story is one such innocent and beautiful story. He believes love stories seldom die. They are meant to stay for the generations yet to come and read them. And given that one chance to narrate his love story, this is how he began…

    Gods disguised as beggars and beasts, animals enacting Machiavellian intrigues, sagacious jesters and magical storytellers, wise counselors and foolish kings--all inhabit a fabular world, yet one that is also firmly grounded in everyday life. Here is an indispensable guide to India's ageless folklore tradition.With black-and-white illustrations throughoutPart of the Pantheon Fairy Tale and Folklore Library

    An amazing, sui generis book, River of Fire spans two and a half millennia. Set during four Indian epochs (the classical, the medieval, the colonial, and the modern post-national), the novel is a meditation on history and human nature, tracing four souls through time. Each section is linked by characters who bear, in every period, the same names: Gautam, Champa, Kamal, and Cyril. Gautam (appearing first as a student of mysticism at the Forest University of Shravasti in the 4th century B.C.E.) and Champa (throughout embodying the enigmatic experience of Indian women) begin and end the novel; Muslim Kamal appears mid-way through, as the Muslims did, and loses himself in the Indian landscape; and Cyril, the Englishman, appears later still. In different eras, different relations from among the four -- romance and war, possession and dispossession. Yet together the characters reflect the oneness of human nature: amidst the nationalist and religious upheavals of Indian history, Hyder argues for a culture that is inclusive.Interweaving parables, legends, dreams, diaries, and letters, Hyder's prose is lyrical and witty. There is really no book like River of Fire. Qurratulain Hyder was awarded the Bharatiya Gnanpith, India's highest literary award, in 1989, and here is her masterpiece, her broadest canvas and her finest art.

    Still above is Vaikuntha, heaven, abode of God.The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean 'victory'. One keeps you in Swarga; the other raises you into Vaikuntha.In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chhattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu and Yakshagana of Karnataka.Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data.With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

    After being a hard-as-nails reporter who covered crime stories of the goriest kind, Mythili is now just a ‘dependent’. On top of that, unemployment, encounters with expat-wives and culture shock leave her feeling like she has fallen down a rabbit hole. Will their love survive, or will she become just another unhappily married expatriate wife?Will this real life Alice ever embrace her Wonderland?

    This collection of delightfully twisted, supernatural short stories will captivate your imagination and entertain your darker side. A monster with a love of bakery, an old woman living in fear with her ex-con nephew, a widow with only one chance left, and a demon with a dark and powerful heart, are some of the characters wrestling with their darker selves in this enjoyable collection.

    She is prepared for a mission of exploration in the first journey from Earth into interstellar space, to make contact with beings from another planet. But when her ship is outgunned in an attack she and her crew must find ways to counter the threat even when she discovers that someone on her crew has been keeping secrets from her. When they finally approach their destination 4.2 lightyears away, it turns out there are even more mysteries to be uncovered ... the truth is stranger than anything they ever imagined!Will a thrilling chase across interstellar chase reveal the secrets or will the crew of Antariksh face death and destruction in face of unsurmountable odds?

    A woman tries to come to terms with repressed childhood memories while keeping the nightmare that has plagued her family for generations at bay.

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears

    In these three tales, superbly translated by Edward Seidensticker, erotic fantasy is underlaid with longing and memories of past loves.In the title story, the protagonist visits a brothel where elderly men spend a chaste but lecherous night with a drugged, unconscious virgin. As he admires the girl's beauty, he recalls his past womanizing, and reflects on the relentless course of old age. In One Arm, a young girl removes her right arm and gives it to the narrator to take home for the night; a surreal seduction follows as he tries to allay its fears, caresses it, and even replaces his own right arm with it.The protagonist of Of Birds and Beasts prefers the company of his pet birds and dogs to people, yet for him all living beings are beautiful objects which, though they give him pleasure, he treats with casual cruelty.Beautiful yet chilling, richly poetic yet subtly disturbing, these stories make compelling reading and reaffirm Kawabata s status as a world-class writer.

    Set in politically charged Shillong, this interconnected collection of stories speaks of the coming-of-age of a young woman–and the city and community she calls home.

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.